Me, in 24 hours

Can I say it again? I work at a dream job. Replace Donald Glover with me, and you can envision my office tomorrow afternoon:

See 1/20 at The Hester

Just a little note that the movie I wrote, 1/20, is screening this Saturday night in New York City! Go here to buy tickets -- it's at The Hester, this little underground kosher speakeasy that my wife happens to run, and that happens to have been recently featured in the New Yorker and GrubStreet and a whole bunch of other places.

It'll be interesting, and fun, and different. And I'll be onhand, probably to incoherently answer any questions that you may have, and stare at my shoes. And eat kohlrabi pickles with spicy hummus. Which, you probably didn't know, but is one of my biggest talents.

Losers Is, Weirdly, Popular!

UPDATE: I just found out what exactly "Popular Paperbacks" means. It actually doesn't mean the book is a popular paperback (or a bestseller or anything); it means that the American Library Association thinks that my book should be popular. That's colossal. And kind of better-sounding.

Whoa! Just got an awesome email from the good folks at Scholastic. Thank you, people! It's really amazing that five years after this little neon novel got birthed (oboyo am I old), people are still thinking and talking about Losers.

(And: the other people on the list! Raina Telgemeier, who did the amazing Baby-Sitters' Club adaptations [that are actually brilliant, srsly]! Michael freakin' Northrop!)

Great news! – the following Scholastic titles are included in lists just announced by the ALA, selected at the recent ALA Midwinter Convention in Seattle.

2013 ALA Popular Paperbacks for Young Adults

·         Prom and Prejudice, by Elizabeth Eulberg (A Popular Paperbacks for Young Adults Top Ten Title)

·         Drums, Girls, and Dangerous Pie, by Jordan Sonnenblick

·         Drama, by Raina Telgemeier (A Popular Paperbacks for Young Adults Top Ten Title)

·         Does My Head Look Big in This?, by Randa Abdel-Fattah

·         All the Broken Pieces, by Ann Burg

·         Born Confused, by Tanuja Desai Hidier

·         Losers, by Matthue Roth

·         Green Heart, by Alice Hoffman

·         Bluford High: Search for Safety, by John Langan

·         Trapped, by Michael Northrup

·         Smile, by Raina Telgemeier

FAQ: What are you excited about?

random question that ended up in my inbox this morning:

Q: What are you excited about in Judaism?

A: G-d! physics! the creation of the universe anew from nothingness at every moment! the fact that everything happens for a reason! the idea that i shouldn't be anxious about things because it's all part of g-d's plan! the fact that there is a plan in the first place, and we're all a part of it, and basically everything has been predestined, but we have free will and free choice anyway. like g-d knows where we're going to end up, but how we do end up there -- and what it means for us -- is still all in our hands.

Dork! download it here, now, free

Hey, remember how I said I was going to give away free stuff every month? It's January 1. It's here. Click to listen or hit the downloady thing to download -- you won't have to enter an email or a credit card or anything. Or just download it here.

Please, please, check out Katie Skau, who did the art. And for the extra version of "Shit Girls Don't Say," I asked a bunch of people on my facebook and twitter if they'd record themselves doing a version of a poem. I didn't tell them what the title or the lyrics were.

This mix features queendeb, Postal, Lacy LeBlanc, Michelle Hilburn, Cate Freyer, and Amalya Tolchin. Track them down, twitter-follow them, thank them every time you see them in the streets. I will. I'd love to just throw up each of their unedited versions. They're all brilliant.

The Dork E.P.: Track List! Art! My Inner Madness!

Tomorrow I'll be posting, here and anywhere else I can think of, an E.P. of new spoken-word poems. I wrote them in a flurry last month, when I realized I hadn't written any poems lately; and I recorded them all at once, more or less, on a Saturday night when Shabbos ended early and I put my kids to bed and said goodbye to Itta when she was off doing a social thing and then realized that my house was particularly quiet -- too quiet, you'd think -- and I needed an excuse to start talking to myself.

This is the prototype art for the cover, which is by Katie Skau:

It's called (unless one of us comes up with something I like more before midday tomorrow) the Dork E.P. There's one track called "Dork 2.0," and I could call it that, except that it feels like a bit too much for a tiny little album that's less than 10 minutes long. I'm actually sort of proud of having it so short. When I was in high school, and did the recording trick of recording one track on my tape player, then playing it back close to the tape player while I recorded another track, the goal was to make songs as long as possible -- my favorite R.E.M. songs were four minutes long! some were almost five! they was practically symphonies! -- but for Dork, brevity seemed to be the thing.

Here's the track list:

1. Get Back Here New York City, I'm Not Finished with You Yet
2. Dork 2.0
3. Shit Girls Don't Say
4. Love in the Time of Attachment Parenting
5. Born to Run
6. Shit Girls Don't Say (other people version)

Originally I'd asked people to film themselves reciting the poem "Shit Girls Don't Say" for a music video (well, a non-music music video). Due to my computer being about 27 years old and not being able to crunch the recordings on iMovie, I had to mix it as an audio track better. And I kind of like it that way, in the end: The more-or-less proper closing track is "Love in the Time of Attachment Parenting," which is sort of my cover version of this great book you should read, and then my actual cover version of "Born to Run" (which I am praying doesn't sound bad), and then other people doing a cover of my thing.

Yes, I realize this is an immense amount of thought to put into a 9-minute recording -- let alone, one I'm giving away for free, and with no clear (to me) motive (I mean, I'm not really thinking that Sony will buy the rights, or that Kanye will hear this and ask me to record a song with him) -- but it feels right. And I really hope you come back tomorrow and download it.