Monument Valley, a poem

Tonight I just wanted to sleep alone
each touch of skin and furtive blanket movement

nails across the blackboard 
of my sleep.

Sometimes I pray because I don’t know what else to do
then drive myself crazy till sunset.

Freed prisoners will commit a crime
to return to the solace of jail.

I’ve been listening to music by dead people
hoping to set their souls at ease

though it might be because there’s nothing
I want to listen to.

Tonight I am having trouble surrendering
to the night, my body quaking 

with each wave of thought, unable to disconnect
from the maelstrom of my head

How I wish for something diagnosable
The ability to put a limit to my problems, say this is it

draw a box around them
then step outside it

G-d just seems to never want tonight to end
I open the blinds to the field of unblinking stars

Wondering what happens if I start walking among them
and don’t stop till I reach what comes next


______
Image from page 138 of The call of the stars; a popular introduction to a knowledge of the starry skies with their romance and legend (1919)

Sweater Dog

This is Madcap Review #10, and herewith are two poems of mine that are published therein.

Sweater Dog Brings Himself Joy

The happiest tiny dog
is kicking up dirt in his sweater

His paws don’t scratch much grass
but tiny shitlike flakes snow all over

The only mess he can make
so delightfully constipated

Here's the poem on their site. It really happened! One morning I was walking to work and this enormously tiny weiner dog was frolicking in the freshly unsnowed grass, kicking it up all over the place. It felt like he couldn't get it out and was just using the dirt as a substitute to make him feel better about himself. The owner wasn't looking at all. The dog stopped and looked straight at me. I think we shared a moment. I hope he felt better about himself.

They also published another poem of mine, My Jesus Fear. Really, you might want to just go and read the whole dang issue, which has a weirdly labyrinthine clickthrough pattern and is really strange and enjoyable, and has a great deal of good, freaky art.

G-d's Little Obstacle Course

I wrote this poem a while ago, but wasn't really sure what to do with it. One of those things that seemed too cheesy to non-religious people and too heretical to religious people. But necessity is the evil stepmother of creativity, and I had a post due for Hevria, which -- inspired? no, demanded -- that this poem and I get to know each other better.

My Slow-burning Obsession with Steven Mnuchin

This is a weird one. Sometimes I'll start thinking about Steven Mnuchin and get so mad. Other times he just seems like a paradigm of all that is weird about the Trump administration -- not wrong (although that, too) but weird -- how Trump mocked Hillary for her Goldman Sachs connections and then dragged this guy into the White House, the portfolio of movies he's invested in, including (but not limited to) The Lego Movie, the Thomas Pynchon adaptation Inherent Vice, and Mad Max: Fury Road, and the way his wife invites rubbernecking, Asma al-Assad style.

But most of all it's this picture, and the accompanying tweet by Christopher Ingraham that seemed so sad and poetic and weirdly hopeful, that made me want to write this poem, and which I sampled for the last two verses. There it is. My confession of love. Steven Mnuchin, I hope you're happy. Now please take care of this country.


With enough money
Steven believes
you can change minds

The way his name slips by
in the credits for Avengers
and The Lego Movie

to show his old bullies
whatever they wanted
to do to him, it backfired

Steven marks his territory
like a bulldog on a Sunday outing

The United States, Steven says
is the greatest country
to invest in

and we are his investment
Steven shouldn’t be this happy in life
but somehow figured it out

[ keep reading ]

How to Offend the Jews

Gotta tell you, most of my posts on Hevria don't get much mileage in terms of feedback -- that's mostly for Elad and his political ilk (politilk?) -- but this was the exception. Posted this and, the next time I checked Facebook (I've been staying off Facebook for the most part, because Russians), I got this rebuke from someone who, I'm not sure if they're Jewish or not, but her name is Hana Grossman:

As a mentor and editor, I always tell writers to just ignore this stuff. Your job is to create; your power is in creativity; and while dialogue might come out of it, some people are just there to troll. (Ms. Grossman, I will try not to assume but instead create a likely fictional reality, didn't even make it to the first line of my poem.)

As a writer, though, that shit dives straight under my skin. So I wrote back:

I'm sorry you feel that way. I hope you actually got to read the poem. I try not to tell people what a poem is about - I think it limits the poem's power - but I don't really think it's about how I (or anyone) sees non-Jews at all; I think it's about the struggle between wanting to follow halacha, or Jewish laws, and wanting to live autonomously by your own rules.

by the way, I'm not really on facebook much, but if you'd like to talk further, here's my email.

Anyway, you should read it. Let me know if you're offended please!

There Are Such Goyim in the World

I love how goyim hug
so perfectly freaking friendly
like the only reason they’re not married
is, why waste all that time at a party?

They eat food from anywhere
and eat the same amount of food all week.
They jump out of bed and straight

[ keep reading ]

Got rabbi?

In 2002, I went on tour with this crazy Australian Jewish punk band called YIDcore. We played a Jewish punk-rock ball at Wesleyan, some New York gigs, possibly Yale?, and one or two other places. I'd always hoped they would pull me on stage to sing "Just One Shabbos" with them (editor's note: this version), which never happened, but just the feeling that it could, that it might, was incredible enough to burst my chest open.

I received this email this morning:

Found an old t shirt of yours :)

Loved it after you left it at Wesleyan and wore it to death, I now think it's time to donate to fabric recycling, unless you want it back?

Orthodox High School Poetry Slam

Listen to this right now. Download it if you know what's best for you, just so you can listen to it constantly and nonstop. These are mp3s from the last Yeshiva Poetry Slam Championships, held at the end of February 2013. They're all high school kids. They're all amazing. I mean, you'll find out.

The pieces were recorded by Aaron Roller, who's been putting these meets together. At this point it's sort of all held together by the duct tape of a few people's determination and passion. Because, you know, Orthodox yeshivas don't automatically have poetry slam programs going on -- no, not even in Brooklyn.

I wish someone was doing this stuff while I was in yeshiva. (Not that I was ever in yeshiva.) But -- it's inspiring and crazy and electric, what these kids say about their lives. What they say about G-d.

WANTED: Be in My Music Video

Hey, I'm about to put together a little free spoken-word E.P. and I'm making a music video as part of it -- only, of course, without the music, because it's spoken-word.

And I need your help.

There's a poem. Email me, at matthue at gmail, and I will email the text of the poem to you. Then, if you would be so kind, film yourself using an iPod or iPhone, reciting all or part of the poem. I'll splice it together and make it into a video.

If you have any questions, send them to me too! I'll do my best to answer.

Around You

I have a new poem in the Oklahoma Review! It's actually really nice. The whole thing is out now on pdf, but in case you don't feel like scrolling to page 60, here's the first bit:

When I’m around you,
I keep my cell phone on silent
my pen in my pocket
and pretend like I can color-coordinate

When I’m around you
I act like I use a knife & fork & napkin
at every meal,
even midnight snack.

(read the rest)

Caught Rapping on Video

Aaaaaah. I hate the way I look on video. But I do rap, and that's something of a consolation, right?

Yesterday the amazing Sawyer Novack and I got interviewed about 1/20, the movie I wrote and he costarred in. We were promoting the first New York City screening of the film -- which is happening on Sunday, November 6 (see below). He was a really good sport. And we saw each other for the first time since filming, and (now I'm going to sound like a grandparent or something) he's at least twice as tall as he was when we shot it, and he's been up to all this other stuff. For instance:
New Anti-Smoking Ads Warn Teens 'It's Gay To Smoke'

That's right. SAWYER IS ON ONION.TV. (And it is totally offensive, and hilarious. Sawyer comes in at 1:55 if you're squeamish.)

And, yes, we're going to be screening the movie live! It's at the Branded Saloon in Brooklyn. It's a "brunch screening" at noon, whatever that means. Come and figure it out with me. (Oh, and here's Part 1 of yesterday's interview, which I'm putting on the bottom because I fidget a lot at the beginning. I know. Diva.)

A Wish, An Excerpt, and Some Music

Today is my grandmom's birthday. Here's a link to a poem I wrote about her. It's called Dizzy.

I learned what Halloween as the same time I learned what Mischief Night was. My parents left all the lights on downstairs that night, and they closed all the blinds. I smiled to myself. It was like our private family hideout. Why didn’t home always feel like that? But their mouths were grim. In the morning, broken eggs streaked the windows of the houses on our block. The tree on the corner was mummified in toilet paper. I had nothing but my mind to connect the dots between last night and that morning. Halloween for me wasn’t about ghosts and candy; it was about the shadowy strangers who liked to threaten you from the shadows finally stepping out of the shadows.

Lag Time

It's almost Lag B'Omer, which is making me hella nostalgic for the Stern Grove Chabad party in Yoko a Go-Go. Well, part of it, anyway. And for the holiday, the good people at the Forward have printed my poem "Bar Yochai (Ai Yai Yai)" in honor of the festive season:

for those who gathered there at sunset there
were promises of a sin-free life at stake
I didn’t want that
I just wanted to say hi

apparently everyone had the same idea
fighting to get closer to the kever
I wanted to tell them
I’m only here for the rabbi 

<< read the rest >>

And because good things always come in threes (famous people dying, wise men...uh, whut?) I should also tell you that the new G-dcast Shavuos video is up and atom:

Win Stuff With Poetry.

How are you feeling about the New Year? Excited? Trepidatious? Nervous? Whatever's going around in your head, you should get it out of your head -- sit down and write a poem. (Or, if you're more in the mood, stand up and yell it out...but make sure you write it down or record it!)

And, once you've done that, send it to mjl.poetry@gmail.com by 5:00 tomorrow night for the chance to win MJL's High Holiday Poetry Contest -- and the chance to win one of a bunch of really cool prizes from Shemspeed, MyJewishLearning, and Simon & Schuster.

Of course, even if you don't enter, keep your eyes peeled and your RSS feed set to stalk the MyJewishLearning blog, where we'll be announcing the winners and reprinting the winning poems.

And if you need some inspiration, check out MJL's High Holidays section -- and our great guide to the Rosh Hashanah season, 10 Days to a Better You.

Beginnings: Jewels of Elul

I decided to be Orthodox in the middle of college. I was on scholarship to a very big school, and I was feeling very small. One of my best friends had just gotten raped and then sort of ignored by most of our circle of friends, and ran away to Europe. I'd thought I was going to New York for college, then realized that going to New York for college actually cost money, and so I was back in Washington D.C. on scholarship and with noplace to live.

I surfed around on people's couches. Some of them were good friends, but more often than not, they were randoms -- people I'd met once or twice at a concert or a club meeting, the ones who noticed I was looking even shabbier than I usually did. I tried never to stay more than a day or two. I didn't want to impose, but more, I didn't really want these people -- these vague people who faded in and out of my life -- to notice I was changing.

And it wasn't like I was choosing to change. It was a side-effect of being around different people every day. No one expected me to say "the Matthue thing," whatever sort of thing I always said, or to behave a certain way. I was getting born again every day. If I wanted to skip breakfast, how would they know I had a rigorous routine of a bowl of Cheerios with soy milk every day since 9th grade? Boom. Today, I am no longer a breakfast eater.

But I had all this time. I'd been hanging out with my friend constantly and now she was gone. I'd been searching for a place and now I was promised one; I just had to wait three weeks for the old tenant to move out. It was maddening. I didn't know what to do with all this time. Study more? No; it was college. Why would I do that? Write a book? I'd just written a book. It took time, but not the time I had free -- that was for late nights and early mornings. In my life now, where I used to call my friend constantly or hang out in the privacy of my room, there was just an empty silence.

On Friday I was crashing with the guitarist from my band. He was going to a concert in Alexandria; he left me the keys on the bureau and headed out. Faced with a rare weekend night with no plans, I asked myself the question that, in college, surrounded by a million other people, you never actually ask: What do I WANT to do?

I went on a walk. I didn't carry anything -- not my phone, not my wallet (which was falling apart anyway), not even an ID, just in case I got lost and drowned or the Washington Monument fell on me or something. I was a notorious worrier. I actually thought about these things constantly. But not tonight. I didn't want to worry about anything.

I ended up at synagogue. I'd always known where it was; it was in the middle of Georgetown. I'd just never gone inside. But a hundred other people walking in at the same time, I could do it without anyone noticing. I prayed in the back of the room, alone and with my prayerbook in front of my face. A hundred other people prayed under their breaths; it was a huge noise composed of whispers. In that noise, I could say anything I wanted.

That's when I decided to start coming back every day.

They say, when you want to become an observant Jew, you should do it with baby steps. Stop watching TV for one Shabbat. Give up the Internet a few Shabbats later. I didn't work that way. I dove in. I had all this time, remember. What was I going to do with it? Something productive. And it ended up being something productive in a way that wasn't going to be like publishing a story or playing a concert. Praying is like giving up your time and your energy and your creativity. But it's like giving it up for a reason; saying that I don't just need to impress the people around me. Believing that that's not all that matters.

I talk a lot; you could say I've made a career out of it. But this talking alone -- talking where nobody else can hear you but G*d -- is, in my very small way, saying that not everything I do has to have a specific reason, for work or for my friends or for my writing. Sometimes, you're just giving it up for G*d. Are my prayers going anywhere? It almost doesn't matter.

I became Orthodox overnight. But becoming religious -- that's taking a lifetime.

Crossposted from Mixed Multitudes. This post is part of Jewels of Elul, which celebrates the Jewish tradition to dedicate the 29 days of the month of Elul to growth and discovery in preparation for the coming high holy days. This year the program is benefiting Beit T'shuvah, a residential addiction treatment center in Los Angeles. You can subscribe on Jewels of Elul to receive inspirational reflections from public figures each day of the month. You don’t have to be on the blog tour to write a blog post on “The Art of Beginning... Again”. We invite everyone to post this month (August 11th - September 8th) with Jewels of Elul to grow and learn.

Nirvana's "Polly" Live (the cover version)

The slammin' Melissa Broder hosts the Polestar Poetry series, and she just tried something new*: picking an album (in this case Nirvana's Nevermind, and having a team of poets (in this case, us) write poems about it, one poet per song.

I got in early, which meant that I got one of the first picks. I chose "Polly," the song about sexual assault and boys who think they control the world. Don't ask me why.

I didn't plan it this way, but the story I'm telling -- and especially Christian -- all ties in to my story in the anthology Punk Rock Saved My Ass, an incredible little collection to benefit 924 Gilman, one of the first punk collectives in Berkeley. It's only $10, and you should check it out. In order to get what I'm talking about in the video, though, check out the adrenaline-fueled piece Kat Georges did before me.

And then go check out the whole series.

Paris Hilton Is Responsible (and Jewish)

The awesome Jewish poetry magazine The Blue Jew Yorker has its new issue online today. It probably seems like I'm telling you to go read it because of my poem, "The Other Universe of Paris Hilton," which takes place in an alternate universe where Paris is responsible and Orthodox Jew (and she always wakes up to pray at exactly the right time before sunrise), and I'm a drunken heiress.

But that wouldn't be one-tenth of it. Legitimate (and goood) poet and professor Charles Bernstein gives this very Addams Family-like gothic poem called "Rivulets of Dead Jew." There's a furious poem called "It Takes Awhile" by Heather Bell, and Samuel Menashe, who's basically a living legend of poetry (don't believe me? read the MJL article), has a new poem, "Adam Means Earth," which is as brief and brilliant as anything he's ever written (and that's saying something):

I am the man
Whose name is mud
But what’s in a name
READ THE REST >

But my favorite might be this tiny little poem by Gary Levine. It's a love song to his siddur.

It goes wherever I go
My little blue worn siddur
Tattered and well used, cover bent and dog eared.
Wrinkled from praying in the rain
On the way to shul on Pesach day
Wine stains on page 178 & 179
Made while standing making Kiddish by a hospital bed

READ THE REST >

I Am My Beloved's...But I'm Not Only That

For the month of Elul, I've been trying to get myself into shape. One of the things that Rebbe Nachman (and basically everyone else) suggests doing in order to achieve this goal is learning Jewish laws. My father-in-law recently gave us this tiny, awesome Kitzur Shulchan Aruch, which is a handy guidebook to what Jewish stuff you're supposed to be doing at any given moment. It's much more of a Judaism for Dummies than the actual book.

So I've been reading up on my life as a Jew. Sometimes a line or two at a shot (the entries are mostly really short, which plays to our advantage) and sometimes -- like this morning, on the stalled 5 train -- an entire chapter. Part of what got me so excited was the talk of Psalm 27, which we read at the end of morning prayers all this month. (If you've ever seen a horror movie, you've probably heard it in some form; it's the one that starts "The Lord is my light and my salvation; who should I fear?") I know that our article says it's a slightly schizophrenic psalm, I still like it. I get a shiver every time I read "The only thing I ask for is to live in God's house all the days of my life." Not that I have any clue what God's house looks like, but it seems like it would be a good place to be. Just the idea of having a house to curl up into, metaphorical or otherwise, sounds like a pretty good deal. And like a pretty comforting thing, especially in the

(My other favorite line, "When evil men come close to eat my flesh, they stumble and fall," clearly plays to the action-adventure author side of my personality, but that's another blog entry.)

So the Kitzur, whose role usually shies away from the sort of non-how-to thing, goes out of its way to talk about the different acronyms for Elul. Usually, people like to say how Elul is the healing time after the catastrophes of Tisha B'Av, and the strain on our relationship with God that things like massive destruction tend to cause. They point out how the Hebrew letters alef, lamed, vov, lamed -- the four letters that spell "Elul" -- stand for "Ani L'dodi v'dodi li," or "I am my beloved's, and my beloved is for me."

But wait! There's more!

Apparently, Rabbi Isaac Luria, the Ari, was the first to play with acronyms. He first cites the verse in Exodus that talks about someone accidentally killing a man: if this happens, God says, "I will find you a place to which he can flee" (21:13). The words "I will find you" begin with aleph, lamed, vov, lamed.

Again with the morbidity, right? But it's actually a comforting verse at heart: even a murderer can find peace. Then he cites Deuteronomy 30:6: "God will open up your heart." This one doesn't just work the obvious (hearts! open! understanding! empathy! Rosh Hashanah!) but also alludes to the exact opposite of what happened to Pharaoh: Our hearts are becoming un-hardened.

Then the Ari proceeds to blow us all out of the water by explaining how each of these three verses covertly refers, respectively, to repentance, charity, and praying -- the three things that, according to the mahzor, dissipate a death sentence on Yom Kippur.

One more cool thing that the Kitzur points out about Psalm 27 and its first few words, "God is my light and my salvation." When the psalm says "salvation," it's referring to Yom Kippur, of course -- since that's the time when some souls get salvated (er, saved) and some don't. But the "my light" part is talking about Rosh Hashanah. It's a complicated holiday, neither 100% good (uh, a lot of us are about to die) nor 100% sad (it's the birthday of the world, and a lot of us are going to get good decrees)...but we do what we can. And that's where the light comes from. We're saying that God should reveal everything...and that God should make it all good.

Follow Your Twitter Bliss

I was a judge for Ben Yehuda Press's Twitter Love Contest. The entries have now been announced, and I would be embarrassed to have been a part of something so totally and unabashedly sweet, if the entries hadn't been so genuine -- and if we weren't running our own totally un-sweet Bad Poetry Contest, with the first two runners up announced yesterday, and the first-place winner being announced later today. And, after all, it is Bad Poetry Day.

1. @velveteenrabbi: My love plans built-in bookshelves, buys paint for the nursery, shapes where our child will dwell. We find home in each other. #15av

2. @vegdem: to my true love, the one who completes me: Thank you for pursuing me relentlessly. Relentlessly! #15av

3. @KatiBlack: chickpea & wilted spinach salad for lunch. thx @n_q_mainstream for being my #vegan meal pimp. u know how to keep ur girl happy #15av

The winners all receive copies of Shefa Gold's new book, In the Fever of Love: An Illumination of the Song of Songs. You can read the first chapter on the nifty Google Reader at the bottom of Ben-Yehuda Press's original announcement of winners.

Punk Torah: Alive and On Fire

The new site Punk Torah is live today! A few weeks ago, Patrick A -- the lead singer of the band Can Can -- started doing Punk Rock Parsha, a weekly video podcast about the week's Torah portion from a punk perspective.

As the podcast built up steam, Patrick has also delivered rants about anti-Orthodox diatribes (in spite of the fact that he isn't Orthodox by a longshot), Shabbos poems, and Judaism in the year 5000.

In recent weeks, the spillover of new Punk Torahs has seemed to hint that it's building up into something...and, well, this is it. In the introduction, Patrick declares, "If you love G_d, Torah, and the Jewish people...but are really tired of the crap that comes along with it, then keep reading."

The mission statement continues: "We think of synagogues as the Jewish night club...a place where you go and relax for the first time all week. Take a load off, make a new friend, sing, drink, dance...whatever moves you! Somewhere along the way, the Jewish People lost sight of that."

The site has sections for both the weekly parsha and random other videos, and then there are sporadic other features -- including one on YIDCore, who are quite possibly the most talented Australian Jewish punk band to ever play through the entire "Fiddler on the Roof" soundtrack...and, uh, an interview with me. It covers Never Mind the Goldbergs, of course, but also delves into Muslim punks, Hasidic underground culture, and why Jews are always outsiders.

But, really, the most amazing thing there so far is a poem/rant from somebody named "Michael S." I don't want to quote it, because I'm mentioned and it might be namedropping, but it makes me believe so strongly in everything we're doing, so much that I can't not write it:

They talk about their mortgages.
We stand there nodding our heads, trying to interject and talk about the concert we went to the night before, the religious ecstasy of watching another human being bare their soul in front of other people.
They wear khakis and polo shirts.
I wear my tzizits, a t-shirt and jeans.
They like pastels.
I have tattoos.

...

So we temple shop. We go to services everywhere we can. We stand around with the other “adults” and wait for the opportunity to name drop some underground bands. We mention Matthue Roth or Y-Love, G_dcast, the religious orientation of Benjamin Grimm*, looking for a glimmer of recognition, a slight nod from another weirdo like us, hoping against hope that someone will hear us, someone will recognize the passwords to this secret club that we didn’t even know we belong to and show us the clubhouse we didn’t even know existed.

keep reading >

Hasidic Poetry Slam

OK, as promised:

This past Saturday night was the first Hasidic poetry slam in Crown Heights, at least in the estimations of everyone there. It started out as the brainchild of Levi Welton, a kid in his early 20s (and, incidentally, a rabbi) who does live theater and a weekly comic about the haftarah. He was raised in the Bay Area -- his father is one of the Chabad rabbis there -- and, on his last visit back, he happened upon the Berkeley Slam. He came back to yeshiva in Crown Heights all fired up and bouncing, ready to do this.

And he did. He enlisted the aid of a bunch of us -- mainly, Mimulo, a flowershop and tea bar run by Hasidic hippies who were cool with opening shop at 10:30 on a Saturday night after Shabbat was out. And a bunch of us poets -- coincidentally, I'd learned to slam in Berkeley as well -- and Alona (who, for the evening, was known as Alona the Purple Prophetess), also a Bay Area alumna.

At first, I wasn't sure whether women would be there at all. I pushed the question nervously. Levi barked out a laugh. "If they weren't," he said, "we wouldn't have a show!"

It's true that, even in the most right-wing of circles, there's no halakhic reason why a woman can't get up and launch a poem into a crowd. But most of what Jews do, Orthodox and otherwise, has next to nothing to do with halakha -- it's about social mores. (For that reason, perhaps, the poetry reading that Mimaamakim threw last month was overwhelmingly, overwhelmingly male-centric.)

But this was pretty incredible. Beside Alona, one super-Orthodox girl read a few short, funny, wry poems about being frum in spite of what everyone else around her thinks. This one bad-guy yeshiva kid in jeans got up and read a poem he'd written on the way over -- it was honest and it was about love and being lonely and it was so simple and beautiful that, I feel like there's no way to say this without being cliche, but literally everyone in the room was pushed to the border of crying.

And then, of course, there was the Russian Hasid in one of those Boro Park business-suits that all the real super-religious women wear. She pulled out a piece of paper, mumbled an apology into it -- "I'm sorry, this is not how everyone else writes, but I am not like everyone else" -- and then, no lie, busted out a hip-hop poem about the spirituality of taking the morning subway.

Awesome beyond belief. In a way, it was a more real poetry experience than any I've ever had -- way back before avant garde poetry and university experiences were created, poetry was supposed to be the tool of the people. Think king's courts. Think Shakespeare. It was Lost and Star Wars and Buffy and Lindsey Lohan's relationship troubles all rolled together: it was drama and comedy and tragedy all together.

And, yes, even the fabulous Eliyahu Enriquez came in, and shot the video below.