The Orthodox Jersey Shore

When Frum Satire showed me In Over Our Heads -- billed as "the first unscripted Jewish reality television series" -- my knee-jerk reaction was, is it good for Orthodox Jews? The first episode followed women on a trip to the mikveh, a bath used for, uh, spiritual cleanliness (or, "ending the period of not having sex and transitioning into having sex," as one character puts it).

The second episode is less abrasively sex-centric, but manages to be even more sexual: Our heroes leave their religious community for the night, go into the city, and stay up all night at a dance club.


The verdict's still out. When new, odd Orthodox articles or stories or videos come out, I get a surge of overprotectiveness, because if you're Orthodox, every non-Orthodox person you meet over the next month will make all sorts of sweeping generalizations that your life is exactly like the thing they saw on YouTube. (If you think I'm exaggerating, I'm not -- you won't believe how many people asked me which Hasidic folk song Lady Gaga stole the hook to "Bad Romance" from.)

The show has its stronger and weaker moments. I'd be the last person to argue that dancing isn't a form of spirituality, but I cringe watching one Orthodox character struggle to defend her spiritual practice, eyelids fluttering from being up all night while scarfing down coffee, while sitting next to some non-Orthodox guy who keeps cutting her off and cursing at her. "A lot of people are afraid of what's inside them and don't express it," she says. "But if you express it, then you're free." On the other hand, it's flippin' reality TV. Of course these people aren't at their most coherent state.

The series has some moments of blinding clarity, and they've picked strong, smart, and likeable characters. We want to know these people. In some way, we do know them. Not just those of us who have friends, family, or who've even been those kids sneaking out at night from Monsey to the city, but for all of us who've been different.

I think I will keep watching In Over Our Heads, even if I'm not totally with it yet. It feels like we're watching a rehearsal for something. I'm not sure what it is yet -- they might not know either, either the producers or the stars -- but I'm excited to see it when it happens.

Paul Auster at Book Expo America

Paul Auster was at the book conference today, signing his newest novel, Sunset Park (which you should buy, and read). The line was surprisingly short -- I couldn't decide whether I was going to spend my entire 30-minute lunch break waiting to talk to him or just skip it and regret it for the rest of my life. Fortuitously, no choice needed to be made. He was perched on a high stool, looking particularly civil and caffeinated, in dark glasses, slicked-back hair, and every bit as rompy as one of his characters.

I asked if he was overloaded with books or if I could give him a copy of my book Candy in Action, which Soft Skull had just passed off to me. He said a pretty clear "overloaded," until his (handler? agent? mysterious female companion?) smiled graciously and said "I'll make sure he actually reads it" and slipped it from my hands. Then we talked about the comic he'd written that I'd read to my daughter the other day -- he cackled when he heard that. "She didn't get it at all, did she," he cackled. I said she understood it pretty well, but she was still checking for an invisible man behind her.

He said he didn't like the illustrations; I thought they were good, but strange, like smelling one thing and tasting another. Then he moved on. But it was pretty cool.

A minute later on the other side of the expo center, I ran into the Jewish Book Council crew. I was still bubbly about my new Auster book. Carolyn hooked into my arm: "Take us there," she commanded. I did. I stayed low because I'd had my moment and didn't want to spoil it, but I saw he still had my book sitting there. Naomi managed to snap a picture of Mr. Auster and my book, and there it sits above us in this post. If *ahem* when somebody makes it into a movie, I sincerely hope they cast Paul Auster as the shady character who gives Candy her missions. And that they pay him a million dollars to do it. I mean, it probably won't be as good as Smoke, but it will be a whole other kind of good. Unless they get Tom Waits to record the music too. Then it might be.

My new favorite photo ever from the Jewish Book Council blog, courtesy of Naomi and co. Thank you thank you.