Give Her a Get

Jewish punk music might have ditched the kitsch for good. While I love myself some YIDcore, the silly Australian punk band, the Groggers' new music video for the song "Get" is everything that punk is supposed to be about -- mostly, positive social change and making you uncomfortable.

I have no idea whether they're disgruntled yeshiva boys or sardonically clever baal teshuvas or another monster entirely. Dear Groggers, who are you? Do you have more songs? And are you actually cool in real life? Give me a shout.

And, if you want to know more about what a get is or exactly why it's permissible in Jewish law to kick that dude's tuchus six ways to Sunday, read MyJewishLearning.com's article on agunot get, and check out this other swanky example of art-as-activism: a comic called the Unmasked Project.

(And thanks to the innumerable Heshy Fried for showing me this.)

The Great Parade

I've got my first music writing gig in a while, reviewing the new Shondes album for the Forward. And while it's weird to be listening to music in the middle of Sefirat HaOmer, it's also kind of cool. The other day, right before my gig, I got a song stuck in my head ("Maps" by the Yeah Yeah Yeahs, if you were wondering). I was fasting from music, but I could still taste it, so to speak -- much like Roger Ebert, who can no longer eat food due to cancer, writes about still getting ghost tastes in his mouth.

And then yesterday was Lag BaOmer, the joyful day that ends it all.

No matter where in the world you are for Lag BaOmer, either Meron or not in Meron, there are crazy celebrations. In Crown Heights yesterday, we stumbled upon a huge parade, a parade that was more like a March on Washington -- literally thousands of little Hasid-lets in bright orange T-shirts worn above white long-sleeve shirts. In the grand tradition of Hasidic events with superlative non-descriptive titles like The Big Event, yesterday's festivities were known as The Great Parade.

And I know this won't mean anything to 99% of you, but it was sort of the Hasidic equivalent of a Beatles reunion show, if the Beatles had never played on stage together before. The (Great!) Parade's three headliners were all one-namers, like Madonna or Prince: Lipa! MBD! Avrohom Fried (who, okay, isn't a one-namer, but has that star appeal nonetheless). And -- and, okay, this was a big one, especially for those of us who are under two years old -- Uncle Moishy!

The biggest show going on wasn't even on the stage. It was in the streets. Intent on making my family happy, I trudged to the end of the line that snaked outside the barbershop, where dozens of men waited for their first haircut in 33 days. Ahead of me, a bunch of people were recounting the age-old debate about whether the Lubavitcher Rebbe is really the Messiah -- since the star-studded event brought in thousands of newcomers to Crown Heights, and there's really only one thing that newcomers to Crown Heights talk about. Behind me, people were discussing the merits of Uncle Moishy's music. As you can imagine, I have some pretty strong opinions -- I'm a huge fan, and I think that Uncle Moishy honestly gets what kids want to hear. My only serious gripe is that, since my Hebrew name is Moishy, there's really no way my daughter can have an Uncle Moishy. Unless he's an uncle-in-law. But, uh...no.

The day went on. Highlight: the What Will Happen When the Messiah Shows Up float, which had a bunch of plastic action figures rising from elaborately-done Styrofoam graves, and a conveyor-belt of babies with impromptu pasted-on cotton-ball beards going around and around in a circle of resurrection. Words can't begin to express how cool it was, and I honestly pray that the real thing, when it happens, will look as cool. Low point: The petting zoo. I honestly don't think I've ever seen more depressed animals. I think the kids were picking up on it, too -- kids were prodding the giant turtle to come out of its shell, which, if you were that turtle, was no incentive to; and there was a monkey inside a cage that was alternately brooding in a corner and having a psychotic meltdown. I'm pretty sure it was mostly the fault of the booking company, and not the parade managers, but still: not cool, folks. And I highly doubt that Shimon bar Yohai's followers had giant turtles or monkeys or ibexes around when they went into the forest for their Lag BaOmer celebrations.

Oh, other high point: Bumping into the awesome singer Dov Rosenblatt (and my brother-in-law Boz, who teaches awesome classes) at a booth for Jnet. In his post-Blue Fringe life, he's moved to Los Angeles and started making musical iPod programs. I was hoping he was performing, but he was just there to have a good time. As is, on Lag BaOmer of all days, totally acceptable.

And now that I can listen to music, it feels like I should binge. My biggest urge so far has been to hear the They Might Be Giants song "Subliminal," which isn't even one of my favorite songs of theirs. But who am I to judge? Like Roger Ebert and his food memories, I don't have control over what my ears want.

1/20: A Motion Picture

Update: Watch the 1/20 trailer.
Other update: read about our first film fest, or all 1/20 news.

I'm finally allowed to tell the title for the movie that I've been working on, and there it is. The title, I mean: "1/20." (We've been saying it out loud as "One-Twenty," but if you want to be a real geek about it, you're welcome to use the "slash.")

The title doesn't give away all of the movie's secrets. It doesn't even reveal that much about the purpose or the theme of the film (although, if you read it the right way, it might).

I'm not really sure where to begin, so I'm just going to do a little interview with myself about it. If you want to see my older blog posts about the movie -- about 1/20, I mean! -- just look for the label the secret movie (by clicking on those words, I mean). And if you have any other questions, just put 'em in the comments section. I'll try to say everything I'm allowed to.

How did this happen?
A producer read my book Never Mind the Goldbergs and really liked it. Then he read all my other books. Then he asked if I could write a screenplay. I told him I'd never done it before, and he said that was okay, he'd never made a film before either. So that was that. A director (expereinced!) was brought on, and he had his own idea of what movie we should make. Then we enlisted a talented (and also experienced!) production company, who were like the Oompa Loompas, but without all the creepy undertones. They were just that damn good.

What's it about?
This is where it gets tricky -- how much I'm allowed to say, I mean. Two girls are stuck in the suburbs, beating their heads against the wall, and they decide to run away to Washington, DC. There's a little bit of science fiction. A little bit of a love story. A little bit about how to break up with your best friend.

You mean it's not Jewish or punk?
It's not Jewish -- well, not flagrantly. None of the main characters are -- all the characters are collaborations between me and the director and the actors, and I think we all squeezed a lot of our spirituality/religion/punkitude into them. Ayako, who plays the lead character, is the kind of brilliant that shatters glass from miles away when she's angry, and spreads love pheromones to people two counties away. She's this demure, soft-spoken girl who -- literally five minutes into the film -- emerges into something fierce and savage and beautiful.

It's pretty flagrantly punk, though. You'll see as soon as I'm allowed to show the movie poster -- Ayako's hair is an art piece. An art piece that's 18 inches tall.

Where did the idea come from, anyway?
I lived in D.C. for five years, from when I was 17 until I turned 22, moved to San Francisco, and decided to be a poet. It was a weird five years -- I became Orthodox, was homeless for a bit, became a coffee addict, got off coffee, spent a lot of time alone wandering around huge empty boulevards. You haven't lived till you've been alone at the Lincoln Memorial at 4 a.m. Of course, you also probably haven't come that close to being abducted by a psycho and disappearing off the face of the earth, either. D.C. is a beautiful place, but it's also frightening. It's where I learned how to be an adult.

Have you seen the movie yet?
I've seen a rough cut, and I've seen about two minutes with film. It's beautiful. Gerardo del Castillo, who directed the film (he's the only one whose name I know I'm allowed to reveal), is a genius. If he made thirty-second TV commercials, prime-time audiences would be jumping to their feet and giving a standing ovation five times an hour.

Where did you film?
All over the place. Most scenes were shot in Queens, Manhattan, and upstate (well, semi-upstate) (well, Monsey). Some great stories came out of that, mostly involving Ayako's mohawk and Hasidic Jews. The last week of filming was all in D.C. proper. I missed the last day of filming, which was on Thanksgiving and at my favorite location in the city. But I got to be at the White House scenes, which was way worth it.

What's your favorite part?
That would be telling.

Fine, then. Biggest surprise?
Melinda, who did the art direction and props. I didn't even consciously realize there would be an art director. But when I wrote about what Ayako's character's bedroom should look like, I was basically fantasizing -- it was my bedroom if I knew way more about electronics and graffiti art and hacking Christmas lights than I do.

What's next?
Filming was completed in November. Now the movie's getting all professional-fied: The film is being cut and edited in Barcelona. The actual sound is getting mastered in London, and they're working out the soundtrack. And we're trying to get a distribution deal, which sounds like nothing, but it's apparently the hardest and scariest part of this whole enterprise.

And, most of all, drumming up support. Talking to people. Letting you know how good 1/20 is going to be once you're watching it in a theater (it will be amazing, I promise) and letting the Hollywood Industry Folks know that there are people who want to see it. That a movie doesn't have to have naked folks or guns or blue naked people with guns...sometimes, that all it takes is a lot of heart.

Dodging Suicide Bombs

This morning I was walking to work from the subway station, nose stuck in a book as usual. We are the People of the Book, after all; and I follow J.K. Rowling's advice that, any time you're not doing anything else, you should read. I didn't stop until I reached the I HEART N.Y. gift shop on the ground floor of our office building, and then I looked up from the page, saw a kid, and froze. Half of my body wanted to throw up, and the other half wanted to cry.

Sorry -- it's a really emotional week. But let me explain:

That book was Almost Dead, the novel written by our recent Authors' Blog correspondent Assaf Gavron {read his posts here}. It's a book about an Israeli tech geek who lives through several suicide bombings. All the reviews so far have been describing it as a comedy -- and it is funny, you should be warned -- but more than that, it's a real fast-moving, cerebral jaunt through the mind of an average Israeli.

And Eitan Enoch is an average Israeli. He's a chilled-out guy who has his normal routine, taking the Little No. 5 maxi-taxi to work every day in Tel Aviv, working at a time management company, living with his ex-fiancee Duchi (which is a common-enough Israeli nickname, but only occurs to me now that it wouldn't be an out-of-place name on Jersey Shore). When he stumbles into celebrity as a result of his bizarre survival talent, the press demands that Enoch feel angry, or grateful, or demand revenge on the Palestinian population. He does none of them -- he's just more than a bit perplexed, and, as he says on the country's most popular TV show, he doesn't really hate anyone.

Enoch's reactions to the bombs -- and to his bizarre survival skills -- are funny, embarrassing, honest, and real. It's not the gruff caricature of the Israeli (although there is plenty of that, too, especially in his relationship with Duchi). More than any other attempt I've seen, Gavron gets to the heart of the Israeli attitude about Palestinians, and about living in a country where going out to dinner is as dangerous as walking into a combat zone, and doesn't reduce it to an equation of settlers and refugees. Israel is a place where peace is a very fragile and very carefully-constructed illusion, and Gavron depicts both parts with spine-shivering accuracy: both the world behind it and the illusion itself.

So that's what I was thinking about when I was reading this morning. And then, standing outside the T-shirt store, I spotted a boy, maybe six years old, with a vivid shock of red hair. And he looked exactly like the boy in M.I.A.'s new video -- which, if you haven't heard, is the controversy of the moment, depicting red-haired men and boys being rounded up by the U.S. military, taken into the desert, and brutally shot. Starting with the six-year-old boy.

I don't know what to think. Is the world around us getting more violent because our books and movies are? Or are our books and movies getting more violent because the world around us is? Dammit, most of the books that I feel compelled to run up to everyone I know and shake them by the shoulders and shout, "READ THIS!" are books that make me feel good. Almost Dead is definitely not a book that makes me feel good. But it's still a book that I think nearly everyone I know can benefit from reading -- so that's my recommendation.

Any Given Hasid

This morning I got an email from my friend Dugans (of the awesome band Dreams in Static) asking, "Hey, isn't that you on some random person's blog?"

Yep! Turns out it is. Tess Lynch, a writer and actor in LA, weighed in on the Hasidim-vs.-hipsters debacle in Williamsburg. I guess she was scrambling for a picture of Williamsburg folks, and even though my memoir about becoming a Hasid took place in San Francisco and the photo was taken in Jerusalem, I looked the part.

Her observations about the bike-lane controversy are actually pretty astute and non-one-sided. To wit:

Obviously religious beliefs, particularly ones that have their roots in the way-back-in-the-day, aren’t what one would call “flexible” or “evolutionary” or “susceptible to the charms of trends like the sort sold at American Apparel.”
...
Because you are doing something great for the environment, you bikers can have my respect (1 point for you); but because you ignore traffic rules so much of the time, I am going to award one point to the Satmars.

I've never wrote about the issue, although a bunch of people (including the editor of BrooklynTheBorough.com, where, coincidentally, the photo of me was lifted from) have asked. But, for about five minutes, I'm going to let it fly. Hasidim, hipsters, hold onto your outdated hats: All of you are kind of wrong.

So: I've always believed that one person's autonomy stops where another person's starts. Bikers (and bike lanes) are inevitable when you live in the city -- the same way billboards in your face and taxi drivers honking at 6 A.M. are inevitable when you live in the city -- but I think what's really an issue, as you astutely pointed out, isn't the *actual* bike-riding; it's the in-your-face-ness of both the Hasidim and the hipsters.

No one lives in Williamsburg because of convenience. It's expensive, it's crowded, pretty much every wall in the entire borough leaks; it's actually pretty gnarly. My cool-kid friends who live in Williamsburg keep saying they live there because it's cheap. (It's not. A few years ago, I was paying $800 a month for a closet; now that closet is something like $1200.) My Hasidic friends live there because it's where their families have lived there forever. But the kids are drawn to Williamsburg because of the scene and their friends, yes, but also because of the ambiance of living among the Hasidim and the abandoned-warehouse aesthetic. The Hasidim living there don't move out to Monsey or Kiryas Yoel because of family and friends and because they've lived there forever, but also because living in Brooklyn is special -- as one of my cousins put it, "we like to be around a little diversity."

(And yes, there will always be the creepy outsiders, like all those Craigslist stories of a Hasidic guy who proposition a random woman for sex -- but they're a huge minority. I mean, I've met Hasidic pervs, but in a microscopic amount compared to the amount of non-Hasidic pervs I've met; even proportionally.) Again, that's the price of living in New York City -- there are several million people in a very small space, and you will come into contact with most of them.

That said, there's one thing I've learned from living in a very cramped Brooklyn apartment with a wildly copulating couple on one side and someone with every major sneezing disease on the other: You learn to ignore things. You learn to let people have their privacy, to avert your eyes when immodesty rears its naked head, and to politely turn your music up to cover up the mucous and the "Yeah, baby, just like that!"s. You also learn to respect other people: You give your seat to a pregnant woman on the subway. You step out of the way of a person with a cane. And whether you're a dude in Spandex shorts or a chick in Spandex anything (or vice versa), you don't shove yourself in front of people who have never in their lives wished to see that much of you.

Ms. Lynch herself gets it. As she writes:

By the way, in case you didn’t know, as the hipster in the NYMag article seemed to not know: don’t go around damning God in front of a Hasidic jew. It is a bad idea and makes you look like a real idiot. I can do it here because I’m posting a blog and there is no one around to make uncomfortable but myself.

That said, it's also kind of creepy that she lifted a random photo of me and my rabbi and plastered it to an article talking about Hasidim at their worst. I'd hate for one of my kid's friends to be reading about Hasidic protesters and Hasidic perverts and then they look up and think, hey!, I know that guy. We can talk about autonomy, but it's important to remember that it's not "the Hasidim" or "the hipsters" we're hating on -- it's a bunch of individuals who happen to live in the same neighborhood.

Ms. Lynch ends the article with a great proposal: that a cross-cultural barbershop should open, specializing in beards. The idea is a great one, but sadly, it'll never happen. We don't cut or trim our beards. That's why they're all bushy and upside-down Jew-fro-y. But maybe we can all sit out on the stoops and drink Manischewitz together out of brown paper bags some time?

Scholastic Authors' Favorite Books

Scholastic has a wildly cool video of me, Micheal Northrop, Siobhan Vivian and a bunch of other folks talking about our favorite books and how we ended up being writers. And, bonus!, me imitating Hermione Granger right at the beginning.

Coe Booth was going to do it, too, but she got stage fright and chickened out, and I am only telling you this so that you realize the huge glowing ball of inspiration that is Coe and Facebook her right now and tell her she needs to let people film her more. Especially good-hearted folks from the Scholastic blog who are scarcely rude enough to qualify as paparazzi. (Even if they whittled down my 5-minute-long answer to "what's your favorite book?" so that now I just say "Where the Wild Things Are." Although, actually, I probably just took 5 minutes to say that exact thing.)