Behind the Scenes at Noshland

I wrote a new short story on Hevria -- well, okay, half a short story -- but I have the whole thing in my head, and I'm, like, 98% sure that I'm going to post the other half in 2 weeks. Or next week, if Elad lets me.

And I'm kind of overbrimming with behind-the-scenes stuff to tell you about it.

Last Night at Noshland

BY MATTHUE ROTH • JULY 5, 2016 • STORY

Zvi needs to leave Crown Heights behind, and he is leaving it behind, but every step he takes brings him a new wash of sadness, the nostalgia sinking deeper into his brain and skin and his nose, even though he hasn’t even left yet.

keep going >>

And Now, the Commentary Track.

• The genesis of the story: I love one-night (or one-day) stories, like American Graffiti and Superbad and Ferris Bueller's Day Off. I like giving my stories time limits in general, like how Goldbergs had to end at the end of the summer and this memoir I'm working on goes from Halloween to Thanksgiving. That gives me a ruler to pace everything. Having a single night is even better. It's like a puzzle where every single thing that happens has to fit.
  
• Yes, the name of the shop in the story is based on the dear, wonderful Nosh World, zichrono l'vrocho (the characters and even the store itself are as complete fabrications as anything can be), but another major influence in the title and the story is the book Last Night at the Lobster, by Stewart O'Nan. It's about a Red Lobster that's shutting down, and there's a snowstorm coming, and workers keep not showing up for their shift, and it's really sad and beautiful -- and specifically, the way it was taught to me by my professor Alexi Zentner, who has a new book out this week that I'm not sure I'm allowed to say is really by him.
  
• I'm doing this sort of as a challenge to myself: both to finish something, and to put it in front of people. I've been in kind of a sad place lately. My last novel is in limbo and the new one I'm writing is taking forever, and I keep starting stories and then not finishing them. So I'm trying to vanquish my writing anxiety with performance anxiety. I've put up the first half! Now I have to finish the damn thing.
  
• I just also want there to be more fiction on Hevria! And more stories about Hasidim that aren't about how pathetic we are or people running away or what a horrible place the community is. Not that this is exactly a happy story (nothing I'm gonna write right now is going to be that), but I really do like Zvi, the main character, and I hope other people will too.
  
• I was working on the last part of the story this morning and I realized with a shock of horror, there's almost no chocolate. Sure, I mention ice cream once or twice, but it is in no way true-to-life to write about a snack shop in Crown Heights and exclude chocolate. There's a paragraph in the second part about a girl who buys a bag of tortilla chips, and it would make way more sense for her character to be eating chocolate, but it makes way more sense for me as a person to think of someone eating nachos:
  
  
  And she buys a 50-cent pack of chips, of Golden Fluff tortilla strips, a brand whose name has always puzzled him (no gold? no fluff?) but whose taste is undeniably solid, that perfect balance of spicy and tangy and sweet, that he once read the Japanese call umami, a harmony of flavor, the perfect culinary addiction of which he was the purveyor. He loved the boldness of Tsivia Singer’s pre-party indulgence, and the vision of her walking down the street with the umami tang on her breath, neither of which he would ever taste.

Jews vs. Aliens

It's not properly out until March 17, but I have a short story in a new collection called Jews vs. Aliens. (There's also a companion volume, Jews vs. Zombies, which will be released at the same time.) My story is called "The Ghetto," and I will try not to give anything away but it's about an alien abduction in Crown Heights. And it was just featured on BoingBoing, which for a very small percentage of the population is roughly equivalent of getting a Nobel Prize in Weirdness. Oh, and here's the cover.

My favorite-person-ever (and Big Bang Theory producer) Eric Linus Kaplan also has a story, and so do a bunch of other wonderful people. And the whole batch is edited by Rebecca Levene and Lavie Tidhar, that latter of whom might be the most bitingly satirical and wise Israeli expat science fiction writer ever to exist. Not that there's much competition, but if there was, he'd wipe them out like a bunch of Space Invaders.

Hasidic Writers Read in Crown Heights

This Monday night, I'm reading with some jaw-droppingly vital Hasidic writers in Crown Heights. Please be there. You really aren't going to want to miss this one.

(Just click on the pic, or the related text, to find out details. I think that should work?)

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  A Spotlight On Hasidic Writers

  
  

  Public · By The Creative Soul

Israeli Food Is Safe, for now

So, um, yeah. The Co-op last night. Utter craziness. First, a recap from the Daily Show:

The Daily Show with Jon Stewart	Mon - Thurs 11p / 10c
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The Story

Last night, the Park Slope Food Co-op had a special election, deciding whether to boycott all Israeli-made products. Because we are the Co-op and are totally masturbatory overprocessing Brooklynites, it wasn't actually a vote -- it was a vote about whether or not we should have a vote.

If I put it in one of my books, no one would ever believe it. You can't make this up, people.

Anyway. This international BDS movement (I keep wanting to say "BSDM movement," and really meant to slip up accidentally-on-purpose on stage last night, but forgot to), an organization that wants to boycott Israel, has been trying to infiltrate the Co-op for the past few years. It always comes up, but last night was the real boiling point. Two thousand people packed into an auditorium. Supposedly it cost over $10,000. The election would've cost another $20,000. The entire assembly was people speaking for one or two minutes. It was a LOT of people.


What I Said


I'm a walker, and I've gotten into some of the best fights of my life at the Co-Op. We're all different. We have nothing in common except for the fact that we like really good food. And that's the way it should be. I'm a vegetarian. I totally think the Co-op shouldn't sell meat. I also really hate lima beans, and I'd encourage everyone not to buy them. But I don't think it's right to ban other people from buying them. Keep listening to each other, people, and please, keep the arguments alive. Don't just ban them.

The Aftermath

• Got  home. Our boarders were like, "you're Internet-famous." Went through the Twitters, and there were a ton of references to "the hyper Hasid" and "this surfer with payos." Hey, I even got my own Twitter hashtag, which is super awesome and flattering, if ephemeral. Amy Sohn said "a star is born" about me! My friend Liz said " Highlight 4 me was @matthue on his hatred of lima beans." P.S. my mom is so gonna kill me.
• There were a lot of BDS people at the vote last night. A lot of them weren't actually Co-op members; they were just there to protest. I asked them, and they were really forthcoming about it. Totally fine for them to be there. On the other hand, they were the only ones not waiting to be admitted, which meant that the reporters got to speak to a lot more of them than anyone else--say, for instance, actual Co-op members. I'd call it "infiltration," but then again, I watched every episode of the X-Files  (not an exaggeration) and love conspiracy theories.
• I was one of the last people to speak. Itta said the people around us (big BDS shippers) didn't understand what I was saying -- granted, I'm not entirely coherent; I talk really fast and get bubbly, and the mic was really loud. On the other hand, I got stopped by a ton of people on the way out complimenting me. Granted, they were mostly old Crown Heights Hasidic ladies, but they were still awesome. 
• I still want someone to ask if I'm in favor of the BDSM movement so I can just say, heck yeah!

Me: It's great to see you here. But why did you move to Crown Heights?

Ari: To show the people of Gotham that their city doesn't belong to the criminals and the corrupt.

(I promise, this wasn't a setup. It just popped up in the middle of a conversation.)

The Great Parade

I've got my first music writing gig in a while, reviewing the new Shondes album for the Forward. And while it's weird to be listening to music in the middle of Sefirat HaOmer, it's also kind of cool. The other day, right before my gig, I got a song stuck in my head ("Maps" by the Yeah Yeah Yeahs, if you were wondering). I was fasting from music, but I could still taste it, so to speak -- much like Roger Ebert, who can no longer eat food due to cancer, writes about still getting ghost tastes in his mouth.

And then yesterday was Lag BaOmer, the joyful day that ends it all.

No matter where in the world you are for Lag BaOmer, either Meron or not in Meron, there are crazy celebrations. In Crown Heights yesterday, we stumbled upon a huge parade, a parade that was more like a March on Washington -- literally thousands of little Hasid-lets in bright orange T-shirts worn above white long-sleeve shirts. In the grand tradition of Hasidic events with superlative non-descriptive titles like The Big Event, yesterday's festivities were known as The Great Parade.

And I know this won't mean anything to 99% of you, but it was sort of the Hasidic equivalent of a Beatles reunion show, if the Beatles had never played on stage together before. The (Great!) Parade's three headliners were all one-namers, like Madonna or Prince: Lipa! MBD! Avrohom Fried (who, okay, isn't a one-namer, but has that star appeal nonetheless). And -- and, okay, this was a big one, especially for those of us who are under two years old -- Uncle Moishy!

The biggest show going on wasn't even on the stage. It was in the streets. Intent on making my family happy, I trudged to the end of the line that snaked outside the barbershop, where dozens of men waited for their first haircut in 33 days. Ahead of me, a bunch of people were recounting the age-old debate about whether the Lubavitcher Rebbe is really the Messiah -- since the star-studded event brought in thousands of newcomers to Crown Heights, and there's really only one thing that newcomers to Crown Heights talk about. Behind me, people were discussing the merits of Uncle Moishy's music. As you can imagine, I have some pretty strong opinions -- I'm a huge fan, and I think that Uncle Moishy honestly gets what kids want to hear. My only serious gripe is that, since my Hebrew name is Moishy, there's really no way my daughter can have an Uncle Moishy. Unless he's an uncle-in-law. But, uh...no.

The day went on. Highlight: the What Will Happen When the Messiah Shows Up float, which had a bunch of plastic action figures rising from elaborately-done Styrofoam graves, and a conveyor-belt of babies with impromptu pasted-on cotton-ball beards going around and around in a circle of resurrection. Words can't begin to express how cool it was, and I honestly pray that the real thing, when it happens, will look as cool. Low point: The petting zoo. I honestly don't think I've ever seen more depressed animals. I think the kids were picking up on it, too -- kids were prodding the giant turtle to come out of its shell, which, if you were that turtle, was no incentive to; and there was a monkey inside a cage that was alternately brooding in a corner and having a psychotic meltdown. I'm pretty sure it was mostly the fault of the booking company, and not the parade managers, but still: not cool, folks. And I highly doubt that Shimon bar Yohai's followers had giant turtles or monkeys or ibexes around when they went into the forest for their Lag BaOmer celebrations.

Oh, other high point: Bumping into the awesome singer Dov Rosenblatt (and my brother-in-law Boz, who teaches awesome classes) at a booth for Jnet. In his post-Blue Fringe life, he's moved to Los Angeles and started making musical iPod programs. I was hoping he was performing, but he was just there to have a good time. As is, on Lag BaOmer of all days, totally acceptable.

And now that I can listen to music, it feels like I should binge. My biggest urge so far has been to hear the They Might Be Giants song "Subliminal," which isn't even one of my favorite songs of theirs. But who am I to judge? Like Roger Ebert and his food memories, I don't have control over what my ears want.

Any Given Hasid

This morning I got an email from my friend Dugans (of the awesome band Dreams in Static) asking, "Hey, isn't that you on some random person's blog?"

Yep! Turns out it is. Tess Lynch, a writer and actor in LA, weighed in on the Hasidim-vs.-hipsters debacle in Williamsburg. I guess she was scrambling for a picture of Williamsburg folks, and even though my memoir about becoming a Hasid took place in San Francisco and the photo was taken in Jerusalem, I looked the part.

Her observations about the bike-lane controversy are actually pretty astute and non-one-sided. To wit:

Obviously religious beliefs, particularly ones that have their roots in the way-back-in-the-day, aren’t what one would call “flexible” or “evolutionary” or “susceptible to the charms of trends like the sort sold at American Apparel.”
...
Because you are doing something great for the environment, you bikers can have my respect (1 point for you); but because you ignore traffic rules so much of the time, I am going to award one point to the Satmars.

I've never wrote about the issue, although a bunch of people (including the editor of BrooklynTheBorough.com, where, coincidentally, the photo of me was lifted from) have asked. But, for about five minutes, I'm going to let it fly. Hasidim, hipsters, hold onto your outdated hats: All of you are kind of wrong.

So: I've always believed that one person's autonomy stops where another person's starts. Bikers (and bike lanes) are inevitable when you live in the city -- the same way billboards in your face and taxi drivers honking at 6 A.M. are inevitable when you live in the city -- but I think what's really an issue, as you astutely pointed out, isn't the *actual* bike-riding; it's the in-your-face-ness of both the Hasidim and the hipsters.

No one lives in Williamsburg because of convenience. It's expensive, it's crowded, pretty much every wall in the entire borough leaks; it's actually pretty gnarly. My cool-kid friends who live in Williamsburg keep saying they live there because it's cheap. (It's not. A few years ago, I was paying $800 a month for a closet; now that closet is something like $1200.) My Hasidic friends live there because it's where their families have lived there forever. But the kids are drawn to Williamsburg because of the scene and their friends, yes, but also because of the ambiance of living among the Hasidim and the abandoned-warehouse aesthetic. The Hasidim living there don't move out to Monsey or Kiryas Yoel because of family and friends and because they've lived there forever, but also because living in Brooklyn is special -- as one of my cousins put it, "we like to be around a little diversity."

(And yes, there will always be the creepy outsiders, like all those Craigslist stories of a Hasidic guy who proposition a random woman for sex -- but they're a huge minority. I mean, I've met Hasidic pervs, but in a microscopic amount compared to the amount of non-Hasidic pervs I've met; even proportionally.) Again, that's the price of living in New York City -- there are several million people in a very small space, and you will come into contact with most of them.

That said, there's one thing I've learned from living in a very cramped Brooklyn apartment with a wildly copulating couple on one side and someone with every major sneezing disease on the other: You learn to ignore things. You learn to let people have their privacy, to avert your eyes when immodesty rears its naked head, and to politely turn your music up to cover up the mucous and the "Yeah, baby, just like that!"s. You also learn to respect other people: You give your seat to a pregnant woman on the subway. You step out of the way of a person with a cane. And whether you're a dude in Spandex shorts or a chick in Spandex anything (or vice versa), you don't shove yourself in front of people who have never in their lives wished to see that much of you.

Ms. Lynch herself gets it. As she writes:

By the way, in case you didn’t know, as the hipster in the NYMag article seemed to not know: don’t go around damning God in front of a Hasidic jew. It is a bad idea and makes you look like a real idiot. I can do it here because I’m posting a blog and there is no one around to make uncomfortable but myself.

That said, it's also kind of creepy that she lifted a random photo of me and my rabbi and plastered it to an article talking about Hasidim at their worst. I'd hate for one of my kid's friends to be reading about Hasidic protesters and Hasidic perverts and then they look up and think, hey!, I know that guy. We can talk about autonomy, but it's important to remember that it's not "the Hasidim" or "the hipsters" we're hating on -- it's a bunch of individuals who happen to live in the same neighborhood.

Ms. Lynch ends the article with a great proposal: that a cross-cultural barbershop should open, specializing in beards. The idea is a great one, but sadly, it'll never happen. We don't cut or trim our beards. That's why they're all bushy and upside-down Jew-fro-y. But maybe we can all sit out on the stoops and drink Manischewitz together out of brown paper bags some time?

White Purim

I wasn't dreaming of a white Purim, but that's what we got. Saturday night, Shabbat went out, and I shoveled out our car in raver pants that were bigger and bulkier than a dress and a three-piece paisley suit. This was the kind of Purim costume that was the essence of last-minute decision-making: every weird object in your wardrobe thrown out onto the beds, picked over and jigsawed together into a more-or-less coherent outfit. My wife dressed as a pregnant flapper -- only half of it needed a costume. Our daughter was the easiest: we threw wings on her and called her a fairy. Mine was the trickiest of all our costumes, and took the longest time to get ready. A nice change from the usual going-out routine of me being the first dressed.

But here I was, shoveling away at the Brooklyn snow, making the design of my paisley suit more and more colourful by the moment. (I was dressed as, depending upon who was asking, either a pimp, a bootlegger, or one of my wife's accessories.) Itta came out, saw the car still three-quarters shoveled in after half an hour, and decided we'd never get there. So we called a cab.

We were an hour late, but the advantage of going to an event thrown by Jews is that everyone else is 90 minutes late. We ran in just as the crowd was starting to move away from the snack table and get pumped up for the megillah reading...despite the fact that you're not actually supposed to eat until after you hear megillah. But I'm just one of those anal folks. Seriously, in forty-nine years I'm going to be one of those 80-year-old men at the back of the synagogue complaining about everyone else. Tonight, I just shut up and enjoyed the show.

When you're doing an actual megillah reading -- in Hebrew, that is, and without a break to explain the action -- it's hard to have adults and children in the same room. Kids (especially kids that don't know Hebrew) are not going to follow the rapid-fire delivery. Many adults won't, either. As a potential cure, I've seen puppet shows and simultaneous storytelling.

I have to say, this was the first year I've seen a PowerPoint presentation in synagogue on Purim -- or any other day, for that matter. But, as PowerPoints go, this one was damn impressive. Achashverosh was played by Jabba the Hutt, and Haman, questionably, was Mahmoud Ahmadinejad. (Mordechai was Dumbledore. Nice.) This was all the work of JLA Online, an LA-based collective, unsurprisingly.

Last year, my in-laws gave me an actual megillah. I don't eat animals and have some issues with using a parchment scroll, but I've decided to try and ignore that. For this year, at least. And, for the most part, it worked. I mean, as far as several-thousand-year-old stories go, it's a doozy. Fast-moving, plotted with an expert sense of narrative (I realized for the first time this year just how cinematic the megillah is, introducing the story with the character of Vashti, and then alternating between the story of Mordechai catching the king's would-be assassins with Haman's growing menace.) Even the vocabulary is made for performance -- intentionally simple, with lots of repetitions and mentioning the characters by name over and over again.

So I followed the story. Even though the reading moved with breakneck speed, I let myself get swallowed up. I stopped paying attention to my daughter alternately trying to wreck her wings and to repair them, and to the boys throwing Cheez Stix in the front, and to the rest of the world and even to how much my tied-up beard was annoying me. I just sat. Usually, I reserve this level of blacking-out-the-rest-of-the-world for praying, reading, and brushing my daughter's teeth when she really doesn't want me to. But tonight, I belonged to the story. And it was good.

A day later, I'm wondering whether this isn't part of the Purim mystique. We're commanded to get to the point where ad d'lo yada, where we don't know the difference between Haman and Mordechai. Usually this is interpreted as drinking. This year, since 4 shots before noon barely left me buzzed -- I built up my drinking resilience in Australia -- and since my parents were around and I needed to be responsible, I opted for Option B: the midafternoon nap. But really, I think what the rabbis wanted when they issued that commandment was for us to get to the point where we completely lose ourselves. Like Esther lost her sense of self when she went to the king, not caring whether she'd be sentenced to death. When we lose our senses of self in G*d. And when we lose ourselves in stories...or even, this year, in snow.

Buying an Etrog in Brooklyn

What do you look for in an etrog? It was hard to top last year, but we had to try. Heshy Fried and I went on a fact-finding mission in the Crown Heights section of Brooklyn to investigate.

Here's what we discovered:

(By the way: The dude with the amazing etrog at the end is Yossi Keller, who might know more about etrogim than any other human being alive. He runs the etrog shop in the abandoned matzah bakery on Empire Blvd. and Albany Ave. in Crown Heights, and you should check him out.)

How to Hate the Gays

Last night I was working at our local co-op market. The crowd there is pretty diverse -- Hasidic Jews, Caribbean immigrants, Park Slope people with $50 t-shirts (ironic, baby, ironic!)...and anyone else in search of good, cheap food. Once a month, I wait in front of the store in a loud orange vest and carry people's groceries. Sometimes you get some good conversations. Other times, you can't believe the people you're talking to.

It was almost the end of my shift. An woman in her late 60s showed up (danger, my mind flashed, slow walker) asking for an escort to the subway station (another danger sign: it's 15 minutes away). I smiled and said sure. She was an old black woman with one of those hairdos that is frozen into place and pastel pink church clothes. It turned out that she lived a block or two away from me.

We made conversation for a few minutes, and I could tell she was gunning up to ask me something. (When you've got a beard and sidelocks and a t-shirt, it's only a matter of time until people ask, in one phrasing or another, what's up with you.) She prefaced it: "Now, don't feel you have to answer this..."

Oh, boy. This was going to be a good one.

She told me how she was a God-fearing, church-going woman, and she believed in every word of the Bible ("Old and New," she said). And she didn't think homosexuality was right. But what, she asked me, do I think about that man in the homosexual club?

"The gay club murders, you mean?" I said. "In Tel Aviv?"

She nodded. "I mean, I know those people have it comin'," she said. "But that thing that happened, it just seems...wrong."

This next part, I don't understand at all. I could have told her how some of the holiest people I know are gay; how the most devout Christian I've ever met was a gay man who believes that Jesus made him gay as one more way of accentuating how we'll never truly understand the mysteries of Creation, and how one of the most Godly books that's been written this generation, Wrestling with God and Men, is about the incomparable onus of being queer and religious, and was written by Rabbi Steve Greenberg, an Orthodox rabbi and a gay man. Or I could just tell her how I helped start the straight-gay alliance in my high school and how a group of tranny boys showed me that being a man was okay (or just showed her the book I wrote about it).

But I didn't.

Instead, I said, "Of course it's wrong -- it's just as wrong as opening fire on people because they're spending money on the Sabbath or wearing the wrong color of clothes." I told her I believed that God made everyone the way they are for a reason, and it's not up to any of us to try and decide what that reason is -- it's between them and God."

She went "Mm-hmm" -- that kind of conversational combination of amen and keep on talking that I learned about when I was doing fieldwork in college at black Baptist churches and haven't heard anywhere else. "It's like Sodom and Gomorrah," she said. "People there were doin' all kind of Lord knows what, and God took care of them. And I know that day's coming, but I ain't gonna be the one to tell 'em that. He told Abraham and his nephew to leave that city, and only after they left, God swept down the destruction."

I said, "Who knows what God's really thinking? God's got an agenda. He didn't put us down here to be the Angel of Death; He's got angels for that. All He told us was to love our neighbors."

He? Since when had I referred to God as He? And why was I agreeing with her?

At this point, my brain split up into a few parts. Part of me was freaked that she was asking me as a typical Orthodox Jew, and I was supposed to answer like some sort of spokesman or something. And then part of me saw it as a teaching opportunity, like I was undercover as a gay-people-supporter and I could subvert all her bigoted views and show her the One True Path.

And then there was a part of me that wasn't being subversive at all, but was instead trying to reconcile my own personal beliefs about homosexuality -- as a person -- with the beliefs of everyone around me. And, perhaps, with the beliefs that I am supposed to hold.

And I realized, I'm kind of answering her truthfully. How do I know what God believes about gay people? How does anyone? For all I know, maybe God really did give the queer gene to certain people in order to test their willpower. That sure as hell doesn't sound like the God I believe in -- but, then again, I really firmly believe that God is both more powerful and more clever than anything that we give God credit for.

So, yeah -- I didn't say any of that to her. And she didn't say much more to me -- just took her bags from my hands, nodded like she agreed with me, and started to descend to the subway.

"I think you're right," she said. She'd stopped on the third step down, turned around, and cocked her head, that universal gesture of going into Deep Thought mode. "The Bible doesn't say 'Abraham destroyed the city of Sodom,' it says that God did. I'm going to think about that."

With that, she disappeared into the belly of the subway system, leaving me stunned and thinking. Of all the lessons I could have gotten from her, this was what I least expected: using texual analysis to combat hate -- or, at least, to learn how to hate more lovingly.

She was absolutely right. Man, if she walked into the club in Tel Aviv, I bet she would've given those people a hug. And possibly taught them a thing or two about how to wear floral pastels.

And more illuminatingly, I think she hit upon the basic flaw of fundamentalists -- or, at least, fundamentalists like the Tel Aviv gay club murderer: They really never read what the Bible actually says.

Oh, no way.

It's official: we got our first Lubavitcher Rebbe video as a wedding souvenir last night.

Hasidic Poetry Slam

OK, as promised:

This past Saturday night was the first Hasidic poetry slam in Crown Heights, at least in the estimations of everyone there. It started out as the brainchild of Levi Welton, a kid in his early 20s (and, incidentally, a rabbi) who does live theater and a weekly comic about the haftarah. He was raised in the Bay Area -- his father is one of the Chabad rabbis there -- and, on his last visit back, he happened upon the Berkeley Slam. He came back to yeshiva in Crown Heights all fired up and bouncing, ready to do this.

And he did. He enlisted the aid of a bunch of us -- mainly, Mimulo, a flowershop and tea bar run by Hasidic hippies who were cool with opening shop at 10:30 on a Saturday night after Shabbat was out. And a bunch of us poets -- coincidentally, I'd learned to slam in Berkeley as well -- and Alona (who, for the evening, was known as Alona the Purple Prophetess), also a Bay Area alumna.

At first, I wasn't sure whether women would be there at all. I pushed the question nervously. Levi barked out a laugh. "If they weren't," he said, "we wouldn't have a show!"

It's true that, even in the most right-wing of circles, there's no halakhic reason why a woman can't get up and launch a poem into a crowd. But most of what Jews do, Orthodox and otherwise, has next to nothing to do with halakha -- it's about social mores. (For that reason, perhaps, the poetry reading that Mimaamakim threw last month was overwhelmingly, overwhelmingly male-centric.)

But this was pretty incredible. Beside Alona, one super-Orthodox girl read a few short, funny, wry poems about being frum in spite of what everyone else around her thinks. This one bad-guy yeshiva kid in jeans got up and read a poem he'd written on the way over -- it was honest and it was about love and being lonely and it was so simple and beautiful that, I feel like there's no way to say this without being cliche, but literally everyone in the room was pushed to the border of crying.

And then, of course, there was the Russian Hasid in one of those Boro Park business-suits that all the real super-religious women wear. She pulled out a piece of paper, mumbled an apology into it -- "I'm sorry, this is not how everyone else writes, but I am not like everyone else" -- and then, no lie, busted out a hip-hop poem about the spirituality of taking the morning subway.

Awesome beyond belief. In a way, it was a more real poetry experience than any I've ever had -- way back before avant garde poetry and university experiences were created, poetry was supposed to be the tool of the people. Think king's courts. Think Shakespeare. It was Lost and Star Wars and Buffy and Lindsey Lohan's relationship troubles all rolled together: it was drama and comedy and tragedy all together.

And, yes, even the fabulous Eliyahu Enriquez came in, and shot the video below.

Who loves Chasidim?

Once upon a time, Hasidim were known as a closeted, tight-lipped sect of Jews who practiced mysticism, dressed in an extreme and foreign manner, and offered up little contact with the outside world.

Today, every second household in Hasidic Brooklyn has a webcam, a Twitter feed, and a New York Times story about them.

Continuing the Times' fetishization of Orthodox Judaism, this week's e-paper includes a photo gallery of 47-year-old Colombian hatmaker Bruno Lacorazza, who is not Jewish himself, but whose trade involves selling hats almost exclusively to Orthodox and Hasidic Jews in New York.

The photos, by Times photographer Ozier Muhammad, are actually beautiful. Between the haphazardness of traveling haphazardly with luxury hats and the Old Worldliness of crumbling shops like Feltly Hats in Williamsburg and the more modern Primo Hatters in Crown Heights.

Of course, the only interior photographs seem to be from the Crown Heights store, where Lubavitchers were probably more than amiable than Satmars to being photographed (here's one of one of our favorite family friends) and possibly even saw it as an opportunity for kiruv. You can imagine the conversation: "Can we take pictures of people trying on hats?" "Uh, I don't know..." "But secular Jewish readers of the New York Times will read it and instantly be persuaded to become religious and don big black hats of their own!"

If you've never seen a foot-long beard light up in a smile, it did just now.

Gourmet Jews, Kosher Wine & Cheese Tastings, and Hasidic Beer Parties

On the way out of his goodbye party last night, my doppelganger-in-name Shimon Roth grabbed me and said, "Are you gonna write about this on your website?" Usually, I hate those questions, but between Shimon's good-natured drunkenness on one of his last nights in Crown Heights and the sheer Hasidic wackiness of our day, there was no way I couldn't say yes.

It started at about four P.M., when we went to a kosher wine and cheese tasting at BenZ's Gourmet. If you don't know, wine and cheese are two of the hardest items to find kosher, and until recently, most Orthodox Jews -- especially outside of New York -- had to put up with a very small selection of both. (To this day, when we visit Melbourne, my in-laws order us to bring back as much cheese as our suitcases can fit: "Anything but the processed crap!")

In the past few years, however, due to the combined force of Internet ease-of-purchasing and the greater availability of disposable income in certain demographics of the religious Jewish community, and a small but noticeable closet industry has sprung up: a Hasidic fine food industry.

Because my wife is a personal chef, I've got a bird's-eye view of the situation: In this section of the community, people are struggling to learn as much about fine food as they can, and the easiest way of investigating is with their wallets.

Thus, we rolled up to BenZ's thinking we wouldn't be the only guests with a kid in tow (we were). Instead, we found a crowd that was part gourmands (actual and aspiring), part food-industry people, and part businessmen. That last group were the easiest to spot -- they were the ones at the pouring station who were complaining that the pours were "too stingy." (Author's note: I still have to figure out the correct way to ask for more, since apparently you aren't really supposed to drink the same wine twice at a wine tasting.)

To make matters even more unspeakably complicated, the night before had been Crown Heights's first poetry slam ever (oh, geez, that's another blog entry -- remind me) and, randomly, I kept catching snatches of conversation about "the slam recital" and "hippies yelling hip-hop rhymes." I felt instantly both scandalized and famous. Add that to the fact that some middle-aged dude kept coming up to me and asking if I was Matisyahu (in Crown Heights, mind you) and it was as trippy an experience as Sunday afternoons get.

From there, it was on to Shimon's party. Straight through the door, I began getting major flashes from college: beer in a Tupperware trunk, Rock Band on the Xbox (currently playing: semi-recent Metallica) and, most telling of all, a kitchen crammed to the seams with people. Just like college, there were the token sketchily-dressed girls in a corner with know-it-all boys. Except that these girls were sketchily-dressed because they were wearing pants, and the boys were those guys in the back of the class, the ones who never paid attention but always answered the questions right.

There were the slackers -- a long-haired kid with no yarmulke who asked after my brother-in-law (he's currently locked away in a yeshiva, off becoming a rabbi in a land with no TV, internet, or women). There were the married-and-reproduced people who were trying desperately to pretend that they still had a life after dark (uh, us). There were the Upper West Side kids with one foot in the Modern Orthodox world, one foot in the secular world, who still came back to the shtetl to check in (briefly, second-guessingly) and see whether there was anyone promising to date in the Old Country. And there was one girl in a tweedy plaid shirt and skirt who I honestly couldn't tell whether she was a Williamsburg cool kid or an old-school Hasid.

And then, Shimon, on the way out, asking me if I was going to record this. I didn't answer him -- just reached into my wife's handbag and took out the gift we'd gotten him, a copy of Benyamin Cohen's My Jesus Year, a book about getting back in touch with Judaism while checking out everything but Judaism. He's moving to LA. I figured it might remind him just a little bit of the old Jewish neighborhood. You know, a place not very different from the environment that Jesus probably grew up in.

I don't know if there's a moral to this story, except to say that Hasidim live much the same lives, at least on a quotidian Sunday afternoon level, as their non-Hasidic brethren. The same things just manifest a little differently.

Yiddish 2.0

It's weird and somewhat scary to realize that you can put a cap on the number of Yiddish books ever published -- and, by most reckonings (for the secular world, anyway), the number of Yiddish books that will ever be published. But that's exactly what the Steven Spielberg Digital Yiddish Library says in its introductory statement: "Over ten thousand Yiddish texts, estimated as over 1/2 of all the published works in Yiddish, are now online" -- and the implicit notion is, there aren't going to be that many more Yiddish works published.

This by no means diminishes the excellent, massive, and spotlessly-presented Yiddish library on Archive.org, which came online a few weeks ago -- one of the most unbelievably selfless and thorough nonprofits on the Web. They've been collating every single website since 1996 and keeping track of them (so, if you ever wanted to see your first-ever freshman-year I-just-learned-HTML site, you can), and they also have a massive Live Music Archive with tens of thousands of concerts.

In a way, perusing their archive feels kind of like looking at a time-capsule after the end of the world: It's a perfect fossil record of the Web at any point in time. Michael Chabon, while talking about the impetus to write his Yiddish Policemen's Union, spoke of finding a Yiddish travel phrasebook with translations like "How much is a ticket to Lublin?" and instructions for ordering in restuarants...like a key to a lost world. If the world was no more, and all that remained were the echoes of the Internet bouncing off distant quasars (I know that isn't how it really works), Archive.org would be the container with every nuanced bit of what we are contained inside, from badly-scrawled blogs to even worse-scrawled CNN and MSNBC reports, and all the beauty that they contain.

The Spielberg Archive is kind of like that, only using Yiddish books instead of websites. Der Purim-Ber is a children's book, as far as I can tell, narrated by the bear itself. A Shṭeṭele in Poyln is a travelogue of the author's trip to his hometown of Ciechanowiec -- which, like Chabon's idea, no longer exists.

This, of course, doesn't include the hundreds of new Yiddish books being published every year, almost exclusively by religious Yiddish publishers, for the Haredi public...one of which my daughter is currently chewing on at this very moment. I don't speak Yiddish, but we can both read it. It's kind of the exact opposite of this archive -- I certainly didn't grow up with this language, but in the place where I live now, it's almost certain that she'll learn it in school, and it will almost undoubtedly come in handy at some point.

What Makes You Happy

Hand-written scrawl on a bright orange piece of photocopy paper hanging on the street in Crown Heights:

ADAR IS NOT
OVER YET

WHAT ARE YOU
DOING TODAY
TO BE HAPPY?
For all my misgivings about living in the seat of religious Brooklyn, there are things which make me happy. Wildly happy. For all the weird and sometimes uncomfortable social things that happen -- I grew up secular, and yes, I still sometimes extend my hand to shake when meeting women (some of them in my family-in-law -- double ug), I will never tire or de-inspire of seeing these simple, devotion-motivated, joy-inflicted singularly happy testaments to God. Like remembering the commandment that we're supposed to be happy for all of Adar.

So, full disclosure: Yesterday, I danced with my daughter and invited a friend over for sushi when I ran into him in the street and watched the Muppet Show before bed. What can I do to top that today? I'd love to go to the NYC Teen Author Festival, but my #1 contender makes me sound like a total loser: get to bed early.

Shalach Mones Madness

Someone driving through our part of Brooklyn honked at Itta and I, waving us over from the sidewalk. "What's going on?" she said. "Is this a bank robbery, or is it some kind of Jewish holiday?"

It was a fair question, considering we were standing next to a seven-foot-tall in all black clothes and a Mexican wrestler mask. This was my first Purim in a Hasidic neighborhood, and it was literally swarming with people: pre-tween geishas hammered on our neighbor's door. A woman in full turquoise burqa walked down the street next to a man in a streimel and those tight white stockings. People ran everywhere, literally throwing candy at each other at times, and squeezing chocolate bars into people's mail slots at others. "This is like Halloween, but the way Jews celebrate it," Itta pointed out. "By giving people candy instead of demanding it."

I've always been a Halloween-positive boy myself, but yesterday, I had to agree: it was pretty much a madhouse of goodwill and thanksgiving. We made thirty-two of our shalach mones packages, and by the day's end we were down to three. (Frum Satire and his friend, paying us a surprise visit, knocked it down to one.) All told, 'twas better to give than to receive, and it was a mad amount of fun as well.

But, because it's not bad to receive as well, here are my shalach manot highlights of the year:

• A family friend's house had do-it-yourself shalach manot -- there were a row of boxes, both new things and (packaged) food traded in from other shalach moneses earlier that day. "So you guys would like, what, nice chocolate?" she asked, ready to drop in a big old bar that was fancy and Swiss. "No way," I said. It's true -- we're not chocolate people. "Your wife wouldn't like that?" she said. "What should I give her..." she rumbled through the box, pulling out a tin and making a face -- "sardines?" "Actually," I said, "she loves sardines." (Don't worry -- they also gave us two pineapples.)
  
  
• Somewhere along the line (post-Shushan, pre-me becoming observant) a custom started that, ideally, you should give two different kinds of food -- that is, for which you should say two different kinds of blessings -- for Purim. We couldn't find the source for this anywhere, and this year, my in-laws gave wurst and vodka. 40% alcohol, 110% Russian.
  
  
• Berwin, the aforementioned Mexican wrestler, handed us a bodega-bag with a really nice bottle of wine and a three-pound box of granola. I don't understand it, either.
  
  
• Matisyahu and his family gave out falafel, hummus, and vegetables in reusable enviro-plastic containers, along with a plea to keep the Purim-related waste to a minimum -- which was both good advice, and necessary.

Torah Commentary For the Rest of Us

This is the kind of commentary that the world needs more of. Last night I was at dinner with a friend from Washington Heights. As far as Orthodox Jews go, they're kind of the opposite of my Crown Heights world -- modern, shaved faces and striped shirts. While the Hasidim are overly concerned about things like the kabbalistic ramifications of our actions -- aah, what if I don't take on a new stringency this year? -- the folks in WashHeights are more troubled by the black-and-whiteness of it all, and will freak out for hours if they do something un-halachic, like touching the bottom of their shoe and not washing their hands immediately afterward.

These might sound like the same thing, but they're not -- think of the difference between breaking the rules of your mother's cleaning regimen and breaking the rules of a really intense game of Risk.

Anyway -- the fact is, that's the way people in each community are supposed to be. How this plays out in real life, however, is quite different. More often than not, people are more concerned about the surfaces of things, less about what they're doing and more about whether they look like they're doing it.

That's why I love Frum Satire. He looks at the texts, not in a classical way of commentary, but how they're being utilized today. It's like a daily dose, not of MyJewishLearning, but of MyJewishLiving. Here, he's talking about kiddush levanah, the sanctification of the moon ritual that Jews perform every month.

The Conspiracy of Covering Up

Because it's impossible to write enough stories on Hasidic Jews and sexuality, Nextbook has an article on dressing modestly in Crown Heights. The neighborhood in Brooklyn is home to the Chabad-Lubavitch sect of Hasidic Jews, although, because of their commitment to outreach, they're known in press circles by their colloquial name of The Hasidic Jews to Turn To Whenever We Need A Story About How Weird Hasidic Jews Are.

And, no matter what else I say about the Hasidim in my neighborhood, they never fail to disappoint. When I read the article's lede -- "An outsider visiting Crown Heights might be forgiven for thinking that the women in the ultra-Orthodox neighborhood represent the height of modesty" -- I was baffled. After all, shuttling between Boro Park and Williamsburg, where the most common accoutrement for women is a body-sized pillowcase, the far-more-liberal Crown Heights is mostly known for French designer clothes worn by 22-year-old MILFs in 4-inch heels pushing baby carriages.

Every year, some people in the community pick a pet cause, and this year, that pet cause is tzniut, or modesty. Admirably, much of the attention has been devoted to modesty among men -- making sure that they're wearing tzitzit, and that their shirts cover their elbows (which is commonly known as a commandment for women, but many observant Jews seem to forget it's also for men). So far, much of the push for tzniut has taken the form of lectures and group Torah study. But there's a new poster campaign, in pink of course, and, like Barry White says, this one's for the ladies, calling attention to such things as:

• Skirt length! ("No part of the knee is visible--even sitting")
  
• Sleeve length! ("Upper arm must be constantly covered...with sleeves extending past her elbow")
  
• Leg wear! ("Going about bare-legged without stockings...is a most grave offense")

The prominent respondent in the article is Ms. Bronya Shaffer, whose primary credential given in the article is being "a mother of 10" (she also answers questions on AskMoses.com). Her critique is admirable, and very postmodern:

"The medium [of the posters] itself is antithetical to the very essence of modesty," she said of the posters. "It’s not the Chabad way. I cringe at the specter of kids, young boys and girls, reading in huge letters, in bold technicolor, about uncovered legs and necklines and tight clothing."

It's a valid point. But how do you reconcile the medium with the message -- that is, getting your ideas across and perpetuated, but not making it seem overt or lusty?

And, somewhat relatedly, how can Chabad continue to be poster-boys and girls for religious Judaism, both positive and negative, and in some way avoid this fetishistic what-are-the-Hasidim-doing-now attitude?

Etrog!!!

You'd think an etrog in Hasidic Brooklyn would be easy to find.

After all, when I lived in San Francisco (Jewish population: high; etrog population: maybe 2 dozen or so?), choosing an etrog was easy to select: your synagogue (Chabad, because nobody else wanted to bother with ordering them) would get a box of etrogim in the mail, and choosing an etrog would be pretty simple: the first person in line got the first etrog out of the box.

If you've ever seen the (best) film (ever) Ushpizin, you know that choosing an etrog can be involved, strenuous, even obsessive. Everything from the color to the texture to the bumps means something -- a tiny horizontal indentation toward the bottom curve, for instance, is known as "Eve's Bite," since one school of thought says that the etrog was the fruit that caused Adam and Eve got kicked out of the Garden of Eden. And let's not underestimate the prime fact: Jews are obsessive-compulsive about, well, everything.

So here's me on Sunday, going through every one of the dozen etrog shops that spring up in Crown Heights for exactly a week and a half, transformed bodegas and corner stores and even one barbershop. The only thing I really know is that I like to have a pitom, that tiny stem that looks like an outie, on top of mine. And it just so happens that, among Chabad, people try not to have a pitom.

I went into my friend Levi's family's store, set up in the neighborhood matzoh bakery. They always somehow forget they know me until I've caused them even more stress than the last time, upon which they're like, "Oh. You.." and vanish to another room. But they're actually really nice. In this instance, they were almost out of pitomified etrogim, except for....

"These are Moroccan, but you probably don't want them."

"Moroccan?" My synagogue is Moroccan. My eighth-grade term paper was on Morocco. I love Morocco.

"Moroccan. They're not like Israeli or Italian etrogim; they're kind of, how do you say, shvach. Lazy etrogs."

"They are lazy etrogs," I repeat, understanding not at all.

He explains. They're solid, sturdy etrogs, lacking in beauty and bumpiness, all the things we are supposed to treasure in etrogs. They're mostly sold to children, to teach them how to say the blessings and how to handle an etrog, and all that. "You know," he says, "the pitom, it does not last long around the children." Then he looks down at my daughter, who's strapped to my chest in one of those portable baby prison things, and says "You have one year left, maybe two."

I went to another place, and the next. One place, I was fighting to see etrogs, not wanting to jump straight in and endanger my kid. At other places, the etrogs didn't have pitoms, were too expensive (hey, hauling delicate and uncommon citrons from across the world ain't cheap) or just weren't the right etrog.

The last place was around the corner from my house, a convenience store that had literally been taken over a week ago. Mexican beer ads with women who couldn't have been wearing fewer clothes if they were naked littered the floor, mixed with somewhat fresher newspaper fragments in Hebrew. Teenage Israelis were running in and out like worker ants, and it took about half an hour of having a twenty-dollar bill in my hand for someone to notice.

He gave me a shrug, almost imperceptible beneath his huge shoulders. He gestured over to a bunch of huge boxes strewn across the floor, all of which had literally hundreds of smaller boxes -- etrogs -- inside each.

I got on my knees. I started poring through them.

Now my daughter is usually an active girl. She struggles, she blips and beeps and chortles, she crawls pretty much everywhere and she puts nearly everything into her mouth. Today, though, she was kind of dreary -- either because she didn't get a full nap, or from the tedium of seeing a zillion men in bushy beards and black hats, one after the other. She watched me poking through the etrogs with a modicum of disinterest, head lolling to one side. She didn't even feel like eating the corner of the Baby Bjorn, which she's usually pretty nonstop about doing.

And then I unwrapped it. It didn't look that special to me, although it certainly didn't look like any of the normal ones -- tilted to one side, the pitom sturdy and washed to the other, waves of green peeking through the yellow to the top and bottom. I was thinking of putting it back, digging through the rest of the box. I'd already spent an hour; what was another twenty minutes? But then my chest tugged at me, two tiny hands working their way inside the box. My daughter was awake in a way she hadn't been all day, cooing like a stoned dove and fighting styrofoam for possession of a fruit she'd never seen before. She gave an imminent tug, then looked straight up at me as if she was asking, Can I eat it? Just this once?

"This is the one," I announced -- to the room full of Israeli teenagers, none of whom was paying attention to me, and the manager, who didn't even realize what I was stuffing into his hand until the money was pressed deep inside, and I was halfway to the door.

And then I went home to shake my lulav.

crossposted on MyJewishLearning