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Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Thursday, October 19, 2017

Famous Typewriters (and the Things They Made)

I flew into and out of San Francisco in a day a few weeks ago. Did I tell you about it? Maybe not, it was a bit of a secret.

By far, the weirdest/best thing I found was an exhibit of famous typewriters at San Francisco International Airport. In the middle of the jetlagged night, it felt like the most important thing I'd ever seen.

4. Tennessee Williams, Cat on a Hot Tin Roof



I read The Glass Menagerie in seventh grade and adored it, although at the time I couldn't tell you why. Probably something to do with the mentally-fragile daughter, whose condition to me was scary and recognizable. When I moved to D.C., my friends Eric and Matthias used to take me to a bar called the Raven, the first time I had a regular bar, where, according to local legend, Tennessee Williams either hung out or wrote his first book. I started a lot of stories on bar napkins but never finished any.

3. Ernest Hemingway, A Movable Feast



I was always a little disgusted by Hemingway and a little scared of him, but Marty Beckerman's wonderful book The Heming Way did a bit to dispel it, and a bit to empower a looser, funnier sense of disgust.

2. Ray Bradbury, The Martian Chronicles



Yes yes yes yes yes yes yes. In a purely metaphysical, inspiration-centric way, I identify completely with Rachel Bloom's song. I spent a while just staring at this typewriter in surprised silence (well, I was alone, so it wasn't that surprising that I was silent). Imagining his fingers on those very keys, the pure physicality of it all, the way that every time you hit a key the letter is permanently imprinted, no highlighting and deleting, no going back. Merely existing in the same place at that typewriter felt more dangerous than anything I've ever done. It was a dare never to use a computer again.

1. The Beatles, Introducing the Beatles



And the Beatles. I've never been crazy about the Beatles -- not that I don't like them! I really like them! -- I just, well, never thought they were the ultimate band or the only band that ever existed or anything like that. But also, I never thought about them writing songs. Or writing songs in an actual draft/reworking/another draft/final way. Would they write the words "I'd like to be your man," go back and forth about the word order, the rhythm, change "I'd like" to a declarative statement like "I want," and then Ringo tells you that you need a concrete image and you finally, finally type in the middle of the night, "I want to hold your hand"? Maybe that's not how it happened. But something happened. And the moments their keys struck paper, it turned into something.

Tuesday, August 1, 2017

The Fox in the Ruins



There was a fox in the ruins that morning.

Yosh spotted it first in the corner of his eye, a blur of red and teeth. He recognized it immediately. He had read about foxes in books.

His father, however, had laughed when he’d seen it, and ripped off his holo to see better. “A fox!” he cried, almost jubilant. “That’s remarkable. I never thought I’d see one of those again.”

“Aren’t they dangerous?” Yosh asked, moving closer to his father. For the most part, the ruins were abandoned, but he often thought he saw movements coming from the million layered shadows that seemed to lurk in every corner, especially as the day grew short.

“They were, a long time ago,” his father said. “They might still be now. But we’re dangerous, too.”

He stopped to turn over what might be a large tin of food, or even a refridge, but it was an empty husk, crumbling to pieces between his fingers.

“It’s a good sign for other reasons, Yosh. If there are foxes, that means that there’s food. And if that poor animal’s still alive, she’s probably more afraid of us than we are of her. We’ll give her more trouble than we’re worth. But, foxes! This is sure to be news back in the enclave.”

He pulled himself over a pile of rubble and through a smashed-out hole in the wall. Yosh, scampering up the pile, followed him. He took one last lingering glance behind himself before disappearing into the building. The fox was staring back at them, perched atop a mound of collapsed bricks and fraying metal, as if daring them to give chase. After a long moment of stillness, its ears pitched forward and its nose in the air—during which Yosh was afraid it might lunge into action, teeth bared—the fox gave a tired yawn, its tongue lolling out, and trotted down the far side of the heap of trash.

It was almost sad, Yosh thought. The fox looked so royal, so clean and deadly. It should be out in a meadow, running at top speeds. And it, like them, was reduced to poking around the ruins.

Still, Yosh’s father had laughed. And his father knew more than anyone else in Zebulon, the enclave where they lived. That was why he was first appointed Scavenger. He was almost as wise as the Ones Who Watch. Yosh trusted his father more than anything—and so he had to believe that, for one reason or another, there was something good about seeing that fox. Maybe his father was laughing because he knew the fox had no chance, that Yosh and his father would find any food before she would. Or maybe he was laughing because the fox was still alive, and she’d made it this long…and maybe, just maybe, Yosh and his father and the rest of Zebulon would make it, too.

Yosh took one last glance over his shoulder at the mound of trash. The fox was long gone…and, he realized, he should probably get going, too.

*

Most days, Yosh spent his time running alone around the shelter and in the bush on the outskirts of Zebulon. Sometimes his father brought him outside the enclave, past the bush, looking for new holes to venture into and digging them a little bit deeper, trying to find out if anyone had reached the bottom yet, or if there was still something of value to be unearthed.

Yosh’s father Scavenged nearly every day in the outer reaches of the enclave. Most people rarely ventured outside of their tiny shelters, scared or suspicious of the world outside, but exploring the world outside Zebulon was Yosh’s father’s job. He was the Scavenger. He knew exactly what to look for, and he was big and strong enough to carry it back to the enclave, whether it was food, blankets, a TV or something else, and make sure it was divided fairly among the people. Sometimes there was a disagreement, or a scuffle, but as soon as Yosh’s father noticed, it ended. The people respected him.

This, Yosh knew, was a different way of saying they were scared of him.

Sometimes Yosh accompanied his father on his trips. They’d never gone too far away from the enclave. But you didn’t need to go far, his father said—just outside its borders, where the light of the Everlasting Fire could no longer reach, there were literally thousands of bunkers. Most of them were in ruins, having been picked over tens of times over again by marauders, bandits, and innocent people with growling stomachs, but virtually every empty shelter still contained something of value for Yosh’s father to carry home. Perhaps the contents of a metal shelf had been left, fallen behind a pantry against a crumbling wall, or sometimes it was tins of food. The marauders and bandits didn’t always know how to open them, but, said Yosh’s father with a twinkle in his eye, marauders and bandits didn’t have all of Zebulon depending on them.

“What about the other enclaves?” Yosh asked, lingering to sift through a hill of dirt and broken things, while he was out with his father one day.

“What other enclaves?” his father said quickly—and then he added, “Don’t dig through there, Yosh. I’ve torn up that stack a dozen times.”

“Well,” said Yosh, “surely there are other enclaves, right? Or else the Ones Who Watch would have nothing else to watch.”

The Ones Who Watch were a group of elders who swept through Yosh’s father’s enclave every full moon, on the night of the mootfire. They came to bring news of the greater world, to settle disputes, to survey what Yosh’s father had collected and to take a small share, usually nothing more than food for the next stage of their journey. The people in the enclave tolerated them, and made jokes and rude remarks when they weren’t around, but Yosh’s father always kept his silence. “They earn their keep,” was all he said.

It occurred to Yosh that his father thought of the Ones Who Watch much the same as the rest of the enclave thought of him: with equal measures admiration and fear.

Yosh’s father gave a laugh. It was brief and purposeful, just like everything else he did. “The Ones Who Watch will always have something to watch,” he said. “That is their business, and they make it so they will always be in business. Get your arm out of that crack, please, Yosh. I need some help with this refridge.”

Yosh’s arm was halfway down a crack in the cement trail outside. The trails had once been fixed in even, square sections, laid flat along the rows of shelters, but had long ago been ruptured and broken. Most of the squares were split into several jagged sections. Yosh had a theory that underneath them was a whole other city, identical to this one but for a subterranean roof instead of sky, and all the shelters there were fresh and unplundered, just like in the World That Was. If he reached far enough, Yosh thought he might uncover a pathway. As yet, Yosh was still not able to reach far enough.

“Sorry, Dad,” he called, withdrawing his arm. “I thought I saw some cans of tomato paste in there.”

He gave a glance inside the doorway, to where his father was already wandering, to see whether he would react. Tomato paste was in great demand. Yosh’s father used it, along with some other cans and kernels of food, to fashion something he called pizza—and when he made it, he made it in great quantity, and the whole enclave celebrated.

He laughed again. It was shorter, this time.

“You’re a funny little storyteller, Yosh,” he called out through the doorway. “I don’t know what you think you saw, but I’m sure it wasn’t that. Here, come inside and help me with this. There’s enough blankets here to clothe half the urchins in…”

He broke off suddenly. Yosh struggled to his feet, abandoning the crack for good, and ran inside to see what had silenced his father.

There was indeed a good supply of clothes—fresh and untouched, several drawers’ worth. It was the kind of reward they rarely found anymore, definitely not this close to their enclave. Clean, untouched and valuable.

The drawers sat behind Yosh’s father’s back, all but ignored now. He stood at a desk, staring in awe at a small silver globe, dirty and old, with flecks of rust adorning its crown.

Yosh didn’t want to sound immature, but he didn’t see what value an object like that could hold. It might be metal, but it wasn’t even a solid plank. It could barely help to barricade his sister’s ant farm, let alone their house.

“What is it?” he asked scornfully. “Some kind of food? Another device from the World That Was?”

“Not at all,” said his father, raising it up. Yosh could see that it wasn’t a globe at all. The metal shape only went down halfway on one side, then stopped in a sharp rim. It was more like a hat. Yosh’s father’s fingers danced along its rim appreciatively.

“I remember this well—as a matter of fact, it’s still plugged in. Here, Yosh. Think of a memory. Any memory.”

“What are you talking about?” asked Yosh. Or he started to, but he broke off as soon as the force of the machine hit him.

And then he was no longer alone in his mind.

Monday, February 23, 2015

Jews vs. Aliens

It's not properly out until March 17, but I have a short story in a new collection called Jews vs. Aliens. (There's also a companion volume, Jews vs. Zombies, which will be released at the same time.) My story is called "The Ghetto," and I will try not to give anything away but it's about an alien abduction in Crown Heights. And it was just featured on BoingBoing, which for a very small percentage of the population is roughly equivalent of getting a Nobel Prize in Weirdness. Oh, and here's the cover.


My favorite-person-ever (and Big Bang Theory producer) Eric Linus Kaplan also has a story, and so do a bunch of other wonderful people. And the whole batch is edited by Rebecca Levene and Lavie Tidhar, that latter of whom might be the most bitingly satirical and wise Israeli expat science fiction writer ever to exist. Not that there's much competition, but if there was, he'd wipe them out like a bunch of Space Invaders.

Tuesday, February 19, 2013

Forget reality. I've got my new glasses.

So this weekend was IndieCade East, a video game convention for independent game-makers, and in line with my new job I got to go. Most of it was really wonderful, playing other people's games and stepping into their minds for a few minutes.

Tons of stuff I could tell you about if I remembered all the links, but the one that stands out right now is Gorogoa, a sort of puzzle game with amazing drawing work. You fit the pictures together and then they grow out of each other, and explaining too much is probably bad, but here's what it looks like, sometimes, anyway:


And then there was virtual reality. This is what I did. Essentially it's tiny TV monitors inside a set of goggles. The screen turns in time with you, which is uncannily accurate, and the suctiony power of the goggles sort of blinds out everything else. 

It's not THAT hi-tech, in spite of the concept, but it is surprisingly effective. I was shaking as I walked away, forgetting that in reality there were no climbing spires or castles. (Not in Queens, anyway.) Twelve-year-old me would be so pleased. So pleased and so jealous:


Monday, January 17, 2011

Jerusalem Suicide Bomber Monster Movie

I just wrote about this Jerusalem of the Future contest for MyJewishLearning, but right before I posted, I found this. The title of this post is a bit of a spoiler, but keep watching till the end. KEEP WATCHING.



What does it MEAN!? Who made this? If anyone knows, please tell me. I'm baffled and astounded and, like, not sure whether I should be offended or wowed. I'm leaning toward the second.

Tuesday, May 11, 2010

From Another Planet

My new short story "Hailing Frequency" was just published (and you can hear or read the whole thing online). It's a story about an unemployed geeky dude who moved to Chicago for his girlfriend's job, and then the entire planet got invaded by aliens, and everyone's trying to live life normally, only he doesn't have a life to live yet -- and, yep, it's science fiction.*

It also doesn't have anything to do with Jews.

matthue aliens

In this world where Jewish books are valued at a premium and branding books as "Jewish" can make or break a book, advertising your novel or short story or whatever as a Jewish book is pretty valuable. On the other hand, I just finished reading Joseph Kaufman's The Legend of Cosmo and the Archangel, which is written by a self-proclaimed "ultra-Orthodox Jew" and his Judaism is only secondary or tertiary to the book, behind his being a recovering hippie or a rural New Englander.

(On the other hand, a lot of people think my sidecurls look like antennae, which is a pretty good argument for me writing about aliens.)

There's a huge debate going on in the science fiction world about the split between more literary offerings and more, well, sciencey stories. (For a more in-depth explanation, check out this well-voiced article from the SF periodical Clarkesworld.) Does the television show Lost count as science fiction because there are shady explanations of time travel and otherworldly (or other-reality-ly) dealings? Or does it not, because the focus of the show is on the characters?

I'd submit that it doesn't really matter. Rebbe Nachman of Breslov's most popular book, Rebbe Nachman's Stories, is all about beggars and princesses and long walks through dangerous realms -- and virtually no one in the stories is identified as a Jew. (Keep in mind that Rebbe Nachman is one of the original Hasidic masters, not just some Orthodox dude writing fiction on his Twitter account.) Science fiction doesn't need to take place on Mars or in the year 2012, and Jewish books, well, don't need to have JEW printed across the top. (And, conversely, every book with the word "JEW" printed across the top isn't necessarily Jewish. Or good. But that's beside the point.)

Next up on my reading plate is The Apex Book of World Science Fiction -- edited, by the way, by the Israeli writer Lavie Tidhar. I'm kind of in love with it already (okay, it's an anthology, and I've been peeking). My favorite stories are the ones where nothing really matters except the vital parts of the story -- where the characters are like feelings, the setting isn't "Rome" or "Burkina Faso" but is instead a dry swamp, or a child's bedroom. The power of telling a horror story lies in its universality, and the power of an emotional story like Lost is the same -- no matter who you are, and no matter where you're coming from, a good story should be good to you. It should touch you. It should change your life. No matter how Jewish, or SFfy, it is.

____________
* - I'm saying "science fiction" instead of the preferred appellation "speculative fiction," because no one on this website knows what spec-fic means. Sorry, geeks.

Tuesday, February 23, 2010

Are Dragons Kosher?

The just-released Kosher Guide to Imaginary Animals aims to do for kosher food what Barlowe's Guide to Extraterrestrials did for animal guides, and what The Hitchhiker's Guide to the Galaxy did for...well, the galaxy -- it aims to apply real-world logic to the most unreal, to create an objective guide to the most non-objective things our creative imagination can conceive of.

And the thing is: it really does the job.

imaginary kosher animals

Ann and Jeff Vandermeer are both science fiction writers, both married (to each other, not coincidentally), and both armed with a smattering of Jewish knowledge and Jewish texts. In 2007, on a whim, they knocked out a blog post arguing which imaginary animals are kosher. Some of the animals came from different cultural mythologies -- there's Bigfoot, chupacabras, and the abumi-guchi, a furry creature in Japanese mythology that's essentially an animated, live horse stirrup. (Yes, a horse stirrup.)

Mermaids, the Vandermeers decide, are not kosher. Likewise, the jackalope of midwest American folklore. The collection of animals that the Vandermeers summon isn't exhaustive, but it's entertaining, and the hard-line pencil illustrations really make you feel like you're reading one of those medieval demon reference guides that the gang always seems to reference on Buffy. (And, by the way, how do they always look through the right book? Even when they're on the wrong page, they're never like, "Oh, it's in Volume MLXII, not Volume MLXIII." It's always a few flips away. Sorry. Tangent.)

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Monday, May 25, 2009

Evil Alien Matthue

OK, I Romulanated myself. If you sat through the new Star Trek movie and thought, hey, I bet Matthue would do a better job than that dude in the trench coat, well, you've probably already seen this in your head. If you haven't, this is just plain weird.

Create Your Own


Then again, I'm too much of a sucker for the original series to ever blow up Vulcan. Peace (and long life) out.

Wednesday, May 6, 2009

Star Trek: Social Revolution and Jewish Thought

Am I a sellout? Probably. Here's my new article about Star Trek and Jews for the day job.



When I was young, I used to imagine a dream-team synagogue made up of my heroes from movies, books, and TV shows. There would still be the rabbi, the cantor, the sisterhood president; only, in my head, they were all either famous or fictional people. Most of the minyan was taken from Star Trek.

In my Hebrew school class, the model hazzan who led the day's prayers was always, without doubt, the most popular kid in class. So my imaginary synagogue would have a ribald, take-charge cantor, with a deep booming voice and a gung-ho manner: Captain James Tiberius Kirk, the ladies' man of the U.S.S. Enterprise.

Still, personally, I was more taken by the perpetually calm, thoughtful, and withdrawn rabbi, who would be (of course) Mr. Spock, the starship's first officer. He hailed from the planet Vulcan, and came from a race of people whose philosophy, lifestyle, and very essence of being demanded logic. This, to me, seemed like the essence of Jewish thought--or, at least, my eight-year-old representation of Jewish (or, at least, Maimonidean) thought: that logic was the backbone to the universe, a clean, crisp and ordered hierarchy through which problems would be solved, differences mended, and harmony achieved.

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