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Showing posts with label road trips. Show all posts
Showing posts with label road trips. Show all posts

Tuesday, May 19, 2020

There Is Always a Graffiti Maker








This is part of a story I've been writing for, yikes, way longer than it should have taken me. If you want, you can read from the beginning, or just start here.


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In Flagstaff we checked the mileage, realized Albuquerque was only four and a half hours away. That was basically less than 2 movies. That was a tiny slice of our days. We had the longest days, didn’t we?, especially waking up early, the sun shoving through the sheer curtains in the motel room, having forgotten to smush the normal curtains closed.

Not that it mattered, because Joey kept us on schedule anyway. Joey was our matron, our den mother, our sheep dog and our shepherd and our team coach all in one: landing on top of me in the morning, then bounding over to Elyse’s bed, slopping his tongue over our faces and digging his nose into our armpits and reminding us in great amounts of glorious slobbery slime that it was time for his morning walk.

I loved walking Joey. He was no higher than my waist, but strong, always with a determination and a clear direction. Later that year, in summer, once I had made it to the East Coast and moved in with an Orthodox aspiring hip-hop DJ in a warehouse deep in Hasidic Williamsburg, I would learn from rendezvouses with kids in pizza places and kosher markets that Hasidic kids, by and large, dreaded dogs. The families had so many kids that there was no money to have pets, and no space. It puzzled me so, since the only way I managed to get up in time for morning prayers was Joey. Caring for a dog was so much like being a religious Jew: this constant presence, nagging but righteously demanding, diverting your attention away from the ego and reminding you of the miracle of Creation and the demands of a higher power.

We circled back to the row of crystal shops. They were slowly opening up, one by one, like heavy eyelids rustling up motivation after a heavy sleep. The first we entered was almost a clothes boutique for crystals, a well-dressed if slightly ’80s-looking woman who inquired what we were looking for, which colors or styles or what we wanted to correct in our lives. “Just browsing,” I half-muttered, half-swallowed up, those instincts honed in me since teenagerhood of being in stores solely to have somewhere to be, never any interest in actually buying something. To my surprise, Elyse said, quick and guilelessly, “I’m looking for a love spell.”

“Sure, I can show you our love potions section,” said the woman, taking us down an aisle whose shelves were sparsely populated — or was it generously spread out? — with caterpillar-like crystals crawling their way across stone, gorgeously smooth stones the softly postuled shape of breasts, with a breastlike incline and curve, with intensely spiny knifelike undersides full of sharp crystal.

“Now, are we looking for a gift for a lover, or a spell to arouse the interests of someone who hasn’t yet fallen under your thrall?”

“A gift,” said Elyse coyly.

They narrowed it down to two: a darkly spiraling purple cone and a sort of cotton candy pinkish-white bowl-shaped structure. Both were distinctly more femme than anything I’d identify with Elyse, and it made me wonder about this trip, this mysterious endpoint of hers, who she might be and what sort of life might lie after these few weeks for Elyse, for Joey.

She settled on the purple cone. The woman boxed it up, and sinking into the pillowing tissue paper it looked like Darth Vader’s evil castle tucked inside a nest of peaceful clouds. As we walked by the other stores, we couldn’t avoid window-shopping, or second-guess window-shopping, which is what you do when you’ve already bought what you set out to buy but you can’t help thinking, was it the right choice, and what if, and would they take returns. I caught sight of the proprietor of one other establishment, a hippie woman in a long flowing skirt with her hair tied in a dangling thin cloth, skin the color of the desert sand, watching me as I watched her. I had on a baseball cap over my yarmulke and I couldn’t help thinking, does she know I’m Jewish? And then, is she?

I asked Elyse if she wanted to stop anywhere. She said no, and we kept walking.

We hung out in a park with gorgeously sinister graffiti tags and waited for the people who’d made them to pass by. The town had a newspaper filled with punk-band ads and snarky personal essays, but no cool kids, no outcasts, barely anyone on the street. We lay in the grass all afternoon while Joey went wild trying to scratch his belly with his nose. It didn’t work, and we didn’t find anyone. We didn’t know who we were looking for, but once they showed up, we’d be able to tell.

The town was heating up, and the sun was just starting to lick the horizon, when we thought of dinner, and of the road. Joey stretched in the grass. Elyse checked the time.

“Uh, Matt,” she said. “If we stop for dinner, we aren’t going to get there till eleven thirty.”

I checked my watch. Sure enough: the day had gone, and what felt like early evening in this temperate desert town would long ago have been nightfall anywhere else.

We grabbed fast food (her: actual McDonald’s, me: peanut butter and a loaf of bread from the mini mart where we got gas), ate in the outdoor seating, then hit the road. We were both from the East Coast before this, but had spent so long living in California that the existence of other states seemed like a tease. When we passed a sign saying we’d entered New Mexico it felt like an event. And when we realized it was still a good number of hours till Albuquerque, the next city on our agenda, we slowed down and started giving the icons on the highway exits more serious attention.

Soon, we realized that was not the optimal plan. I dug out a AAA manual and started flipping pages. The only motel we could find didn’t allow pets. “It’s only an icon on a page in an old book,” I suggested. “Maybe they do in real life.”

We got there and there was an even bigger sign on the door. But the place looked so picturesque, it seemed a cruel lie. It was one of those motels where the doors had pastel colors and different numbers. The office was in its own cabin, wooden with a triangle roof, built into the side of a cliff. We sat in the car and debated whether to go in and ask, not say anything and try to sneak Joey in, or keep driving. Driving was out of the question. It was late, we were tired, and there were no buildings at all on the horizon, let alone a motel with vacant rooms.

Inside it was homely. Red velvet curtains. Framed family photos. The woman at the desk looked like a Golden Girl, her hair plastic and symmetrical, sweetly wrinkled jowls of cheeks. Her voice was the sweetest thing, and I would swear she knitted her sweater herself. She gave us a look when Elyse said two beds — we were getting used to that — and when she walked away, I whispered to Elyse, “Let’s just ask.”

Elyse looked on the verge of agreeing with me. Right before the woman returned, she hissed to me, sidelong, without making eye contact, “Just don’t.”

“Here are your keys,” said the woman, slipping them across.

“Thanks,” I said. “We’ll just get the bags and unpack.”

On the way out the door, I said to Elyse, “What’s wrong?”

“That,” she nodded across the counter at the wall.

There, in the center of dozens of family photos, was one with a more elaborate frame, gold, with gilt covering and a sort of genuflectable position. It was of President George W. Bush, and it was autographed. Bush, of course, had been on the radio all week, a vote on gay marriage was up, he was promising to reject it. His rejection, as we drove deeper and deeper into the country, and left the ocean farther and farther behind, was celebrated more and more, and its implications were darker and darker.

The woman at the counter, apparently resolved to our cohabitational weirdness, offered up a gentle wave as we left. I went into the car, slung a suitcase over my shoulder and held another at my side. Elyse quietly, quietly cuddled Joey against her, kept pace with me, and together, we slipped into the room.


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Tuesday, March 29, 2016

Teen Self-Referential Drama, Plus Or Minus a Few Years

I wrote another installment of my San Francisco-to-New York travelogue. I keep thinking, like, maybe my entire career is simply rewriting every Judy Blume book in chronological order, as memoir. Except that, in my version, the 13-year-old girl is played by an overgrown boy with an overgrown beard.

In This Huge Universe, The Only Things That Matter Are G-d And Girls

joshua-tree-nightfall
That first day on the road we drove to Los Angeles, then past it. There were no monuments to communicate to us that we’d entered or left L.A., no skyscrapers or theaters, no ocean in sight. I’d spent the better part of a year traveling down there, writing my novel about a teenage Orthodox girl who got her own television show. It was half wish fulfillment, half daring myself to try to achieve that nightmare. Every few weeks for a year I left San Francisco and bounced back and forth along the California coast on a Greyhound bus, staying for a few days or a week, soaking up enough inspiration to get me through the next 50 pages.
On this trip — the same unending fields out the window of Elyse’s SUV, the same pasture halfway with hundreds and hundreds of cows stuffed against each other, mooing sadly and uselessly — it was an entirely different feeling, the last time I’d make this bizarre pilgrimage.
We passed the cows, and Elyse’s dog Joey howled at them in primal confusion, startled by the moving background, disturbed that these nearby animals were rushing by fast while standing completely still and that they were simultaneously unafraid of his braying. It was only natural for him to chase cows, and for cows to tremble at his presence. The very fact of the road trip was lost on him. Or maybe it wasn’t. Maybe this was the way he’d always lived, his mind only in the moment, never regretting the past or dwelling in left-behind places, always dealing with what was in front of him. Maybe we were the beginners, and he was to be our rebbe.

Wednesday, December 16, 2015

Kosher on the Road-ster

We're four episodes in, and my Lesbian Hasidic Cross Country Road Trip story -- a little serial thing that I'm writing for Hevria -- finally gets on the road. Basically, we make it to the first bathroom break.

I'm still trying to decide whether I should keep writing. I'll let you know what happens.

Kosher on the Road

BY   DECEMBER 8, 2015  ESSAY
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One thing I hadn’t counted on when I hit the road: How would I eat? I don’t know if you know, but the kosher diet is one of exquisite restriction, that whole no milk and meat together thing, but also a host of other things we can’t have — namely, anything cooked in a kitchen that’s ever had anything non-kosher inside it. In today’s modern world of packaged food and artificial everything, it’s gotten a little easier — Oreos, for instance, might look like cream-filled wafers, but there’s no dairy, no meat, the whole thing’s basically a lump of sugar cooked by a robot.
But I’ve heard tell of supermarkets on the road where not even the orange juice and bottled water is kosher, where the tiny Ks and Us and Hebrew letters we search for in our secret codes are absent, where even the potato chips and white-bread loaves are baked with lard. When Elyse and I planned our cross-country expedition, I just figured I’d stack up before we left. Or on the way. Or before we got too far.

Friday, April 1, 2011

1/20 at the Guadalajara Film Festival (photos!)

This week was the Guadalajara International Film Festival, and 1/20, the film I wrote, was an official entrant. Guadalajara is basically the Sundance of Latin America. It's a clearinghouse for everything artistic, political, and a combination of the two, which 1/20 ended up being. Gerardo, the director, is from Mexico, and this was his triumphant return, riding into town on the back of a donkey and all that.

They assailed me with stories of champion drinking and famous-people elbow-rubbing and guerrilla advertising. I started complaining that they left me behind. They reminded me that they had lots of important business meetings, too, which I would have either been too scared to walk into in the first place or vomited with nervousness as soon as they began. "This is why you write the stories," they said. So I settled into my bed and felt better about myself.


Yeah, guerrilla advertising. There were 2,000 films showing in Guadalajara, and exactly one film hung any sort of posters. Sometimes they were minimalist and subtle:



And sometimes they were not.



I think my mind is officially blown, just thinking of my name in another language hanging on a poster on a wall in another country. Once, an anthology I was in got translated into Turkish, and it was so cool, seeing a few words I recognized ("challah," for one) interspersed with entire sentences that I didn't recognize at all, but that I wrote. At least this time, they didn't have to translate the title.



Here's Berwin, the producer, with Damián Alcázar, who's one of Mexico's most famous actors. I don't recognize him, mainly because I basically don't know any actors who weren't on an episode of Doctor Who (ask my coworkers if you don't believe me), but he's in The Chronicles of Narnia and some Gabriel Garcia Marquez film adaptations, which is sort of the dictionary definition of awesome.

And here is an award of some sort, I think.



Or maybe it's a statue? At least there isn't food on the tables behind. Then I'd really be jealous.

Tuesday, April 14, 2009

Israel: Visiting Graves, and Digging Your Own

This is Israel: Yesterday I was on a "nature trail," which, without doubt, is an Israeli euphemism for X-treme Sports. In Philadelphia, there was a nature trail that swept around a few meadows and groves of trees and dovetailed into a new housing development that had chopped away the rest of the forest. Here in the Golan, the phrase "nature trail" indicates a trail of barely-there rocks, the plurality of which are equal to or smaller than the width of your foot, jutting out of a cliff.

About an hour and a half in, without warning (and, certainly, without any semblance of sanity) the narrow trail of rocks which we've been precariously balancing ourselves upon gives out, replaced by a handful of metal rungs plopped into the side of the rock bed. Horizontal surfaces as we know them cease to exist, and there's a 20-foot drop into a steam that's 25 feet deep.

It's extreme, alright. But it’s also that particularly Israeli brand of springing total insanity upon you without warning, a reminder that for every anxiety-filled border crossing there's a mountain with a view that will knock the fear of God into you, and for every bomb around the corner, there's also a tiny 3000-year-old synagogue with immaculate stone buttresses around the next corner.

This afternoon we visited Tsfat. It was supposed to be a 30-minute drive, but we kept passing graves. There's a weird code to Israeli gravesites: many tzaddikim, or righteous people, are buried outside of cemeteries—in their own mini-graveyards, or in the middle of nature trails, or just on the side of the road. (One hopes that those ever-lovin' nature trails were not the cause of most of these tzaddikim being buried there, but since the stories about tzaddikim always seem to involve granting miracles, impossible journeys, and staring death right in the face, you have to allow for the possibility that, sometimes, death will not just stare idly back at them.) Some of the graves have domes over them, which indicates their more-exalted-than-normal status. Others, for a similar reason, are painted a turquoise shade of sea blue. I don't know if either or both of those things intimate something specific, or whether there’s a general hierarchy, but these are the things I’ve learned here in a very short time.

That, and that gravesites sometimes make the best concert venues.

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