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Wednesday, December 24, 2008

Subverting - and Loving - Islam

A few weeks ago, the Los Angeles Times did a story on Muslim punk-rock teenagers -- and we ran a critique of it -- and noted how the article was actually about one Muslim punk-rock teenager, and a bunch of other girls who talked about how weird it was.

michael muhammad knight


Yesterday the New York Times profiled Michael Muhammad Knight, a Muslim and author of The Taqwacores, a novel about punk-rock Muslims. Both vehemently religious and sometimes vehemently opposed to the official Muslim platform on things -- or what's come to be accepted as the official Muslim platform on things -- Knight's characters are punk band members, co-ed prayer ritual leaders, and a "riot girl [sic] who plays guitar onstage wearing a burqa." The book started out life as a photocopied manuscript that was passed around between young outlier Muslims, but was soon picked up by Autonomedia and has just been rereleased in a sharp-looking printing by Soft Skull Press. But the Times profile gets both Knight's message and the author himself in a way that I think the L.A. Times just glossed over, which is to say, there's a stunning and humbling combination of chutzpah and devekut -- that is to say, in-your-face-ness and piety -- in Knight's work that connects with readers in a truly profound way.

The most awesome proof of this, I think, comes from the novel itself. When Knight wrote the book five years ago, he was writing a wish. Taqwacore was his made-up name; there weren't any Muslim bands playing revolutionary punk music. (And yes, I know I'm being incredibly gushy; my first book, Never Mind the Goldbergs, was about an Orthodox Jewish punk-rock scene that also didn't exist.) But in the short time since its publication, an entire Taqwacore scene has sprung up.

It seems kind of weird that I'm blogging about this on a Jewish site, I know. But so much of it resonates with my own Judaism -- and who among us doesn't recognize the impetus to both love our religion and despise parts of it? Knight, I think, says it best. It's easy to link Muhammad's actions (the prophet, not the author) to Abraham's riot-boy tantrum that first kicked off monotheism on Earth, but the sentiment of returning our religion to its roots, and separating true Torah from what everyone around you says it is, is a sentiment that we can all relate to:

[Knight] said he wrote “The Taqwacores” to mend the rift between his being an observant Muslim and an angry American youth. He found validation in the life of Muhammad, who instructed people to ignore their leaders, destroy their petty deities and follow only Allah.

Sunday, December 21, 2008

A travelogue to Philadelphia rooftops

Briefly: I'm going to be performing tomorrow at World Cafe Live in Philadelphia! Opening for the retro-Catskills lounge comedy band Good for the Jews, and guest-starring Adam Brodsky.

Also: awesome new review of Losers:

Matthue Roth’s novel is about the character and the voice, and it rocks. It’s hilarious. It’s more than a little crazy, yet manages to ring true. There are universal life truths in here among Jupiter’s escapades, and you’ll find yourself rooting for Jupiter wholeheartedly. And the writing! Even funnier. Descriptive and gritty and captivating. Matthue Roth can write. I already loved his book Never Mind The Goldbergs, so I expected this to be awesome, and it was. It’s a coming of age story that also falls into the madcap adventure category occasionally, and the result is a lot of amusement minus brain rotting. This is a short novel that packs a lot of punch and will provoke a lot of muffled laughter. Highly recommended.

This one's been putting a mad grin on my face all weekend. As if my sixth-grade English teacher's Xmas party, in which I had beers with a bunch of my former junior-high school teachers and watched this guy (yes, it was late) dislocate his butt...I seriously wonder how I'll ever be able to say that New York is more exciting than Philadelphia.

And there is an amazing roof deck on their house, which looks out on the Schuylkill River and the Center City skyline and a Matrix-like ocean of other rooftops, and I'm already too far into writing the sequel to Losers to decide this, but somewhere in Jupiter Glazer's life, he is going to end up being chased atop this very rooftop deck.

Wednesday, December 17, 2008

oh, and....

coming this spring in paperback:



thank you, fred chao.

Chana sings Ana

The countdown to Chanuka continues. Today: Chana Rothman's song "Ana."

A protest singer at heart and a throwback to Janis Joplin in aesthetic, Rothman is almost chastising God for holding out too long from redemption: "Deliver us/we are broken/Be our rock/there's no solid ground." Live, she performs it like an anthem, with the crowd singing along; recorded, it's mellower, though no less contagious.

Hear it and read the rest of the article here...

And, dammit, pray for the Messiah. My rabbi and role model, Rabbi Davide, just sent an announcement heralding "the birth of our son (name to be announced at the bris)...." The rest of the email is the priceless part, though. The rebbetzin "and he are resting somewhere on the outskirts of the Jerusalem forest while I enjoy the full personalities of our other children....praise the Lord."

In Australia, Yalta just learned to clap. In America, my palpable excitement and my jealousy are both rising exponentially at this writers' segue. People I barely know are telling me about the coolest stories, and I keep thinking "wow, someone should turn that into a book"...and then I realize, they are.

Monday, December 15, 2008

Song a day: DeLeon

For each night of Chanukah (uh, actually, starting like a week early) I'm writing up a holiday song for Nextbook. The first pick is Sephardic alt-rock wonders DeLeon singing "Ocho Kandelikas", a Ladino Chanukah song:

Philadelphia, where I grew up, always got hit by winter early, and Hanukkah seemed like a bastion of light and heat. This song is a perfect accompaniment—DeLeon’s matter-of-fact sexiness and swagger feels a little cheesy and, at the same time, honest and revelatory, like a burning menorah of love amid the darkness.

New week, new G-dcast, new you.

New week: Itta and Yalta are still in Australia, and I'm just trying not to go insane. So far it seems like the best way for me to do that is by almost driving myself insane with too much to do. Including being double-booked for Jewcy's Christmas party and a date with Baruch, who talking movie script and going to the Boss Hog concert.

Tonight, Dvora Meyers, full-time teacher and full-time b-girl, is taking me to a breakdance battle. (I know there's some less-geeky way of saying that, but I don't remember. And I'm a geek.) Awesomely, in today's New York magazine, there's a writeup of her dual talents.

New me: The bad part is that I sliced myself pretty gnarily on a broken glass. The good part (the impressive part, really) is that I was doing dishes when it happened. As an aspiring domestic god, I have gotten my first scar. And it's a doozy.

And the G=dcast: Anomaly M.C. of the orthodox Muslim/orthodox Jewish supergroup Lines of Faith does a musical version of Joseph that will roll Andrew Lloyd Webber's tuchus into a tiny little rubber ball and kick it all around the schoolyard.

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