It’s a bizarre concept, but it’s kind of thrilling, in the same way that watching horror movies is thrilling: the inevitable chase, the will-he-get-there-in-time?-ness, the fact that you’re not really sure who to root for: the grieving family, or the poor sap whose fault it was.

Through Half a Life, Strauss’s most painful memories are the ones he causes himself. He confesses the accident to women he dates. He constantly confronts her memory in his actions, in his writing, in major life events like going away to college. And he lets it get in the way of his marriage and his fatherhood: “How often do you think about it?” asks his wife, and Strauss is startled by his own answer: “A lot less than I used to think about it.”
These days, the Cities of Refuge no longer exist. But that feeling of guilt that the Torah acknowledged in creating them is no less real, and our basic human need to let this guilt transform us and give our life a new direction–whether it’s starting over again in a new city or transforming that sadness into a profound and moving book.