Word Jam. Music Jam. Gooseberry Jam.

Tonight at the 92Y Tribeca, I'm hosting the (hopefully first) open mic! Jeremiah Lockwood of The Sway Machinery is playing a set, and Elisa Albert, author of The Book of Dahlia, will be reading. A few months ago, it was one of those Shabboses where I'd ODed on writing, and now that I couldn't write anymore, I just wanted to read manically. So I took Elisa's new book, which I'd been wanting to read for a while (her first collection made me actually like Philip Roth, a feat which I'd deemed impossible), and started reading.

And I didn't stop.

The sun was coming up, which seemed particularly noteworthy considering the novel's content. It's a funny, wry, more-wise-than-it-seems look at a girl who finds out she's dying. It's not at all what you'd expect, which is odd to say, considering we basically have every expectation in the world loaded up in our heads when it comes to dying. But the agony of going out to eat with your parents after a brain scan, and the sort of perverse joy in ordering the most expensive thing on the menu, is one of those tiny details that is meaningful and beautiful and terrible all at once -- and that's exactly what you'll find from her.

Sign up for the open mic at 7:30, and have a quick drink with me. Show begins at 8:00 promptly.

Also, the director's-cut commentary to Chapter Four of Losers is up! Read about stealing lines from hip-hop songs, gay teenage bartenders, best friends dying on you, censorship in Candy in Action, and featuring a special music video courtesy of Ludacris.

Another Cure chapter. The song "A Night Like This" is a beautiful song in its own right, track 8 on "The Head on the Door," which some poet-friends in Melbourne performed a track-by-track jam of poems influenced by the songs. But there's another Cure song that my best friend Mike put on a mixtape for me that was just Robert Smith's voice and a brilliant string section and tympani drums that's called something like "Other Nights Like This" -- the handwriting was scratchy. I never remembered to ask him, and now it's too late. Now the tape's broken, and I keep googling the first words, but I can't find anything.

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Losers and losers

Two new reviews of Losers! Mordy Shinefield in the Forward seems to like me ("charming," "idiosyncratic") but most of the review is spent discussing how I'm not like Philip Roth. Duh. I don't like Philip Roth, I've only gotten to the end of one of his books ("The Ghost Writer") -- and I finish almost any book I read -- the man he reminds me of the pedophile uncle I never had. When people ask if I'm related to the "famous Roth," I always pretend they're talking about David Lee. The review ends by saying that "The real point Roth is making in 'Losers' is that, like Jupiter Glazer, Judaism has gone mainstream," which I don't think has anything to do with the book -- the fact of Jupiter's Judaism is only mentioned twice, both times in reference to the Jewish Federation helping his immigrant parents find jobs, which I don't think is very hipster-Jewish at all.

The other review, in JVibe, is from someone who's 14 -- I love it when actual teenagers review teen books, since the "teen book" industry is like 90% people like me, who haven't been teenagers for a good long while, but still wish we were. "The book manages without a lot of plot or adventure to keep readers glued...What defines being a 'loser' isn't an environment, but an attitude." Rock.

The reading on Wednesday went pretty superbly. Katie Finn's "Top 8" is a Facebook book that manages to pull off the conceit nicely, and makes me question my the world's doubts about Aaron Sorkin's Facebook movie. And have you ever heard of Lauren Henderson? She's British and sassay as anything and I don't even know if that's the right page for her, but it does show her books. At one point, David the moderator encouraged us to go outside and start a rumble. At the time, I kind of froze because I wasn't sure whether the audience would have followed us out. But in retrospect, why would I have doubted it??