Skiing with Babies

For Passover, we left behind New York (and our kitchen) and went to a ski resort in remote Canada with my in-laws and a ton of kids. It wasn't a nightmare. It was really wonderful. But me and my anxiety made it a nightmare anyway. Maybe the fact that I took my baby on a 6000-foot-high ski lift had something to with it. Here's my latest piece for Hevria:

I Forgot to Selfie

BY MATTHUE ROTH • APRIL 14, 2015 • ESSAY

I went away for Passover with my kids and my wife and my wife’s family. We went to the mountains, to a really nice ski resort, and I took pictures of trees. I mean it. That isn’t, like, a metaphor for something — on my phone, you click GALLERY and all you have are pictures of furry green. Well, a bunch of stony white patches, too. We were in the mountains. There were a lot of rocks. You couldn’t take pictures of the trees without shooting a bunch of rocks.

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Schindler's List and Hip-Hop Remembrance

When I was in Junior Congregation services at OCJCC-BI in Philadelphia, we spent Tisha B'Av -- the holiday that's the anniversary of the Temple's destruction -- watching depressing Jewish videos. Some of them (Shoah) conveyed the appropriate they're-dead-and-it's-sad response from my 12-year-old self. Some of them (Schindler's List -- specifically, the scenes of Oskar Schindler in bed with the naked bouncing-breasty women getting all pogo-stick on top of him*) left, uh, a different image in my head.

The London-born, Jerusalem-based poet Danny Raphael just laid down some rhymes of remembrance. It's only 2 minutes long -- and, back in 8th grade, I wasn't very open to appreciating hip-hop -- but I'd like to think that I would've appreciated this.



* -- It feels like heresy to say, but as a geeky barely-teenage boy who'd just seen Jurassic Park (loved it) and was expecting something I could do a Hebrew School book report on, it was unexpected, to say the least. There was plenty of stuff that depressed and inspired me, as well, but when I left the theater that day, the sole image that stuck with me was not a skeleton-thin man behind a barbed-wire fence but a full-bodied woman who touched off a strange chord of both attraction and haunting in my spread-wide-open impressionable mind.

Now, this isn't to say that I disapprove or disagree with the film. I think the only people who wouldn't say Schindler's List is a work of art are either anti-Semites or jealous (the latter category includes all you film-school snobs). The most common feedback I get from my book about becoming religious is that it'd be a great story except for all the cursing and sex. Real life is real life, and portrayals of life are going to contain stuff that isn't exactly ready for prime time. Was I ready for it as a kid? I don't know. Although, on the other hand, most of my formative life-changing experiences were things I wasn't ready for. And this would be the footnote that's longer than my actual blog post.

G-d, Kids, and Movies

First of all: the important things in life.


It's pretty quiet here, for a change. Working furiously on the new book, now that the movie script is in, approved (mostly), and everyone seems more-or-less happy with it, or if they're not, they're not being unhappy in my direction. Which is a relief. Secretly, by the beginning I was thinking that 120 pages was nothing and that I could spit it out in a heartbeat, but by the fifth complete revision, as I was adding up each 120-page draft in my head -- that's something like 600 pages. Definitely longer than any novel I've ever written. Way longer than anything I've written in three freakin' months!

For a good portion of preproduction, they tried to keep their top casting choices secret from me. They didn't want the people getting in the way of my voices for them, the producer said. Before the last draft, I sneaked a look at the audition tapes, and I could see why. Suddenly, I wasn't writing for my main character, I was writing for this snarky, beautiful, a-little-too-candid young woman who was going to become my main character.

But: There's a new novel in the pots. I don't know what's going to happen, but it tastes great so far.

And, finally, there's a new G-dcast in the house! These are the final few episodes, and I feel like we've upped our ante with them. First up this week: Dahlia Lithwick, who edits for Slate and NPR and Newsweek. And you have to come back on Wednesday to see Mayim Bialik's take on Vayelech. Oops. I'm not sure if I'm allowed to say that.