How Jews Pray

How Jews Pray, the third in our "How Jews..." series, checks out what Jews are talking about -- from an Australian Jew in New York to an Argentinian Jew in Los Angeles, and other folks in the woods, the cities, and some places in between. What do people who don't believe in God think about praying?

When I was young, a secular Jewish kid living down the street from Hasidim -- a weird remix of The Chosen -- I thought it was mysterious how all the long-black-coated, hair-covered Jews was that they seemed to have their own way of talking to God. They didn't just go to synagogue and pray like normal people -- they would pray in living rooms, or in backyards, and they muttered to themselves walking down the street. Plus, they wore those funny clothes. Was God telling them something that God wasn't telling the rest of us?

I guess I just felt disenfranchised.

This was before I met Jewish Renewalists who meditate and pray. And musicians like Chana Rothman and Jeremiah Lockwood, who pray by singing their hearts out. And before I learned how to pray myself, wherever I was and whatever was on my mind, sometimes in a "thank you" way, and sometimes in an "I need to save myself" way.

A few weeks ago, in introducing his new prayerbook, Rabbi Jonathan Sacks said, "We have a problem with prayer" -- and proceeded to detail how, in this world where we're obsessed with talking about ourselves and eavesdropping on other people, we've forgotten what it's like to speak to God. Whatever each of us think of God, and even, in one person's case, whether or not we believe in God.

I think that's my favorite thing about this video, above all the others we've done so far. It helps us remember.

What Makes a Kosher Pickle Kosher?

When we hear the word pickle, most of us think of cucumbers -- brined, shriveled, sour, cut into chips and floating alongside red onion half-moons and tomato slices atop a deli sandwich. When my class visited New York in fifth grade, I remember that, over the course of the day, we were given three different food items to sample -- apples (for the Big Apple), Chinese food, and a plump kosher dill.

We may be forgiven, then, for not knowing about the rest of the spectrum of pickled foods.

That's why The Joy of Pickling was created. Its chapters touch every arena of cuisine, from desserty pickles (apples, watermelon) to antipasto (asparagus and mushrooms) to main courses -- Korean kimchi and pickled meats, for instance. (The original edition, shockingly to us, left out kosher dill pickles, but this edition corrects that oversight. First published ten years ago, a new, expanded and enhanced edition was released this month.

keep reading >

Barbra Streisand Watches G-dcast

In my advanced Torah research for an upcoming MyJewishLearning article, I found this particular image -- which totally relates to Inbal's G-dcast for Naso this week:

That's right -- it's Barbra Streisand's personal notebook. With the "ish"/"isha" diagram, showing God's presence in the names for "man" and "woman." Go Barbra! Go Inbal!

Gentlemen, by Michael Northrop, will scare your underpants off.

Best morning subway ride EVER. Last night, I finished (yes! finally! finished! for real, this time!) my screenplay, and I didn't have anything to do on the subway. So I read Michael Northrop's Gentlemen, which tied for my #1 score at Book Expo this year with the advance copy of Poppy Z. Brite's gay New Orleans food couture mystery. So good that I wrote an Amazon review. Yes, I couldn't help myself.

Small-Town Horror Meets Classic American Fiction

The thing that dawned on me, reading this novel, is how little a percentage of horror books actually involve capital-H Horror. Stephen King isn't about googly-eyed monsters and crazed psychos -- or, at least, he isn't about that so much as he's about the most basic human reactions. Fear. Anxiety. Loss. Regret. That's what separates, say, "The Catcher in the Rye" from "The Road" -- in other words, a really well-done non-horror story from a really good horror story.

And there's a lot of Stephen King in Michael Northrop's book. Actually, it reminded me more of Michael ("The Hours") Cunningham. For much of the book, the main plot moves slowly, but interesting, well-developed and well-savored. Almost every page there's a side story that made me want to tell the person next to me about what I was reading -- like how Tommy threw a desk across the room in order to distract a girl he liked, or the summer of the two Jennys. And Micheal's language (the narrator -- whose name was misspelled on his birth certificate, not the author) is so graceful that when he suddenly becomes "typical guy"-ish and talks about throwing a punch at his teacher, you're blown away. Not because it's out of character, but because it makes him so multi-dimensional and real.

Then, of course, there's the scary stuff. And Michael (the author) seems to know his way around both scary stuff and the more Gothic parts of small-town America: the secrets people keep and the way that dark seems to swallow up the country after twilight. As the novel moves on, the simple question of whether or not their teacher has a dead body no longer feels like the point of the book -- it's more about Micheal, his friends, his town, and the darkness that's inside him.

Sabra's Last Stand

Here's a poem. I wrote it half-jokingly as a pitch for Marvel, recasting Sabra (who started showing up as the "Defender of Israel" in the '80s) as a baal teshuva -- or, at least, someone who was playing with the idea of becoming religious. My friend Nicole had just gotten a job as an editor at Marvel, and she was coming to my show, and I'd always wanted to write Sabra. So then I tried to.


Sabra the Jewish superhero
hides behind a tree
when changing
into costume,

modesty taking precedence
over the instinctive urge
to protect and preserve

Or to pull away her shirt
revealing the bright blue
Star of David
of vengeance
splashed across her chest

In the '80s, she saved
bales of Israelis from their graves
every day

Since then, business has gotten slow
confusion about foreign policy
a canceled comic book,
and she took so much shit about
who she’s supposed
to save.

You’d think
the Second Intifada would be good
for business as a hero,
but no -—

Saving Palestinians makes Israelis mad
Saving Israelis makes Palestinians mad

And the day she saved that
suicide bomber,
sent his TNT careening
into the sea

Sabra got told off enough
to send her into
an early retirement.

After singlehandedly launching
the Jewish look into vogue
ten years ago
girls got reverse nose jobs
Sabra became
a teenage heartthrob

Her uniform sent yeshiva boys
into enjoyable pangs
of premature puberty

Today she lays in bed
not in the mood for anything
except complaining to G-d
and so she does

She picks up a prayerbook
yells the first blessing
like a lightning bolt

yells the afternoon prayers
yells the evening prayers
yells the Sabbath prayers

and she doesn’t stop till
the traveler’s prayer
in the back of the book.

When she’s done,
Sabra takes her sewing machine
makes her cape into a skirt
(it was always bulky, anyway)

slips on her arm-covering gloves
and flies through the night
saying to herself, I fought Magneto
and my worst enemy
is still me

She swoops down
with power like a shofar
and grace like the cedars of Lebanon

whispers a prayer
under her breath
with every blow

saves every damn person in danger
whether they want to be or not

And she doesn’t stop
until Shabbos.

G-dcast: How to Tell if Your Girlfriend Is Cheating

Inbal Freund is one of the most incredible human beings I know. She's the former director of Mavoi Satum, an organization that stops men from refusing their wives divorces in Israel. She scripted (with Chari Pere) a (masterful, brilliant) short comic about the agunah situation called Unmasked, which explains her life work in more vivid emotion than I can hit you with. (Ouch. Sorry. Bad use of the colloquial...)

And this week, she takes on the Torah.

Inbal is fiercely Orthodox, and fiercely feminist, and she's also just plain fierce. This was probably the single parsha that we were most nervous to do. Even now, when I watch it, I get a feeling at certain points like I was punched in the gut -- it's pretty intense. No one comes off 100% pure: not the wife, not the husband, not the priest, not even G*d.

It's things like this that remind me that I'm Orthodox, and that keep me Orthodox. If Judaism was simple, and I agreed with every little bit of it, I could just say "amen" and keep moving, comfortable with the role of religion in my life. If I was secular, or not Orthodox, I could just resign this to one of those parts of Judaism that I don't agree with -- or that's old or outdated or misogynistic or just straight-up lame -- and move on to something cool, like strawberry cheesecake or listening to Y-Love.

But I'm not. Even after watching Naso, I'm perturbed -- so, what, this dude thought his wife was cheating on her and sold her out to the rest of the tribe? He threw her in front of a priest, who uncovered her hair (which, to a married Orthodox woman, is like ripping off all her clothes in public)? How is that just on anyone's behalf?

Relationships are passionate. (Unless they are boring, and you're comfortable and uninspired by each other, in which case a break-up is probably looming in the distance.) Some couples fight like hell, and some couples love each other with every bit as much passion. A dude has to be a real self-centered douche to accuse his wife publicly of one of the most heinous private sins...and a woman has to be the most forgiving person in the world to stick with him after that. It's true -- whether you're in a relationship or you aren't -- people never understand how other people's relationships work. Compared to this procedure, getting divorced is probably the easiest thing in the world. But if a couple really wants to get this thing resolved, I suppose the message of the parsha is that there's always a way...except that the best way, like marriage itself, it isn't always the easiest way.