36, Stage Fright, and You Should Hang out with Me on a Farm

Last week I was performing, and then there was a Q&A session afterward -- which is always kind of weird; I feel like I should be the one asking everyone else questions, "What did you think?" and "Did that make any sense?" -- and someone asked me about my blog. "Yep," I said, "it's my weird place where I write whatever random stuff is on my head and doesn't fit anywhere else." "I guess you haven't had many random thoughts lately!" he said, "since you haven't written anything in almost 2 months." While I was reading, he'd Googled me and called up my site on his phone.

I have got to get better at covering my tracks.

I have suddenly started doing more readings, which is a weird thing. Not sure how it's going to square away with my anxiety issues -- that is, if I start hyperventilating onstage or ducking and hiding behind the monitor speakers, you'll know why -- but, so far, so good. Tomorrow night (Wednesday!) I'm going to be reading a very new story at Soda Bar as part of the Buzzards' Banquet series, and there will be music, too. And at the end of the month, I'm giving classes (and probably speaking, too) all week at ArtFest on this amazing kosher organic farm. And if you're there, my kids can teach you how to milk goats, because they know.

And the other big thing is this:

Itta and I were named two of the 36 under 36 by the Jewish Week. Here's Itta's and my feature directly, but you should check out the full suite of characters.

Oh! Cover photo by Karuna Tanahashi, taken at Chevra Ahavas Yisroel.

Calling out Joyce Carol Oates

I'm not sure if I wrote this as a dare for her, or as a dare for myself.

Got invited to see @JoyceCarolOates at the same time as I have my story workshopped in grad school.

— Matthue Roth (@matthue) November 13, 2013

I picture going to see @JoyceCarolOates, speaking to her afterward, and her yelling at me that I should have stayed in workshop.

— Matthue Roth (@matthue) November 13, 2013

Actually, @JoyceCarolOates, it's more like a fantasy. (Though I will probably be responsible. Sigh.)

— Matthue Roth (@matthue) November 13, 2013

(By the way, if you don't have a story due in your grad school workshop, you should go to this. And listen to every word she says, because she is a legend, and then brag about it to me and tell me every word.)

Sneaking into the Basin

This is where I walked today:


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Mill Basin is one of those places that makes you say, "I can't believe this is Brooklyn," but it is so incredibly Brooklyn. The houses are lavish and spread out, with lawns that are like nature preserves and cars that belong in museums. It's ostentatious and lascivious, but there's something about the neighborhood that makes you want to bathe in it completely, a cross between rubbernecking at an accident and watching Gossip Girl. There's a street that's clogged with houses, shoulder to shoulder, blocking off the view of Mill Basin itself. Some of the houses are Lego atrocities, but in a really compelling way. Others are like little Greek palaces. Just being in visual distance of them makes you feel like your blood is soaking up some sort of classical-masterpiece-based culture. And then there is this house, which I desperately want to get invited to a party at:



...Which, okay, the place ostensibly has its own issues. But there is some beautiful waterfront out there. I really just want to watch a drunken sunset there, possibly while laughing ostentatiously, just once.

Late-Night Storytime

I had the closest thing I'm probably going to get to a Kafka release party at this otherworldly party called Chulent. If you've never heard of Chulent (you can read some New York Times articles about it here and here), it's this late-night gathering of independent-thinking and questioning and rebel Hasidim. A while ago, when I ran away from San Francisco and visited Brooklyn for the summer,* a friend brought me to this midnight barbecue of Hasid-types tossing around Sartre and Kirkegaard in a bombed-out building in the middle of a completely-empty factory district. 

Nine years later, they've graduated to a magnificent crumbling synagogue on Ocean Parkway. There's some Russians drinking malt liquor out of brown paper bags and some club kids that speak in fierce Yiddish accents. It's all pretty wonderful.

And at around midnight, we all gathered in a circle in the sanctuary hall and I read them some Kafka.

The remarkable Geo Geller took a series of great pictures (some are here; the rest are on this page). or you can actually listen to the whole reading (with a slideshow). It was the second time I read the book straight through, all three stories, not counting in my kids' bedroom. It was a little bit intense. You can probably hear me breaking up toward  the end of Josefine, which might just be Geo's recording. Yes. Let's chalk it up to that. 

( listen .  photos . kafka )

Dressing the Part

So a few weeks ago I stumbled across this weird video. It's a fashion show from the '80s, a Jean-Paul Gaultier collection featuring hot bored-looking chicks dressed up as Hasidic Jewish men.

Of course.

I was basically compelled to feature it in a Jewniverse, which I did (it's out next week--subscribe right now to get it!). Then I wrote it. Then I thought that was the end of it.

It wasn't.

Today I'm wearing a white button-down shirt. It's a far cry from the punk-rock t-shirts of my choice, the vaguely hip blazers of my wife's selection, but it's what I've been wearing more often lately. Like Gaultier, I might be going through a phase of my own -- albeit, less fashionably. And, uh, less revealingly.

I have to say, I kind of like it. I feel more serious -- about work, about myself, and about little things. (My posture is improving dramatically.) It's a little more distinguished. And when I walk down the streets of my own relatively ultra-Orthodox neighborhood in Brooklyn, I get this whole stare of respect and/or identification with a group of people whose respect or comradeship I never thought I'd be after. Which is to say, the old guys. I always wondered why the bulk of retired people didn't just wear t-shirts and Bermuda shorts. Now I think I know.

Anyway. A few weeks ago, the online show Rew and Who did a feature on 1/20, the movie I wrote. It's filmed in the East Village, in a studio in the back of a bar called Otto's Shrunken Head, and it's every bit as punk and alterna-something as you think it is. I was invited in for an interview along with one of the stars. Heading out of the office, I shed my starched and Jewish shirt and changed into a more-suitable Mumm-Ra t-shirt (which you might think is related to Mamre, where Abraham pitched his famous tent, but is actually the bad guy on ThunderCats) and ran downtown.

So that was how I filmed the first interview:  

We got invited back today -- we're appearing with Alan Merill, who wrote "I Love Rock 'n Roll." And again, I'm wearing a white shirt. This time, I'm not taking it off. After all, there's nothing more punk than not looking very punk in the first place. This might not be all of who I am, but it's a part of who I am.

Even if they mistake me for Jean-Paul Gaultier.

Pixies and Magical Miniature Butlers

Here's where I get all confessional: I kind of hate New York City.

Don't get me wrong--I love living near a zillion cousins-in-law and a gabillion kosher restaurants. But you know how people say that, in L.A., people say "thank you" but mean "f-- you" and in New York, they say "f-- you" but mean "thank you"? Well, I'd rather people hated my guts but were still polite about it.

The Village Voice just came up with their list of 50 things to love about New York. And, fresh off another shift at the Park Slope Food Coop, I fell in love in particular with #25:

25. Except in select 'hoods like Park Slope and perhaps the Upper West Side, children are viewed as mysterious beings, rarely sighted and only occasionally understood, like pixies or magical small butlers. Until they scream, in which case, they are banished from the palace.

Admittedly, we sometimes are not very good about that (example: seeing Scott Pilgrim in midtown, when our infant was totally quiet for an hour and 25 minutes and then screamed her head off during the last fight scene. (I know, go figure.) But in all other instances: yes.

I really do live in two worlds. At home in Brooklyn, everyone has kids -- often 5, 7, 12 or more. When I'm at work, or hanging out with my non-Hasidic friends in the city, though, my kids are like aliens. (Friendly, curious Gizmo-like aliens; not like Alien aliens.) They are treated with curiosity, amazement (childlike amazement, you might say) and utter wonder, the kind given to roadshow zoos and Times Square subway dancers: Do these things really exist? Can people be that cute without the assistance of Japanese animators?

In general, I prefer the Brooklyn side of things. We live there. We don't have to watch what we say, translating every Hasidic idiom we drop and making sure we don't talk about our kids too much. But the other thing about kids is they wear you out. You have other things on your mind that have nothing to do with them (job, bills, the Buffy season you're in the middle of watching), but the things that they have on their mind (food! peeing!) always involve you.

And therefore, it's a relief -- sometimes a huge one -- to remember that the island of Manhattan exists, to jump on a subway and watch your hipster friends fawning and E.T.-ing over your miniature heirs. Oh, you will say to yourself,they really ARE wonderful and miraculous -- and you'll be right.

Of course, there are limits. Whilst hanging out with my friends Jason and Emily a few weeks ago, I casually mentioned how it's hard to find a good babysitter -- whereupon they jumped at the opportunity. "Call us!" they raved. "We love kids! We won't even charge you!" You do realize, I asked them, that we get babysitters at night, when our kids are asleep? "Oh," they said, shuffling their feet. "Never mind." And then they bought me a beer -- as a consolation prize, I guess.

Snoop Dogg and Kosher

Maybe it's the fact that all the Israelis I knew growing up were seriously cute girls (Orali in fourth grade, I'm looking at you), but Hebrew versions of words always sounded so...cute. I'm not talking about the guttural ch that pops up everywhere. But the rest of it -- the doubling-up of words (kacha-kacha), the addition of -y to every name, whether it makes sense or not (for years, I was "Matty" to every Israeli I knew), the fact that Israelis always sound so condescending when they deign to speak English to us non-Israelis -- just strikes me as really sweet and 10-year-old-like.

You know who else uses made-up words and suffixes a lot? Snoop Dogg.

Keeping all this in mind,there's a new kosher restaurant in Brooklyn. I don't know what the name is supposed to mean (it's a dairy restaurant, and, like every other kosher restaurant in New York, they also serve sushi), but it's called Shabazzle.

What do you think -- is Shabazzle an Israeli way of saying "yummy"? Or the Hebrew vernacular equivalent of "Yo, party's on Coney Island Avenue"? I couldn't tell you for sure. Clearly, though, it's an example of Israeli cute-ification in action.

And clearly the sort of place that Snoop Dogg would eat at. If, you know, he was Shomer Shabizzle.

(Thanks to the awesome kosher blog Thanks A Glatt for the tip.)

Any Given Hasid

This morning I got an email from my friend Dugans (of the awesome band Dreams in Static) asking, "Hey, isn't that you on some random person's blog?"

Yep! Turns out it is. Tess Lynch, a writer and actor in LA, weighed in on the Hasidim-vs.-hipsters debacle in Williamsburg. I guess she was scrambling for a picture of Williamsburg folks, and even though my memoir about becoming a Hasid took place in San Francisco and the photo was taken in Jerusalem, I looked the part.

Her observations about the bike-lane controversy are actually pretty astute and non-one-sided. To wit:

Obviously religious beliefs, particularly ones that have their roots in the way-back-in-the-day, aren’t what one would call “flexible” or “evolutionary” or “susceptible to the charms of trends like the sort sold at American Apparel.”
...
Because you are doing something great for the environment, you bikers can have my respect (1 point for you); but because you ignore traffic rules so much of the time, I am going to award one point to the Satmars.

I've never wrote about the issue, although a bunch of people (including the editor of BrooklynTheBorough.com, where, coincidentally, the photo of me was lifted from) have asked. But, for about five minutes, I'm going to let it fly. Hasidim, hipsters, hold onto your outdated hats: All of you are kind of wrong.

So: I've always believed that one person's autonomy stops where another person's starts. Bikers (and bike lanes) are inevitable when you live in the city -- the same way billboards in your face and taxi drivers honking at 6 A.M. are inevitable when you live in the city -- but I think what's really an issue, as you astutely pointed out, isn't the *actual* bike-riding; it's the in-your-face-ness of both the Hasidim and the hipsters.

No one lives in Williamsburg because of convenience. It's expensive, it's crowded, pretty much every wall in the entire borough leaks; it's actually pretty gnarly. My cool-kid friends who live in Williamsburg keep saying they live there because it's cheap. (It's not. A few years ago, I was paying $800 a month for a closet; now that closet is something like $1200.) My Hasidic friends live there because it's where their families have lived there forever. But the kids are drawn to Williamsburg because of the scene and their friends, yes, but also because of the ambiance of living among the Hasidim and the abandoned-warehouse aesthetic. The Hasidim living there don't move out to Monsey or Kiryas Yoel because of family and friends and because they've lived there forever, but also because living in Brooklyn is special -- as one of my cousins put it, "we like to be around a little diversity."

(And yes, there will always be the creepy outsiders, like all those Craigslist stories of a Hasidic guy who proposition a random woman for sex -- but they're a huge minority. I mean, I've met Hasidic pervs, but in a microscopic amount compared to the amount of non-Hasidic pervs I've met; even proportionally.) Again, that's the price of living in New York City -- there are several million people in a very small space, and you will come into contact with most of them.

That said, there's one thing I've learned from living in a very cramped Brooklyn apartment with a wildly copulating couple on one side and someone with every major sneezing disease on the other: You learn to ignore things. You learn to let people have their privacy, to avert your eyes when immodesty rears its naked head, and to politely turn your music up to cover up the mucous and the "Yeah, baby, just like that!"s. You also learn to respect other people: You give your seat to a pregnant woman on the subway. You step out of the way of a person with a cane. And whether you're a dude in Spandex shorts or a chick in Spandex anything (or vice versa), you don't shove yourself in front of people who have never in their lives wished to see that much of you.

Ms. Lynch herself gets it. As she writes:

By the way, in case you didn’t know, as the hipster in the NYMag article seemed to not know: don’t go around damning God in front of a Hasidic jew. It is a bad idea and makes you look like a real idiot. I can do it here because I’m posting a blog and there is no one around to make uncomfortable but myself.

That said, it's also kind of creepy that she lifted a random photo of me and my rabbi and plastered it to an article talking about Hasidim at their worst. I'd hate for one of my kid's friends to be reading about Hasidic protesters and Hasidic perverts and then they look up and think, hey!, I know that guy. We can talk about autonomy, but it's important to remember that it's not "the Hasidim" or "the hipsters" we're hating on -- it's a bunch of individuals who happen to live in the same neighborhood.

Ms. Lynch ends the article with a great proposal: that a cross-cultural barbershop should open, specializing in beards. The idea is a great one, but sadly, it'll never happen. We don't cut or trim our beards. That's why they're all bushy and upside-down Jew-fro-y. But maybe we can all sit out on the stoops and drink Manischewitz together out of brown paper bags some time?

Tznius Envy

There are deadlines, and then there are deadlines. I'm the Writer in Residence this month over at BrooklynTheBorough.com, and I was supposed to turn in my column Friday. How I feel about deadlines is best expressed in an email that my (other) editor (at Scholastic) just wrote me in the form of an epic poem beginning "O deadlines! How I hate thee" and spiraling from there.

But sometimes deadlines can be fun. Nicole, who runs BrooklynTheBorough, asked me to write "a piece just about being a Hasid in Brooklyn...you know, a slice-of-life sort of thing." I know she wanted me to write about the conflict between Hasidic and hipster worlds, but I just couldn't stomach it. (Sorry, Nicole.) It's just that I live that way 24/7, and there really isn't much of a conflict.

Some people go to yechidus for love or financial decisions. I go for fashion advice.
The broken deadline got me writing about everyday life in Hasid-land, which I don't often do -- mainly because I hate getting too garish or showy about it. I can write fiction, and I can write about what I think about things, but if I started getting blog ideas from walking down the street? Well, (a) I'd be here till tomorrow, but also (b) I'd feel like I'm faking it among my family-in-law and my friends even more than I already feel.

Even so, a deadline is a deadline. And so I wrote, and this is the pastiche that came out. I'm actually sort of proud of it.

The bar mitzvah was a totally crazy affair, as might be expected. In one way, Hasidic Jews are unfailingly, unflinchingly conservative. In another way, it’s an anything-goes scenario. The party started at 9 pm, an hour away from Brooklyn, which isn’t crazy until you remind yourself that the target audience is 11-to-14-year-old kids — and that these parties often go for four, five hours. The mechitza was in full force with a wall dividing men and women, which meant that I couldn’t even play arm-candy to my wife. Our cousin Shmop was there, who’s just about the nicest, most magnetic and fluid guy you could think of. He’s Orthodox but modern, clean-shaven and he wears a tie – both things that make him stand out in this crowd – but he’s got this lackadaisical, no-stick personality that makes him able to get along with anyone. Seamlessly. Five minutes after we hook up, he’s gliding through the crowd, shaking hands and kissing the hairy cheeks of every rabbi in the room, coasting straight to the women’s section as I struggle to keep up with him, dodging furry hats aimed at the level of my head as the crowd threatens to rip the umbilical cord by which I have attached myself to him.

Hasidic Jews are pretty strict about this stuff. And if you missed it right there, that’s the understatement of the century. Half of the family is pretty cool with these casual social interactions. The other half — well, there’s one Hasidic dynasty, of which many of this family are members, that has a custom of men and women eating in separate rooms. The mechitza is properly only for the dancing which will take place later that night, and so that men and women don’t sit at the same tables and, I don’t know, accidentally bump into each other or get into food fights or something, but when Shmop whizzes me across the floor to the other side, my anxiety squeezes a huge rubber band around my stomach and my eyes pop half out of my head. Not from looking at women. Possibly from watching Shmop’s overwhelming casualness. Mostly from the realization that, one way or another, I am probably about to be kicked out of the family, the social hall, or, possibly, Judaism.

Here. Read the whole thing on the BtB site.

White Purim

I wasn't dreaming of a white Purim, but that's what we got. Saturday night, Shabbat went out, and I shoveled out our car in raver pants that were bigger and bulkier than a dress and a three-piece paisley suit. This was the kind of Purim costume that was the essence of last-minute decision-making: every weird object in your wardrobe thrown out onto the beds, picked over and jigsawed together into a more-or-less coherent outfit. My wife dressed as a pregnant flapper -- only half of it needed a costume. Our daughter was the easiest: we threw wings on her and called her a fairy. Mine was the trickiest of all our costumes, and took the longest time to get ready. A nice change from the usual going-out routine of me being the first dressed.

But here I was, shoveling away at the Brooklyn snow, making the design of my paisley suit more and more colourful by the moment. (I was dressed as, depending upon who was asking, either a pimp, a bootlegger, or one of my wife's accessories.) Itta came out, saw the car still three-quarters shoveled in after half an hour, and decided we'd never get there. So we called a cab.

We were an hour late, but the advantage of going to an event thrown by Jews is that everyone else is 90 minutes late. We ran in just as the crowd was starting to move away from the snack table and get pumped up for the megillah reading...despite the fact that you're not actually supposed to eat until after you hear megillah. But I'm just one of those anal folks. Seriously, in forty-nine years I'm going to be one of those 80-year-old men at the back of the synagogue complaining about everyone else. Tonight, I just shut up and enjoyed the show.

When you're doing an actual megillah reading -- in Hebrew, that is, and without a break to explain the action -- it's hard to have adults and children in the same room. Kids (especially kids that don't know Hebrew) are not going to follow the rapid-fire delivery. Many adults won't, either. As a potential cure, I've seen puppet shows and simultaneous storytelling.

I have to say, this was the first year I've seen a PowerPoint presentation in synagogue on Purim -- or any other day, for that matter. But, as PowerPoints go, this one was damn impressive. Achashverosh was played by Jabba the Hutt, and Haman, questionably, was Mahmoud Ahmadinejad. (Mordechai was Dumbledore. Nice.) This was all the work of JLA Online, an LA-based collective, unsurprisingly.

Last year, my in-laws gave me an actual megillah. I don't eat animals and have some issues with using a parchment scroll, but I've decided to try and ignore that. For this year, at least. And, for the most part, it worked. I mean, as far as several-thousand-year-old stories go, it's a doozy. Fast-moving, plotted with an expert sense of narrative (I realized for the first time this year just how cinematic the megillah is, introducing the story with the character of Vashti, and then alternating between the story of Mordechai catching the king's would-be assassins with Haman's growing menace.) Even the vocabulary is made for performance -- intentionally simple, with lots of repetitions and mentioning the characters by name over and over again.

So I followed the story. Even though the reading moved with breakneck speed, I let myself get swallowed up. I stopped paying attention to my daughter alternately trying to wreck her wings and to repair them, and to the boys throwing Cheez Stix in the front, and to the rest of the world and even to how much my tied-up beard was annoying me. I just sat. Usually, I reserve this level of blacking-out-the-rest-of-the-world for praying, reading, and brushing my daughter's teeth when she really doesn't want me to. But tonight, I belonged to the story. And it was good.

A day later, I'm wondering whether this isn't part of the Purim mystique. We're commanded to get to the point where ad d'lo yada, where we don't know the difference between Haman and Mordechai. Usually this is interpreted as drinking. This year, since 4 shots before noon barely left me buzzed -- I built up my drinking resilience in Australia -- and since my parents were around and I needed to be responsible, I opted for Option B: the midafternoon nap. But really, I think what the rabbis wanted when they issued that commandment was for us to get to the point where we completely lose ourselves. Like Esther lost her sense of self when she went to the king, not caring whether she'd be sentenced to death. When we lose our senses of self in G*d. And when we lose ourselves in stories...or even, this year, in snow.

My Comics Debut

Granted, it's not me writing Uncanny X-Men, but it's on the other side of the camera. It's from Ethan Young's excellent e-comic Tails, which you can read free here. (You can actually start on the chapter I'm in and not miss out on too much -- here's the first page -- and then go back and read from the start. Because it is amazing, and highly recommended.)



See? Even when I'm in Australia, New York finds a way to claim me. The temperatures in Melbourne are about the same as the temperatures in New York -- 35 degrees in both places -- but, believe me, it feels a lot better here.

Ethan (SPOILER WARNING) used to live downstairs from us. He designed this card for my daughter's first birthday, which I'm still ga-ga about. The Yiddish was added by his roommate. Check it out and marvel:

Ouch. Sorry for the pun.

Buying an Etrog in Brooklyn

What do you look for in an etrog? It was hard to top last year, but we had to try. Heshy Fried and I went on a fact-finding mission in the Crown Heights section of Brooklyn to investigate.

Here's what we discovered:

(By the way: The dude with the amazing etrog at the end is Yossi Keller, who might know more about etrogim than any other human being alive. He runs the etrog shop in the abandoned matzah bakery on Empire Blvd. and Albany Ave. in Crown Heights, and you should check him out.)

Plant Names in Yiddish

One of the most encyclopedic Web collections I've seen recently was created, ironically, to put to rest a supposition that I've never heard of. Plant Names in Yiddish is the Web adaptation of Di Geviksan-Velt In Idish, a 2005 publication by Yiddish linguist Dr. Mordkhe Schaechter -- who, according to the site, "confronts the stereotype that 'there aren't any plant names in Yiddish'."

I can see where the stereotype would come from -- since, you know, Yiddish was developed primarily in climates where the ground was encrusted with snow for 90% of the time. However, I can honestly say that, in all the conversations I've had about Yiddish {and I've had a bunch, at least, compared to the average American} the issue of plant names has never come up.

Which isn't to say that it isn't interesting. As Apodion.net notes, "The somewhat-uninspiring English title belies the amazing nature of the work." He proceeds to kvell:

As a reference work it’s indispensable. But as a simple joy—as an impossibly rich and dense body to dive into at immediately satisying random—it is even dearer. At a random page turn I can tell you that the Yiddish name for Artillery Clearweed, Pilea microphylla, is הארמאטניק.. Harmatnik, that is, ‘cannoneer’—I have never heard of Artillery Clearweed but apparently its offensive associations are not unique to English. Sweetflag, the genus Acorus, goes by the name שאװער, or shaver....[F]ar from being some wasteland of natural terminology, where the urban, mercantile Yid is happy to lump all ferns with ferns, trees with trees, birds with birds, and so on, stemming from a general lack of engagement with nature, Yiddish natural terminology is a happy and well-churned melange of influences, Polish, Hebrew, German, Russian, French, Ukrainian and original coinages, where the language’s syncretic, cosmopolitan nature joyously shines through.

My own Yiddish, and my own understanding of the book, is not nearly as poetic. I struggled through a few lines in the first chapter before turning ahead to the shorter and more digestible later chapters. But I'm bowled over by the potential for this knowledge to exist. That, say, one day, when I finally settle down and learn Yiddish -- or, if we stay in Brooklyn, when my kid speaks fluent Yiddish -- that, if she ever wants to describe the most perfect seeded dandelion in the world, or a beautiful ghost orchid, she'll have a way to do just that.

Shalach Mones Madness

Someone driving through our part of Brooklyn honked at Itta and I, waving us over from the sidewalk. "What's going on?" she said. "Is this a bank robbery, or is it some kind of Jewish holiday?"

It was a fair question, considering we were standing next to a seven-foot-tall in all black clothes and a Mexican wrestler mask. This was my first Purim in a Hasidic neighborhood, and it was literally swarming with people: pre-tween geishas hammered on our neighbor's door. A woman in full turquoise burqa walked down the street next to a man in a streimel and those tight white stockings. People ran everywhere, literally throwing candy at each other at times, and squeezing chocolate bars into people's mail slots at others. "This is like Halloween, but the way Jews celebrate it," Itta pointed out. "By giving people candy instead of demanding it."

I've always been a Halloween-positive boy myself, but yesterday, I had to agree: it was pretty much a madhouse of goodwill and thanksgiving. We made thirty-two of our shalach mones packages, and by the day's end we were down to three. (Frum Satire and his friend, paying us a surprise visit, knocked it down to one.) All told, 'twas better to give than to receive, and it was a mad amount of fun as well.

But, because it's not bad to receive as well, here are my shalach manot highlights of the year:

• A family friend's house had do-it-yourself shalach manot -- there were a row of boxes, both new things and (packaged) food traded in from other shalach moneses earlier that day. "So you guys would like, what, nice chocolate?" she asked, ready to drop in a big old bar that was fancy and Swiss. "No way," I said. It's true -- we're not chocolate people. "Your wife wouldn't like that?" she said. "What should I give her..." she rumbled through the box, pulling out a tin and making a face -- "sardines?" "Actually," I said, "she loves sardines." (Don't worry -- they also gave us two pineapples.)
  
  
• Somewhere along the line (post-Shushan, pre-me becoming observant) a custom started that, ideally, you should give two different kinds of food -- that is, for which you should say two different kinds of blessings -- for Purim. We couldn't find the source for this anywhere, and this year, my in-laws gave wurst and vodka. 40% alcohol, 110% Russian.
  
  
• Berwin, the aforementioned Mexican wrestler, handed us a bodega-bag with a really nice bottle of wine and a three-pound box of granola. I don't understand it, either.
  
  
• Matisyahu and his family gave out falafel, hummus, and vegetables in reusable enviro-plastic containers, along with a plea to keep the Purim-related waste to a minimum -- which was both good advice, and necessary.