Lady Fight Comics (and Other Embarrassing Names)

So I wrote a very short comic story, and it's officially been released in an anthology! I actually haven't seen a hard copy yet, but it's out, so I figured the shout-outs should begin -- especially since we just got our first review, and it's a good one.

My story, "Cacta," is an intro to a bigger story about a girl who gets cactus-based superpowers, a set of superpowers which is both way more cool and way more awkward than it sounds. Anyway, the reviewers liked it:

"The art on this one is very solid, with a rather striking splash page...My favorite part of this story, however, was not the super heroics, but our young heroine's inner dialogue as she struggles not to flaunt her deeds at school the next day."

I'm counting it as a solid vote in my comic writing ability, even if my first and last names both got misspelled in the review. The other stories have more than a fair helping of ass-kickery, and it's pretty awesome to be included with them. My one caveat: I'm a little uneasy about the title of the anthology, Lady Fight Comics, although I suppose it's technically the exact opposite of saying that girls can't fight. (I actually tried to propose another story for it called Lady Fight Club, but that got shot down...probably deservedly so. Although, if anyone wants to illustrate a short comic script about 1950s housewives and Fight Club, give me a holla.) The issue is out, now, in comic shops and on IndyPlanet: order it here.

Torah for the People

I just wrote this to the uber-mentionable Yonah Lavery, creator of Talmud Comics (who, btw, just inked a deal with the also-awesome Ben Yehuda Press). We were discussing our love of Torah and our mutual wavery position in the Torah world:

i used to have a terrible phobia of haredim. i think i still do, and yet i seem to have become one of them. albeit an obama-votin', peta-flag-wavin' haredi. i think g-dcast really encapsulates what i am: people learning torah is good. people living torah is good. and people being creative with torah is good....until they get to be either fascists or hippies. then they just give me a headache with their hating and/or vibing.

i'm not sure if i stand by that since i'm half asleep, but it might just be my mission statement.

I Snuggle Up Close to Regina Spektor's "Far"

This is the best birthday present I've gotten all year.

Regina Spektor's third proper album, Far, is like that cynical older cousin who you love to sit next to at family functions. Totally funny, mostly good-natured, and both angry and delicious -- angrilicious? -- like the kind of person who says all the things you want to say but don't.

And -- uh -- says them all in cute, random metaphors and rhyming couplets and sweet, sweet melodies.

After the meandering intro of "The Calculation" -- a good, mid-tempo, semi-funked-out song about relationships, technology, and emotional indifference -- we get a virtual onslaught of Regina with the instant hookiness, smileyness, and spine-tingling anticipation of the piano chords that lead into "Eet."

The song might be named for its homonym, or it might be the way Spektor writes down her own whimsical non-word singing on paper. Then, when the drums come in -- "You spend half of your life/trying to fall behind/using your headphones to drown out your mind" -- the song becomes simultaneously triumphant and snarky. And it's especially victorious when you consider it's a song about hipster kids who are so preoccupied with looking cool that they forget how to dance. (That's what I think it's about, anyway.) Really, it's a self-defeating argument -- by the time you're done analyzing, you're hopping up and down in your desk chair, anyway.

A few weeks ago, I posted from Regina Spektor's new video, "Laughing With." It's been seized upon and passed around a fair bit among the bloggy folks, but I don't think any of us have really given as much credence to the lyrics as they deserve.

No one laughs at God
When the doctor calls after some routine tests
No one’s laughing at God
When it’s gotten real late
And their kid’s not back from the party yet

So freakin' true. And yet, if this wasn't being sung within the context of an MTV video with cool effects and a Harry Potter-like Cloak of Invisibility, we'd probably freak out and call the writer a zealot or a fundamentalist.

But Spektor always likes to close her songs abruptly, which drove me crazy when "Better" was on the radio, or when I listened to her songs out of sequence on my iPod's Party Shuffle (which, btw, I love saying, because I never actually use shuffle at parties, but I always feel like being at a party when I'm walking down the street and I select that option) -- but which, taken on its own, is both wise and satisfying. The closing line of "Laughing With," which fades out together with the song -- "No one’s laughing at God/We’re all laughing with God" -- is kind of the perfect paradigm of this. It's winking at the listener and pulling the rug out from under our feet at the same time.

"Two Birds" is the natural offset to "Laughing With," a parable about two birds that don't trust each other. The chorus, "I'll believe it all/There's nothing I won't understand/I'll believe it all/I won't let go of your hand," speaks to our natural tendency to distrust each other, to get cold and clam up and retreat into our own little worlds.

To one extent or another, artists are all recluses. We hate other people. We distrust them and fear them and don't want to trust our ideas with them, preferring instead to remain in our own little universes that we draw and write around ourselves. Again, witness the "Laughing With" video...or just try to talk to me while I'm writing in my notebook. And then, on the other side of the spectrum, we're trying more than anything to understand the way people work, and get inside their heads, and to create a song or a story that's bigger than ourselves.

I think what I love most about Regina Spektor is that she really gets both of these things. And both of them, she does so well.

Secret Muppet Vineyard

Our awesome filmmaker friend Sonja Kroop and her puppet Krumpet just entered a contest to get a 6-month gig as the social networking director of a wine factory. If she wins, she gets to live on a vineyard for six months -- plus, she is insanely talented as a director. To vote for her video, go to the Murphy-Goode Wine site and vote for it. (You have to give your email to confirm, but that's the only thing they use it for.) Or just watch it here -- and, yes, I'm pretty sure the only reason she made that Manischewitz joke is so I'd post it:

G-dcast: Good Rebellion & Bad Rebellion

This week's G-dcast makes me really happy. Not the idea of Korach rebelling, or the whole thing where the earth itself swallows up 250 people...I just think it looks really cool. And I wrote the curriculum to be all about good rebelling vs. bad rebelling.

Or, like axiom I once heard: In other religions, if you question authority, they call you a heretic. In Judaism, if you question authority, they call you a rabbi.

The Poison Eaters by Holly Black

I wasn't going to blog about this for another few months, since it's not going on sale until February, but Holly Black's new book The Poison Eaters has had me on the edge of my chair since the subway ride to work 3 hours ago, and it keeps pulsing in my head like a vein about to aneurysm -- it's that mercilessly good. The first story, "The Coldest Girl in Coldtowm," is kind of about vampires, but they're more like zombies. They're bloodthirsty, teeth-baring, flesh-chomping...which is actually what vampires used to be like, back in the Old World.

I almost always hate short stories. Short stories that are plot-based ignore the main character. Short stories that are character-based are almost exclusively the domain of characters stumbling around in search of a plot. Here, character and plot are suffused, and there's a hyperactive emotional terseness that creeps up on you and freezes you in place. This happens the exact moment that we learn the truth about vampirism in this world -- it's transmitted by blood, but it doesn't take hold of its victim until she tastes blood herself:

It took eighty-eight days for the venom to sweat out a person's pores. She only had thirty-seven to go. Thirty-seven days to stay so drunk that she could ignore the buzz in her head that made her want to bite, rend, devour.

Aaah. In the first three pages, our perception of the main character switches from a slut to lovesick to cold, calculating, a kind of teen goth-girl Artful Dodger in fishnets. And that's just the setup. The execution is...well, an execution.

Can I tell you how much I can't wait to finish the rest of this book?

There. I just did. February be damned.