Q:
Hey Matthue,
What do you do when you hate your book? Start from the beginning? Randomly change words here and there? Delete paragraphs? Chapters? Help!!!
A:
No! Don't delete anything! I save every sentence I write. I'm a total diva, but this is one thing I'll freely cop to. If I'm deleting stuff in my manuscript, this is what I do first:
1) Get to the end of the story. Finish it! No sense destroying the walls until you've got a floor you're happy with.
2) Make a copy of the file. Sometimes I'll go back and steal stuff from earlier drafts. There's always goodness, and there's always sloppiness. Sometimes you don't know till later which is which.
Best thing to do is put it aside until you get over yourself. The problem is, when you're writing, you're too much in the middle of things -- you can't step back and look at the book as if someone else is writing it.
What you can do is, start over. Not from the beginning. But just turn the page, skip to the next chapter, or the next big fight scene/explosion, and start writing something you do feel good about. Don't worry about tying it in, or making it fit. That's what editing is for. Right now, just get all your ideas down and get yourself to a place where you love what you're writing.
Monday, October 28, 2013
FAQ: What do you do when you hate your book?
Labels: books, faq, sloppiness
Posted by matthue at 11:39 AM 0 comments
Friday, October 4, 2013
Hasidic Writers Read in Crown Heights
This Monday night, I'm reading with some jaw-droppingly vital Hasidic writers in Crown Heights. Please be there. You really aren't going to want to miss this one.
(Just click on the pic, or the related text, to find out details. I think that should work?)
Labels: crown heights, my first kafka, performance anxiety, shows
Posted by matthue at 1:11 AM 0 comments
Wednesday, October 2, 2013
Goldbergs, Meet the Goldbergs
My wonderful friend Sarah Lefton wrote me an email the other day:
I just want you to know that although I have no idea what your feelings are on the matter, and you've been either surprisingly (or studiously) publicly quiet about the matter, I am enraged on your behalf about The Goldbergs and have found myself talking about your book an awful lot lately.
So actually, yes, my first novel was called Never Mind the Goldbergs and was a book that was about a TV sitcom. I'm told that it's totally nothing like the new TV show, although, when I first found out about it, I started telling people that they utterly ripped off my book for their background color.


I didn't actually think for one second that ABC used or borrowed or even knew about my book. Really, both of us should be dipping our hats to the original Goldbergs, a radio-and-then-TV series in the 1950s written by and starring Gertrude Berg, who was probably one of the most versatile and amazing people who ever worked on TV. (Primary evidence: It takes major cojones to produce an episode about racism and anti-Jewish sentiment in America...during World War II.) Although, hey, I did give the old TV show a shoutout in my book.
Here's the real bummer of it: Never Mind the Goldbergs did really well last year. It sold out its complete first printing -- which, because it's Scholastic, they'll print tons of copies and just expect them to last forever. But this summer, some friends told me that Amazon had stopped listing the book. I called Scholastic to find out what was up. Apparently they had sold out completely, and they don't see a sufficient need to reprint.
BUT DUDES THERE'S A MAJOR TV SHOW WITH THE SAME FREAKING NAME AS MY BOOK THAT'S ABOUT TO BE ON AND--
I did not write that email to them. I also didn't yell at them when I found out they got rid of the last hundred hardcover copies by selling them for 50 cents each to some random store in the Midwest instead of asking me if I wanted them. I love Scholastic -- I mean, Goldbergs wouldn't be in print if it wasn't for them -- but, yeah. Sometimes you get the bear and sometimes you get the bear trap.
On the plus side, I do own the rights to my book again. And my agent is really excited about finding a new publisher. And in the meantime, I have this new book that, if you haven't heard, is doing pretty insanely wonderfully. So I'm in a mostly-good mood. And if you do want to read Goldbergs in the meantime, just email me and I'll send you an ebook of it.
And, if any of you know those people from that other Goldbergs? Feel free to tell them I said hey. And if they ever want to make another series, we can totally reprint it as Never Mind the Goldsteins.
Labels: my first kafka, never mind the goldbergs, rants, scholastic, television
Posted by matthue at 2:04 PM 0 comments
Monday, September 30, 2013
What Rupert Murdoch Means to Me
Today, Forbes ran a really bizarre (and really nice) article about Amplify, the company I make video games for, and my relationship with Rupert Murdoch.
What We Can Learn From Rupert Murdoch, News Corp, And Amplify

You can read the whole thing here, if you want to.
Labels: amplify, my first kafka, never mind the goldbergs, rupert murdoch
Posted by matthue at 3:09 PM 0 comments
Wednesday, September 11, 2013
September 11 babies
This is what I was doing on September 11, 2001, and then what I'm doing right now. Just pulled out my copy of Yom Kippur a Go-Go, which is where this is taken from. So weird to have a record of my life, published and accessible to people who are not me. Some parts make me feel queasy in retrospect. This is one of my favorite stories I've ever done.
Somehow, we had all forgotten how Rabbi Mendy’s wife Tali was pregnant. Hugely pregnant. Nobody at the synagogue noticed, or realized, because pregnancy was a normal state for Hasidim, but when New York broke, so did she.
Mendy called me from the hospital. “Tali’s in the E.R.,” he said. “Everything’s fine, thank G-d, but Golda is here and she’s not used to hospitals and I was wondering if you were maybe free for the day?”
I told him I was on it.
We met at his house, a few blocks from the hospital. Golda was in her crib, snoring peacefully. Her little lungs shot out huge noisy breaths that filled the small room. Trickles of sunlight poked through the border of the curtains. Mendy left me with another apology—“I’m sorry we called you out of the house so close to Rosh HaShana”—and I was, like, Rabbi, don’t apologize, you do not choose when a baby is going to fall out, and I showed him to the door.
I heard a scuttle of footsteps, and walked through the kitchen to find Golda in her pajamas. She looked up at me, confused.
“Where Mommy?” she said.
I kneeled down to the level of her eyes. “She’s at the hospital with the baby, remember?”
“Baby?” she repeated.
“Baby,” I said.
“Where Mommy?”
The second time Golda asked, she didn’t wait for an answer. Her jaw dropped open and she started to scream.
One day I am going to make the worst father. Children crying make me crumble into helplessness. This feeling of utter sadness wells up and makes me all depressed and I want to concentrate on my own depressed state, not how to make them feel better.
I talked to her in that soft bedroom voice. I pleaded with her, showed her Mommy’s coat and the door. I dug through her toybox to find an ambulance or a hospital or something, but Golda was ultra-protective about her toys and when I touched them, she started screaming about that instead.
I shrugged. I got up, walked into the next room, which was Mendy’s office, and took out some computer paper and a set of Magic Markers. I threw them in a pile on the floor and started to draw.
Eventually Golda stopped hiding her toys under the sofa and waddled over to me. With her index finger in her mouth, she said, “What you doing?”
“I dunno,” I said, shading in the side of a woman’s dress.
“Who that?”
“That’s Mommy.”
She plopped down, grabbed a marker, and started to draw on the other half of the paper. She drew another woman holding a baby. “Is that Mommy too?” I asked.
Golda shook her head. “This is Golda,” she said. “I going to have a baby too.”
Now it's a bunch of years later. I'm headed into Times Square, which feels like an ominous thing to say, then walking to the Port Authority terminal to catch a bus. I'm going to see my sister and meet my niece for the first time. I don't know what it's going to be like, and the more I think about it, the more it's going to be about my memories and expectations, the What Should I Be Feeling parts of being a writer, and less about the actual experience of being there. So here's leaping headlong into life. I'll let you know how it goes.
And, because I'm not sure why, the Roots doing "Call Me Maybe."
Labels: real-life meetings with people you didn't expect to exist in the first place, yom kippur a go-go
Posted by matthue at 7:46 AM 0 comments
Monday, September 2, 2013
Sneaking into the Basin
This is where I walked today:
View Larger Map
Mill Basin is one of those places that makes you say, "I can't believe this is Brooklyn," but it is so incredibly Brooklyn. The houses are lavish and spread out, with lawns that are like nature preserves and cars that belong in museums. It's ostentatious and lascivious, but there's something about the neighborhood that makes you want to bathe in it completely, a cross between rubbernecking at an accident and watching Gossip Girl. There's a street that's clogged with houses, shoulder to shoulder, blocking off the view of Mill Basin itself. Some of the houses are Lego atrocities, but in a really compelling way. Others are like little Greek palaces. Just being in visual distance of them makes you feel like your blood is soaking up some sort of classical-masterpiece-based culture. And then there is this house, which I desperately want to get invited to a party at:
...Which, okay, the place ostensibly has its own issues. But there is some beautiful waterfront out there. I really just want to watch a drunken sunset there, possibly while laughing ostentatiously, just once.
Labels: brooklyn, manhattan beach, wanderings
Posted by matthue at 9:03 PM 0 comments