What are you up to on November 8? Depending who you are, either celebrating, stewing, or plotting revenge against fraudulent voting booths/elderly Jewish neo-Nazis in Forida, most likely.LimmudLA is planning a giant bonfire on Dockwiler beach in Los Angeles that night. As the event page says, "The etiquette of the evening is that we will not cheer for the winner or lament for the loser. We will not speak publicly or even whisper between us to make anyone feel that they voted the wrong way....We will celebrate Havdalah together on the beach and sing our hearts out. We will then break into small groups on the sand for a Torah-inspired learning session about healing community differences."
The location alone -- "where the 105/Imperial Highway meets the beach" -- makes me get nostalgic for Los Angeles. (I'll actually be on a plane to LA that night, en route to the AJU Celebration of Jewish Books, so burn some wood for me.) On our site, we talk about the idea of Havdalah as bringing a drop of Shabbat into the week, and there's nothing these next few weeks are going to need more than some good healthy helpings of Shabbat. If you're around Los Angeles, you should definitely drop by.
And, like all Limmud ideas, this is viral, so if anyone is planning another convocation of this sort (or gets spontaneously inspired to), let us know.
Friday, October 24, 2008
Healing Havdalah
Labels: bonfires, havdalah, limmud, los angeles
Posted by matthue at 9:55 AM
Thursday, October 23, 2008
Who Got the Beat?
My new column Tuned In is up on Nextbook! With a Sholom Auslander-like digitized picture and everything.
When I first got into Judaism (read, betrayed my secular family and Conservative synagogue and became a religious zealot) I was convinced that Jewish culture was never going to replace secular culture in my life. During some of my first Shabboses as an observant Jew, I went to They Might Be Giants and Fugazi concerts, buying my ticket beforehand and manufacturing excuses, if only because, well, the Miami Boys’ Choir was next to impossible to slam-dance to, and I’d be damned if I was going to listen to any one-man synthesizer band just because we have a God in common.
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Also, this is only going to affect about three people in the universe, but it's so great that I need to scream it: the first band I ever loved, The Dead Milkmen, are getting back together. So far it's just a one-off show -- while I'm doing a reading in Los Angeles, no less -- but, for the moment at least, it makes the world feel like a better place. At first I got scared that it would change what I wrote about them in Losers. but I think it makes it even MORE relevant. you know, to today's kids.
Labels: balkan beat box, danny raphael, dead milkmen, kosha dillz, lines of faith, losers, music, nextbook, socalled, tamuz shiran
Posted by matthue at 4:29 PM
Meet G-dcast
Dear Mom and Dad, this is why I've been so busy. But, hey, now everyone in the universe can finally keep up with the weekly Torah portion without showing up promptly at 9:00 AM in synagogue every Saturday morning...or, really, without paying attention to anything longer than 4 minutes.
Keep visiting -- there's a different narrator each week. Up next: this punk-rock Orthodox kid who thinks he knows about floods.
Thursday, October 16, 2008
Etrog!!!

You'd think an etrog in Hasidic Brooklyn would be easy to find.
After all, when I lived in San Francisco (Jewish population: high; etrog population: maybe 2 dozen or so?), choosing an etrog was easy to select: your synagogue (Chabad, because nobody else wanted to bother with ordering them) would get a box of etrogim in the mail, and choosing an etrog would be pretty simple: the first person in line got the first etrog out of the box.
If you've ever seen the (best) film (ever) Ushpizin, you know that choosing an etrog can be involved, strenuous, even obsessive. Everything from the color to the texture to the bumps means something -- a tiny horizontal indentation toward the bottom curve, for instance, is known as "Eve's Bite," since one school of thought says that the etrog was the fruit that caused Adam and Eve got kicked out of the Garden of Eden. And let's not underestimate the prime fact: Jews are obsessive-compulsive about, well, everything.
So here's me on Sunday, going through every one of the dozen etrog shops that spring up in Crown Heights for exactly a week and a half, transformed bodegas and corner stores and even one barbershop. The only thing I really know is that I like to have a pitom, that tiny stem that looks like an outie, on top of mine. And it just so happens that, among Chabad, people try not to have a pitom.
I went into my friend Levi's family's store, set up in the neighborhood matzoh bakery. They always somehow forget they know me until I've caused them even more stress than the last time, upon which they're like, "Oh. You.." and vanish to another room. But they're actually really nice. In this instance, they were almost out of pitomified etrogim, except for....
"These are Moroccan, but you probably don't want them."
"Moroccan?" My synagogue is Moroccan. My eighth-grade term paper was on Morocco. I love Morocco.
"Moroccan. They're not like Israeli or Italian etrogim; they're kind of, how do you say, shvach. Lazy etrogs."
"They are lazy etrogs," I repeat, understanding not at all.
He explains. They're solid, sturdy etrogs, lacking in beauty and bumpiness, all the things we are supposed to treasure in etrogs. They're mostly sold to children, to teach them how to say the blessings and how to handle an etrog, and all that. "You know," he says, "the pitom, it does not last long around the children." Then he looks down at my daughter, who's strapped to my chest in one of those portable baby prison things, and says "You have one year left, maybe two."
I went to another place, and the next. One place, I was fighting to see etrogs, not wanting to jump straight in and endanger my kid. At other places, the etrogs didn't have pitoms, were too expensive (hey, hauling delicate and uncommon citrons from across the world ain't cheap) or just weren't the right etrog.
The last place was around the corner from my house, a convenience store that had literally been taken over a week ago. Mexican beer ads with women who couldn't have been wearing fewer clothes if they were naked littered the floor, mixed with somewhat fresher newspaper fragments in Hebrew. Teenage Israelis were running in and out like worker ants, and it took about half an hour of having a twenty-dollar bill in my hand for someone to notice.
He gave me a shrug, almost imperceptible beneath his huge shoulders. He gestured over to a bunch of huge boxes strewn across the floor, all of which had literally hundreds of smaller boxes -- etrogs -- inside each.
I got on my knees. I started poring through them.
Now my daughter is usually an active girl. She struggles, she blips and beeps and chortles, she crawls pretty much everywhere and she puts nearly everything into her mouth. Today, though, she was kind of dreary -- either because she didn't get a full nap, or from the tedium of seeing a zillion men in bushy beards and black hats, one after the other. She watched me poking through the etrogs with a modicum of disinterest, head lolling to one side. She didn't even feel like eating the corner of the Baby Bjorn, which she's usually pretty nonstop about doing.
And then I unwrapped it. It didn't look that special to me, although it certainly didn't look like any of the normal ones -- tilted to one side, the pitom sturdy and washed to the other, waves of green peeking through the yellow to the top and bottom. I was thinking of putting it back, digging through the rest of the box. I'd already spent an hour; what was another twenty minutes? But then my chest tugged at me, two tiny hands working their way inside the box. My daughter was awake in a way she hadn't been all day, cooing like a stoned dove and fighting styrofoam for possession of a fruit she'd never seen before. She gave an imminent tug, then looked straight up at me as if she was asking, Can I eat it? Just this once?
"This is the one," I announced -- to the room full of Israeli teenagers, none of whom was paying attention to me, and the manager, who didn't even realize what I was stuffing into his hand until the money was pressed deep inside, and I was halfway to the door.
And then I went home to shake my lulav.
crossposted on MyJewishLearning
Labels: crown heights, etrog, israelis, morocco, myjewishlearning, sukkos, yalta
Posted by matthue at 3:25 PM
Hol Hamoed Jam
Back from the Sukkos-imposed hiatus -- and, hey, the whole world has changed. For one thing, Prowler, the band that cameos in Losers, has a new music video...and also, I apparently guest-blogged on Jewish Grandchildren for Obama.
About a year ago, I wrote an essay for an academic anthology -- okay, no, it was Chicken Soup for the Democrat's Soul --saying how I really believed in Obama. He called on Congress to change. He asked the American people to believe in him. I think Shepard Fairy's Obama poster was the summit of this for me: the Senator's face and the single word "HOPE."
But this whole idea of HOPE is weird. You can HOPE for anything....
(keep reading)
And here's your Hol Hamoed jam:
Labels: electoral usureness, hol hamoed, losers, obama, prowler, sudafed and its associated dangers
Posted by matthue at 6:53 AM
Monday, October 13, 2008
5:30 A.M. Finnish Goth Musicals
Okay, answer now: Why have I been up for an hour and a half?
No -- the real question should be, why is it 5:51 a.m. and I've been up for an hour and a half? Luckily -- or, I guess, judiciously, I have a friend (on the West Coast, so at least one of us is up at a semi-rational hour) who's a doctor who just emailed me this epinion about Sudafed. Which I just took for this weird cold I have.
And things are starting to make way too much sense.

The review starts: "PROS: Clears you up. CONS: Amps you up" and goes downhill from there. Basically: Sudafed is made from the same stuff as speed. And the primary ingredient is, apparently, the same as crystal meth. Why don't they teach you this stuff in straightedge school?
Well, at least I'm getting work done. (And, by "work," I mean that I have two major projects due this week, a Jewish holiday that starts in 12 hours, and I just spent half an hour writing an email to an old friend in which I volunteered to edit a documentary on Finnish goth culture.) For some reason, I thought the documentary was a musical. Maybe this speed thing isn't so bad, after all.
Labels: east coast/west coast rivalry, sick, sudafed and its associated dangers
Posted by matthue at 5:50 AM