Jazz Is the New Klezmer

I know, I know -- I talk about Yoshie Fruchter a lot. But he's worth it -- and he's doing so much stuff that it would be hard not to talk about him.

On Jewcy today, I talk to him about his new band, his new album, and why his parents are so damn cool:

Yoshie Fruchter gets around. Besides being a member of half a dozen bands, from the children's parody band Shlock Rock to guesting with Pharaoh's Daughter, he's made a name for himself in the few short years since he moved to Brooklyn from his hometown of Silver Spring, MD.

It's easy to chalk Yoshie's existence until that point up to the classic story of small-town-boy-makes-it-big. But between the lines, Fruchter has a lot of stories--his mother is a full-time arts educator in the yeshiva system, and his father is a versatile musician who, among his own accolades, was babysat by Elvis as a child.

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Genre Benders

My new Nextbook column is up, featuring Yoshie Fruchter's Pitom, NX2, Eprhyme, and everything else that's new and Jew.

Four years ago, Yoshie Fruchter came to New York and plunged into the avant-garde jazz scene that revolved around those clubs, watching local legends like Shanir Blumenkranz (who can coax just about any sound in the universe from a bass guitar) and multi-instrumentalist percussionist Kevin Zubek work their magic.

Now, they’re both in his backing band.

It’s hard to come up with the right word to describe Fruchter, who fronts the band Pitom, and whose debut record, named for the band, is available this month from John Zorn’s Tzadik Records. The album takes the characteristically absurdist and often improvisational jazz that Tzadik bands are known for and adds more than a measured dose of power-chord punk.

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