Why I Write about Peeing

Hey, it's my latest piece at Hevria! I was complaining about our personal posts being too depressing these days, or maybe just mine, and Elad said that I should write something happier. We happened to be drinking at the time. The sun might or might not have been up, I'm not telling. What happened next was this blog post. I guess it really is possible to find inspiration anywhere.

Pee Break

Sometimes you just need to get out.

There’s that moment at the bar where the debate is getting a little too intense and I’m getting a little too evasive, and it hits. The realization that I haven’t peed in two hours. Yes, I am sitting with one of my best friends in the world, and yes, we are yelling at each other at the top of our voices, but the moment I stand up, something changes — I have a bit more of my personal space to myself, I am seeing the room from a different vantage point, and the world seems like a little bit of a different place.

“Excuse me,” I say, in a completely different voice from the one I’ve just been using, and using words, like excuse me, that I never thought I’d speak again. And then: “I’ll be right back.”

And when I slip away, the world slips away from me.

Sometimes it’s just so good to go to the bathroom. Not the act itself, but the act of leaving behind the world and making yourself alone. I’ve been operating on a constant emotional peak over the past few weeks, and I keep telling people, “I feel drained.” Those three words have never seemed so inappropriate: Whenever I feel an emotional overload, what I really should be saying instead is, “I need to drain.” There’s a Hasidic concept called hisbodedus where you leave your surroundings, leave your world and run to the nearest forest and scream as loud as you can, at the top of your lungs. Peeing might be the urban version of that.

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Pee Break

 Sometimes you just need to get out.

There’s that moment at the bar where the debate is getting a little too intense and I’m getting a little too evasive, and it hits. The realization that I haven’t peed in two hours. Yes, I am sitting with one of my best friends in the world, and yes, we are yelling at each other at the top of our voices, but the moment I stand up, something changes — I have a bit more of my personal space to myself, I am seeing the room from a different vantage point, and the world seems like a little bit of a different place.

“Excuse me,” I say, in a completely different voice from the one I’ve just been using, and using words, like excuse me, that I never thought I’d speak again. And then: “I’ll be right back.”

And when I slip away, the world slips away from me.

Sometimes it’s just so good to go to the bathroom. Not the act itself, but the act of leaving behind the world and making yourself alone. I’ve been operating on a constant emotional peak over the past few weeks, and I keep telling people, “I feel drained.” Those three words have never seemed so inappropriate: Whenever I feel an emotional overload, what I really should be saying instead is, “I need to drain.” There’s a Hasidic concept called hisbodedus where you leave your surroundings, leave your world and run to the nearest forest and scream as loud as you can, at the top of your lungs. Peeing might be the urban version of that.

I’m not talking about the actual act — or, at any rate, not the actual act of what you do while you’re in the bathroom. No, I’m talking about the journey itself, the process of getting up and leaving wherever you are and interrupting the normal and mundane rhythm of your life in order to just pish.

It’s not a revolutionary idea. No, it is. I once worked in a place where nobody spoke to each other, we were all in the same big room, at our own desks, each of our heads glued to our respective computer monitors. Nobody even left for lunch.

I would take the longest bathroom breaks. Luxurious, ostentatious ones. Just the walk from my desk (right at the head of the office, the furthest of all from the restroom door) would take a good two to three minutes. I stretched my legs, feeling each tendon loosen, feeling my butt balloon from its hours of squashedness, feeling the newfound if momentary freedom of all my limbs moving. I tossed my arms forward and back, that exaggeratedly comical 19th-century walking that you only see in Monty Python sketches. I would drop something on the way, a coin or a piece of paper, take my time picking it up — kneeling down rather than just stooping over, because I had this vague notion of it being healthier, or it being, you know, like exercise. A very minor form of exercise, I was well aware, and almost nothing when you consider that for almost the entire remainder of the day I was sitting at my desk, chair too high and keyboard too low, basically committing a slow form of suicide by laziness, whatever the opposite of yoga is.

This is nothing compared to actual restroom time. I have thought many times of acting like I needed to go to the bathroom at work — doing the walk, the flush, the running of the water tap in the sink, maybe even washing my hands for real, and my face for good measure, just because water in movies always symbolizes a new life and, hell, at 3:00 in the afternoon of a work day I can definitely use a new life, even if it’s basically the same as the old one.

Just, here’s the trick: I wouldn’t go to the bathroom.

I’d just stay there. Hang out for a minute, or two, or ten. Maybe check my email on my phone — no, don’t do that, because that’s basically the same as sitting at your desk. No: just enjoy the damn silence. I used to work in a neighborhood called DUMBO, by the East River and among a bunch of old factories, and there were tons of areas there where you could hide, write stories, make out, even take a nap if you wanted. Now I work in Manhattan, and what we have are bathrooms. It really is the city’s consolation-prize equivalent of a forest: if you want to be alone, this is what you’ve got.

When I was just getting started with being a parent and Mayim Bialik was a little ahead of me being a parent, she said that one of the hardest things about being a parent was that she couldn’t even get away with going to the bathroom. In the moment, I didn’t really understand. Can’t you just leave your kids for 30 seconds? Even easier: if they’re really that young, can’t you just bring them into the bathroom with you or leave the door open and have them crawl around or drool right outside for a few minutes? It’s only now that I truly realize what she was talking about: it wasn’t the shitting, it was the separating.

I once had a girlfriend who would never go to the bathroom when I was at her place. She said she thought it was indecent, that she didn’t want me to see her that way.

“But you walk around naked all the time!” I exclaimed.

She thought about this for a moment and then acknowledged that, yes, that was true.

“So what is it that you don’t want me to see?” I asked her, and in that moment the answer opened itself up in my head: It was that rawness, that fundamental grossness that we are all repulsed by yet that we all share, that raw and stinky moment of knowing — and admitting — that each other, and that we ourselves, are human.

Because I can talk about bathrooms as a place of escape all I want, but the truth is, it’s there for a very specific purpose. We place a holy scroll on every doorpost of our house except on the bathroom door. When excessively polite people talk about shitting, they call it voiding. One of my favorite Jewish prayers is the prayer for going to the bathroom (not going but, you know, going):

…You formed us with wisdom
and created within us
many openings and many voids.

And isn’t that all we are, in the end? A series of openings and a series of hollows, the things that fill us up and the things that will never fulfill us, the times that we are busy and full and productive and the times we need to just get away.

Dancing by Myself

When I wrote my latest Hevria post, I was feeling kind of fatalistic. The kids were not sleeping and I was watching Avengers: Age of Ultron. I'd just talked to a bunch of friends who went to the much-newer, and much-better-reviewed Civil War. That's probably why I was feeling so depressed. Anyway, most people told me it was depressing. Although I think it's kind of funny? Maybe you can figure it out.

Dancing in Traffic

BY MATTHUE ROTH • MAY 10, 2016 • ESSAY

This morning I caused a traffic jam. Walked in front of a car on my lazy Brooklyn street, didn’t realize there was a car behind that, and another one. Six or seven total. Our street is narrow, with traffic further hidden by an islet of trees in the middle. I was taking my time walking. I hate crossing at the light. I’m very resentful that way. Most times I try not to take up space but when I do, I really do. I was walking, trying not to use any gas, any money, anything. Blocking all those cars, even for thirty seconds, just think how much fossil fuel I burned.

I’ve been taking up too much space. Money, air, people’s energy. I don’t actually make money at work. My job is all about potential, finding things that might still be worth money in ten years. They still pay me for it, for now, trusting that I’m doing something of value, even though none of us will probably ever find out. Will I still be around in ten years? At the job? On this Earth?

Teen Self-Referential Drama, Plus Or Minus a Few Years

I wrote another installment of my San Francisco-to-New York travelogue. I keep thinking, like, maybe my entire career is simply rewriting every Judy Blume book in chronological order, as memoir. Except that, in my version, the 13-year-old girl is played by an overgrown boy with an overgrown beard.

In This Huge Universe, The Only Things That Matter Are G-d And Girls

That first day on the road we drove to Los Angeles, then past it. There were no monuments to communicate to us that we’d entered or left L.A., no skyscrapers or theaters, no ocean in sight. I’d spent the better part of a year traveling down there, writing my novel about a teenage Orthodox girl who got her own television show. It was half wish fulfillment, half daring myself to try to achieve that nightmare. Every few weeks for a year I left San Francisco and bounced back and forth along the California coast on a Greyhound bus, staying for a few days or a week, soaking up enough inspiration to get me through the next 50 pages.

On this trip — the same unending fields out the window of Elyse’s SUV, the same pasture halfway with hundreds and hundreds of cows stuffed against each other, mooing sadly and uselessly — it was an entirely different feeling, the last time I’d make this bizarre pilgrimage.

We passed the cows, and Elyse’s dog Joey howled at them in primal confusion, startled by the moving background, disturbed that these nearby animals were rushing by fast while standing completely still and that they were simultaneously unafraid of his braying. It was only natural for him to chase cows, and for cows to tremble at his presence. The very fact of the road trip was lost on him. Or maybe it wasn’t. Maybe this was the way he’d always lived, his mind only in the moment, never regretting the past or dwelling in left-behind places, always dealing with what was in front of him. Maybe we were the beginners, and he was to be our rebbe.

Kosher on the Road-ster

We're four episodes in, and my Lesbian Hasidic Cross Country Road Trip story -- a little serial thing that I'm writing for Hevria -- finally gets on the road. Basically, we make it to the first bathroom break.

I'm still trying to decide whether I should keep writing. I'll let you know what happens.

Kosher on the Road

BY MATTHUE ROTH • DECEMBER 8, 2015 • ESSAY

One thing I hadn’t counted on when I hit the road: How would I eat? I don’t know if you know, but the kosher diet is one of exquisite restriction, that whole no milk and meat together thing, but also a host of other things we can’t have — namely, anything cooked in a kitchen that’s ever had anything non-kosher inside it. In today’s modern world of packaged food and artificial everything, it’s gotten a little easier — Oreos, for instance, might look like cream-filled wafers, but there’s no dairy, no meat, the whole thing’s basically a lump of sugar cooked by a robot.

But I’ve heard tell of supermarkets on the road where not even the orange juice and bottled water is kosher, where the tiny Ks and Us and Hebrew letters we search for in our secret codes are absent, where even the potato chips and white-bread loaves are baked with lard. When Elyse and I planned our cross-country expedition, I just figured I’d stack up before we left. Or on the way. Or before we got too far.

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The Way Smoke Smells

So I really love going into the conference room at this day job, and I just realized why. Everyone who smokes goes through the conference room and into the fire escape, and so there's a residue, not of smoke, but of sort of pre-smoke and post-smoke, maybe the smell ignited by freshly burning paper, or a special smell that only happens at the moment when a match strikes?

It reminds me of my aunt's house growing up, and of inch-high shag carpeting, and of the '70s. No word on whether there's a bunch of furtive, antisocial Siamese cats patrolling around the office, but I'll keep you updated.