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Tuesday, July 4, 2017

I Laugh at Stupid Things

I don’t know when I started laughing at everything. I used to be cool, I swear. There was just a moment, maybe shortly after I moved to Los Angeles, when I went from being stoic and smart — the kind of person who nodded at jokes rather than laughing at them, not because you didn’t like them but because you did, to show that you were thinking about this clever quip, really internalizing it, rather than just laughing at it and reacting to it and letting it roll away — and started being the cerebral equivalent of a tickle monster.

I watched Hotel Transylvania 2 yesterday. The ending montage was a collusion of monsters — ’50s-style Frankenstein’s monster and his beehive girlfriend boppin’, two mummies doing the Walk Like an Egyptian dance, the one human guy doing bad hip-hop dance moves in an imagistic echo of being the only white guy at a party, and then, of course, the werewolf couple, revealed by a camera zoom-out to be surrounded by a litter of 20 puppies, all of which they inexplicably brought to a dance club — I was cracking up the entire time. I was an embarrassment to my 7-year-old. I was an embarrassment to my three-year-old.

“Papa, I can’t hear the talking in the movie,” she scolded. There was no talking. She just wanted me to stop.

Have you seen it? It’s so delightfully stupid. I have come to appreciate delightfully stupid. I’m pretty sure, if there’s a Netflix specialized queue for delightful stupidity, I’ve wheeled through it more than once.

In San Francisco all my friends were writers, and in L.A. they were all actors. Everyone was an actor. The writers were actors, the producers were actors, and the actors were especially actors, acting all the time. Anything anyone said to you was like an audience suggestion during an improv comedy show. How are you? I just had the craziest day, let me tell you about buying a Snickers bar at the convenience store, it was the most traumatic thing ever. 

I used to be stoic, standing around with funny people, some of them had been on TV, some of them had followings, Twitter fans they didn’t know, all of them saying the funniest things ever, things that rolled out of their mouths once and never be repeated, and I’d just stand around, nod and not laugh. Maybe add a line of my own if I was feeling up to it, something not quite as funny and not quite as lasting, but usually not that — I loved those moments, their fleeting perfection, I wanted them to stay untouched.

I was perfect then. I used to think G-d was my girlfriend, sending me these unreal miraculous moments, sharing them with me in my perpetual aloneness. Because everyone I knew was already couples, I wasn’t because I was orthodox and, who was I kidding, because I was weird, who’d ever want to go out with me? But G-d did. We’d be shooting each other magic eyes across the room, enchanted as all hell by our conversational partners, but, of course, not laughing. That would be our shared night.

I chase these memories. Some nights I still go out, not with the same people but with the same conviction, the same desperate search to abandon my history and narrow all my complicated thoughts down to something pure and simple and easy. I have stopped drinking so much, and I’d like to say it’s because I’m more health-conscious and protective of my liver but it’s mostly because beer makes me tired, whisky makes me asleep.

The past is way more overwhelming than the present, and that, at least partially, is a relief. I don’t need much present. I used to be able to churn out stories, then pick them up a week later and they felt like things that had happened to me long ago, kindergarten friends you run into at the mall, do I know you from somewhere? Now it takes me a month to write a short story. I stop. I gaze off. I imagine all the possible ways it could go, all the possible things I could do to these characters, these kids, my babies. And then I think about it for a while, and then I choose one.

Maybe it’s me being more serious. Maybe it’s me being more sensitive. Maybe I’m still as clueless as ever, as I always have been. But maybe — and this is what I’m holding onto, this is where I’m putting my money down — maybe I’m better at being clueless than I used to be.

Tuesday, May 23, 2017

Don’t Let the Haters Drag You Down


Here’s a song for Donald Trump after getting his hand swatted by Melania. And it’s for Melania, too, for the days that you just have to swat someone. This is for the Trump haters, and the Trump voters, and the people who are sick of it and the people who just can’t get enough. I want to say, I have been there, I have been all those people, and to all of you I just want to say: I am with you.

I’ve been in a weird mood lately. A cross between frustrated and full of rage, where I can’t decide if I want to radically change the world or walk away from it or start my own society or just give up on other people altogether and stay home for the rest of my life. And now — if you please — snarl with me, and give the air in front of you a punch, and press play, and keep reading after the song starts.

Today on the train, a woman whose appearance and subway stop suggested she was well-off climbed onto the train, asked if I could give her my seat because her leg was hurting. I gallantly surrendered my seat — and I probably would’ve volunteered to, too, if I’d been paying attention instead of trying to write the short story that would’ve gone up instead of this post. Gallantly at the time, at least. I spent half the ride watching her on her stupid 1000-dollar luxury phone playing a Candy Crush clone that probably withered away both our minds and thinking about how, if I was seated and had gravity on my side, I’d probably be writing something that was more coherent and blissful and maybe that could turn into a book I could sell for a million dollars. Or at least 1000 dollars, enough to afford one of those phones (although I wouldn’t buy a phone, I’d buy a room full of Legos instead) and some nice clothes (not ostentatious ones, but ones that made me feel a little bit better about myself) and finally take a week off from work.

And halfway through the ride, I was like, you know what? You just wasted half an hour of writing time kvetching to yourself about things you can’t change anyway.

And I wrote. Oh, believe me, I wrote.

(Not this post, and not a short story I can finish on a single train ride, but something I’m into, something that might turn into something real.)

Today I got into an Internet fight. It had nothing to do with me. A few weeks ago I’d gotten a stupid letter from a Jewish website, the Forward, saying they loved my writing and they wanted me to write for them. The editor, Sharon Gitelle, got my site’s name wrong and the subject matter wrong and it was pretty apparent she’d never actually looked at the site. And when a friend (ahem, co-editor) of mine pounced on the Forward, I did too. And it wasn’t even on my own behalf! I used to freelance, I know it’s crazy hard to sell stories every day, I get super mad when places that could pay writers aren’t paying them! This isn’t just kvetching. This is RIGHTEOUS ANGER ON BEHALF OF OTHERS.

Although the truth is, after the first volley it was like listening to the same song over and over again. (Here’s a new song. It will make you feel peaceful. Save it for after Shavuos if you hold that way.) I made my point. There are so many other points I could follow it up with. But do I really need to spend the most creative and dynamic parts of my life hammering down a point when it’s already solidly lodged in the firmament?

One of the best things about becoming religious was accepting the idea of bittul, or nullification. I’m not more important than the universe around me. G-d has a plan, and sometimes the best thing I can do is let go and let the plan carry me, and not be so damn obstinate and try to fight it. In the moment, the battle feels like everything. It feels like the only way I can make it to the next minute of my life is to completely win this one. I’ve been reading tweets maniacally before sleep, waiting for news about Trump, for someone to confess, or for someone to figure out just what the answer is to all this Russia stuff.

But I’ve been waiting 25 years to find out the end of Twin Peaks, too, and one way or another, I made it this far without my brain bursting open. I learned to get along. I found other stories. I wrote a few of my own along the way.

I take back the first thing I said. That song about the haters and the bastards, it’s not for those angry people — it’s not even for me when I’m angry. It’s not a thrashing song, it’s a ska song. And I don’t know if you’ve ever seen people dance to ska music (okay, the anthropological term is skanking) but it’s basically hopping up and down and throwing your arms back and forth like you’re skiing and it’s not you dancing, it’s letting your body dance you.

Rebbe Nachman says that one of the tricks played by our spiritual exile is to make us think that exile is the only place that exists. That there aren’t other worlds, better lives, new experiences waiting for us, that nothing happens after death, that there isn’t anything left to surprise us. It’s been a while since I’ve been well and truly caught by surprise. But I’d like to think I still can be — not just by stuff that makes me angry, but by stuff that makes me see magic.

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