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Thursday, June 24, 2010

Nirvana's "Polly" Live (the cover version)

The slammin' Melissa Broder hosts the Polestar Poetry series, and she just tried something new*: picking an album (in this case Nirvana's Nevermind, and having a team of poets (in this case, us) write poems about it, one poet per song.

I got in early, which meant that I got one of the first picks. I chose "Polly," the song about sexual assault and boys who think they control the world. Don't ask me why.


I didn't plan it this way, but the story I'm telling -- and especially Christian -- all ties in to my story in the anthology Punk Rock Saved My Ass, an incredible little collection to benefit 924 Gilman, one of the first punk collectives in Berkeley. It's only $10, and you should check it out. In order to get what I'm talking about in the video, though, check out the adrenaline-fueled piece Kat Georges did before me.

And then go check out the whole series.

Wednesday, June 23, 2010

Punk Torah Prayerbook

On MyJewishLearning, I interview Patrick Aleph and Michael Sabani about the Punk Torah Siddur that they wrote designed, and released. My favorite part:

Some of the prayers — especially the bedtime shema — are surprisingly peaceful for, well, someone who shouts for a living. How’d you swing that?

Patrick: That’s fair. I’m in a band where I scream and roll around on the floor, but there’s a place for meditation in every person’s life. This is the best example I can give of this: I was at Jewlicious, and I was working in the kitchen patrick aleph punktorahwith Sasha Edge and her father, who catered it — they’re screaming and there’s knives everywhere, and fire. But then when it was time for Shabbos, we ended up making motzi over a vegan cookie and drinking Kedem grape juice and some of the back-of-the-house volunteers had a great, awesome, totally spiritual and peaceful moment. If you’re a rambunctious person like myself, it’s even more important.

read the rest >

Wednesday, June 16, 2010

The Rebbe and the Forty-Nine Hipsters

Last week, I told you how the Biala Rebbe was coming to our house. And I've gotten a bunch of emails/Facebooks/twittery questions back, asking the question that should be self-evident: What did he say?




First, let me tell you what I think. I think the Rebbe sees things that the rest of us don't see. I don't know if he's hooked up to any otherworldly powers or has a direct line to G*d that the rest of us don't. But I do think that he's a professional at this sort of thing. The same way that, more than a normal person, a psychologist is going to watch me chewing on my cuticle and know that it probably relates to the fact that I'm always hungry -- I mean, of course they will, it's their job -- the Rebbe also picks up on stuff. Maybe it's tiny physical movements. Maybe it's our auras. I don't know.

My wife and I sat down with the Rebbe. Immediately, before he asked our names (he always asks our names), he turned to her and said: "You're loved from above, and you're loved below. Why are you always stressing out?"

Case in point. It's not like other people aren't stressed. It's not like 98% of the people there weren't stressed. But, in her case -- this week, and the certain circumstances in our lives and what was going on -- yeah, it was pretty freaking relevant. If I would've had to pick a single topic to talk about, it would be the amount of stress that we (and, specifically, she) are under.

So, go fig.

It was a really weird night. Awesome, but weird. I'd kind of figured that it would be a party of sorts, since the Rebbe sees people one at a time and a bunch of us were waiting -- but it wasn't that kind of atmosphere at all. We sat around. We made small talk. It wasn't fun small talk, though; it was the kind of small talk that you make while you're waiting for the results of a particularly invasive exam. Everyone was half in that room and half in their own heads, thinking about what they wanted to say. When a random man with whom you have no straight connection flies from Israel, and you can talk to him about anything, it's a horrible kind of freedom. What's the most important thing in your life? How do you sum that up? What do you ask for a blessing for -- your kids, your job, your books? Everything?

In cases, like ours, you don't even decide. The Rebbe just starts talking. He spoke Hebrew, which I mostly understood, but it helped to have it repeated back in English (by Rabbi Davide, my old teacher at yeshiva) a second time. He asks the questions, and you fill in the blanks. He asked why I spread myself so thin -- to which I could only say, yes. I told him about my new movie and I asked what I should be writing now -- another screenplay, a teen novel, a real novel, or what. He said, it doesn't matter. Just pick something, and go on it 100%. Don't divide myself up.

I think we got lucky -- or unlucky, depending on your vantage point. We were the second people to speak to the Rebbe, so I had the entire rest of the night to chew on what he said. Meanwhile, people in the living room were looking at me for answers, like I'd gotten out of there successfully, so what do they do? The people on their way out didn't look at me like that. They had their own mental stuff going on.

Two Israeli girls who went in there came out satisfied, like they'd gotten the exact thing they asked for. My one stodgy, rationalist friend came out a little shaken, like the Rebbe'd pulled one of his Jedi mind-reading tricks. The person who was the most excited to go in came out crying. It sounds like a collection of riddles, or stories whose answers I'll never know, but in the moment, it was amazing -- like watching one of those grainy family videos that you shouldn't have a right to see, but you do. It really wasn't about fortunetelling. It was about what you boil your life down to, when you've only got one thing to say.

Halfway through our session, the doors to the room slid open. Rabbi Davide stood up, ready to intercept whoever was interrupting. Then my two-year-old daughter, who'd gone to sleep hours ago and who never woke up, ran in through the crack. She wasn't crying or afraid or uneasy. She just ran up, held her arms out, and demanded, "Up." I scooped her up, plopped her on my lap, and introduced her to the Rebbe, and introduced the Rebbe to her right back. Sometimes you don't even need a Hasidic sage to tell you what the most important parts of your life are. Sometimes you just need a conduit.

photos by Dan Sieradski

The Movie Gets a Little Realer

Just wanted to share two quick items of movie awesomeness with you:

1) "1/20" has an IMDB page! (No, I'm not on it yet. But my title is! Really, though, it has the movie's tagline and the actors and all sorts of official information that I didn't know anyone was allowed to know. But the big thrill is that, dude, it's the Internet Movie Database. It's the Hollywood equivalent of seeing your name in print for the first time.)

2)And we also have a movie poster:


That mohawk in the poster belongs to Xiomara, the star of the  show. The director, the producer, and I were eating hummus on Ninth Avenue and this bubbly, cute, sane-looking girl strolled by. She was wearing a pink dress. Our producer leaped up and chased her down half a block, then dragged her back by one of her ponytails (she had two). "This is Ayako," he told us. "She's auditioning for Xiomara."

I didn't believe him. Then I saw her audition tape -- it was one of those tapes that you think might have been filmed at an asylum, where one minute she's sweet and docile and courteous, the next she's ranting and screaming and about to knock the camera out of the cameraman's hand -- and I was like, okay, this is working. Then she showed up for her haircut on the first day of filming -- I ran into her the next day in the dressing rooms, all spikes and leather jackets and hair that looked like it could pierce skin -- and she blew my mind. She wasn't that bubbly Ninth Avenue girl anymore. She was Xi.

Monday, June 14, 2010

Ethan Young and me fight over comics

Ethan Young, who does the fabulous online comic Tails, asked me to fill in for a while as he reaches the end of his first book. It's hard following a comic with a bunch of straight-up words, but we're talking about our comics obsession, so maybe that will help. Also, I ended up being a character in his comic, which (hopefully) lends my entries some DVD actors'-commentary credibility...


Anyway, go read it.
Maybe I’ve just been spoiled. Reading comics — especially reading someone like Neil Gaiman, or Alan Moore, who spend hours detailing the minutiae of how each panel looks. Yes, just mentioning their names is a cliché, but it’s obvious that they were both the kind of kids who read each page of a comic a hundred times as kids. They really appreciate the graphic design of a page; you can go over the panels and margins of, say, ‘League of Extraordinary Gentlemen’ and find something new each time.

That’s what I want my books to be like. The ones I write, the ones I read, the ones I buy. I know my prose-books won’t get that way until I start self-publishing, or until I get really big — Scholastic doesn’t let their mid-range authors anywhere NEAR the design computers — but a boy can dream.

And, in the meantime, I’ve still got my comics to read. And my omnibus Sandman to obsess over.

more >

Thursday, June 10, 2010

Best Email Correspondence in My Inbox, Hands-Down


matthue roth

 to itta
show details 3:47 PM (52 minutes ago)
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jmoyjnlpymoytqtyyuyuiuewuuuyÿhhhhhhjjjjuiahÿjqkkkkkkjqiijhuuuuuyqjrqjjjjjhhj


Itta Roth

 to me
show details 4:10 PM (28 minutes ago)
hi yalta

***
(I promise I won't be this cheesy all the time. Really.)

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