I wrote another installment of my San Francisco-to-New York travelogue. I keep thinking, like, maybe my entire career is simply rewriting every Judy Blume book in chronological order, as memoir. Except that, in my version, the 13-year-old girl is played by an overgrown boy with an overgrown beard.
That first day on the road we drove to Los Angeles, then past it. There were no monuments to communicate to us that we’d entered or left L.A., no skyscrapers or theaters, no ocean in sight. I’d spent the better part of a year traveling down there, writing my novel about a teenage Orthodox girl who got her own television show. It was half wish fulfillment, half daring myself to try to achieve that nightmare. Every few weeks for a year I left San Francisco and bounced back and forth along the California coast on a Greyhound bus, staying for a few days or a week, soaking up enough inspiration to get me through the next 50 pages.
On this trip — the same unending fields out the window of Elyse’s SUV, the same pasture halfway with hundreds and hundreds of cows stuffed against each other, mooing sadly and uselessly — it was an entirely different feeling, the last time I’d make this bizarre pilgrimage.
We passed the cows, and Elyse’s dog Joey howled at them in primal confusion, startled by the moving background, disturbed that these nearby animals were rushing by fast while standing completely still and that they were simultaneously unafraid of his braying. It was only natural for him to chase cows, and for cows to tremble at his presence. The very fact of the road trip was lost on him. Or maybe it wasn’t. Maybe this was the way he’d always lived, his mind only in the moment, never regretting the past or dwelling in left-behind places, always dealing with what was in front of him. Maybe we were the beginners, and he was to be our rebbe.