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Showing posts with label moses. Show all posts
Showing posts with label moses. Show all posts

Monday, January 4, 2010

Jews Wear Hats

Jews wear a lot of hats. I mean that metaphorically but also literally: from black hats to fur hats to little white tent-yarmulkes to doilies to the Jackie O cloches of the Modern Orthodox upper-middle-class, hats and headcoverings mean different things -- important things -- to Jews.

obama yarmulke kippah


There's the idea of covering your head to show modesty before God, and the idea of covering your head to shield it from other people. Observant men cover their heads whenever they make a blessing. And sometimes people cover their head-coverings -- when entering a non-kosher restaurant, for example, or when you're trying to appear inconspicuous for one reason or another. (Lest your mind jump to unkind judgments about people who wear yarmulkes, let me tell you: I spent nine months of my life wearing a tweed hat while living in parts of Eastern Europe where you didn't want to be spotted wearing anything vaguely Jewish except an Uzi.)

What got me thinking about all this was Facebook. Two friends of mine, both amazingly talented performers, both from way different parts of the musical/social/spiritual continuum, and separated by thousands of miles, popped up next to each other on my friends list. Their pictures were next to each other -- and, to be honest, it was hard to look away. If for no other reason than, well, this:

jon madof patrick a can can


Insert here the jokes about how all Jews look alike. (It's true.) But it's funny how, aside from their finely-trimmed beards or their studiously artistic composure (Jon Madof, left, fronts the experimental jazz band Rashanim; Patrick A is the singer for Jewish punk band Can Can), both of them have singular headgear.

When I started wearing a yarmulke and hanging out with mostly Orthodox people -- significantly guys, for the purposes of this post -- I would frequently realize how often my yarmulked new friends were, well, not yarmulked. We'd go out on a Saturday night and I'd be wearing my new black velvet kippah, possibly still with the price tag on the underbelly, and I'd be accompanied by half a dozen guys in baseball caps, one in a ski cap, one in a Holden Caulfield hunter's hat, and one, only the good Lord knows why, in a sombrero.

The one thing they'd avoid -- like the plague, like the devil, and like every stigma in the book -- is wearing a yarmulke.

Or: they'd avoid wearing just a yarmulke.

At first I thought it was akin to my reticence to wear a yarmulke in Prague. Not that they didn't want to be lynched, necessarily, but that they didn't want to be instantly identified as Jewish. It's a stigma, after all. Either they were being low-key about it or they were being ashamed of their Jewish pride. In fact, I can remember people going on self-righteous anti-hat crusades, saying that hats equated ethnic shame. "You're a Jew!" they would rant and rave. "Be proud of it! Why do you need to hide beneath a hat? Do black people hide their skin beneath a hat? Did Moses need to hide his Judaism? Did Anne Frank?"

I would stop myself before mentioning that Moses lived several decades undercover as a Coptic Egyptian, and that Anne Frank probably didn't have a choice in the matter -- yellow armbands, you know -- but it's each person's choice. Besides, wasn't wearing a yarmulke and hiding it better than not wearing a yarmulke at all?

Now I'm older. I still wear a yarmulke (covered, sometimes, by a knit cap or a hoody). I live in New York, where I'm surrounded by a lot of other people who also wear yarmulkes -- and many people who don't. Some of them, of course, just don't wear yarmulkes straight-out. But others are deeply devout, and yet you'll rarely catch a glimpse of them in just a kippah -- the hip-hop artist Y-Love, for instance (he wears a tweed jeff-cap), or rabbi/author Danya Ruttenberg (yarmulke with attached devil-horns -- well, sometimes), or even the Biala Rebbe (either a Stetson hat or a fur-tipped streimel, depending on the day of the week).

And I think I've hit upon the reason. Even though we're all Jews, and we all cover our heads to honor the same ancient decree, we all want to do it in our own way. We don't all pray with the same voice, or using the same language. We don't dress the same. We have our own traditions that we might share with our family, or our friends, or the synagogue we attend. But in the modern cult of individuality, for better or for worse, we feel the need to self-identify with everything we do, from the way we act to the way we practice our religious rituals...to the clothes we wear.

And that's why we cover our heads in different ways.

One last point: In the '80s, the two big foreign synth-pop groups were Men Without Hats and Men at Work. Men Without Hats, in spite of writing a song with a Jewish mother-approved title ("The Safety Dance"), faded from sight. Men at Work, on the other hand -- who have frequently been seen wearing hats, and come from Australia, where ozone conditions dictate that you should always wear a hat -- have a song that's become the most recognizable Jewish wedding song ever:




You see? It's the hats that always win. Hence my argument that, given the choice, Jews will always gravitate toward odd and unique headgear. So there.

Tuesday, August 4, 2009

G-dcast: Spooky Moses

It's hard to top a beatbox harmonica Shema, but the first 3 seconds of Ekev really do it. Just the post-bris expression is what my 10-year-old cousin likes to anthropomorphize as an "OMG moment."







Thursday, July 9, 2009

Taking the Messiah out of the Three Weeks (and Putting Joy In)

Today is the 17th of Tammuz, the day when five big catastrophes happened in Judaism:

* Moses smashed the original Ten Commandments;
* The daily tamid offering was not offered in the Temple for the first time since it was constructed;
* The walls of Jerusalem were breached by Roman armies;
* A Torah was burned by a Roman general; and
* An idol was erected in the temple.

Last night was singer, pianist, and storyteller Rabbi Raz Hartman's last night in town. I got there late (I had a show of my own, and I was running late, and on low energy. But when I heard Raz singing, I bolted down the hall. (Being as though this was a fancy Upper West Side apartment building, with single-and-well-jobbed Jews all over the place, it was probably the first time the hallway had ever seen bolting.) It was a sudden rush of adrenaline, a memory of the first time I sat at his table for Shabbos. There's probably something in Hasidus that talks about the need for sudden devekut, but I don't know the quote. All I knew is, I needed to be there, right now.

And it was a joyous time. It was a really good time. I used to stay on the Upper West Side a lot, back when I was single and weird. I went to a bunch of social gatherings, and they were almost uniformly uncomfortable -- lots of "you're a professional poet? No, but what about for money?" -- and I was almost ashamed of my initial reaction that night, which was to gloat that I was the only male present (bli ayin hara) with a full head of hair.

But I pushed it to the side. Oh, there were the bankers and the lawyers and the people with their shirts tucked in and girls who wouldn't look twice at me, but I have my own girl, and I have my own job. And Raz was singing songs about rebuilding Jerusalem, and telling everyone in the audience that we need to come over for Shabbos dinner when we're in Israel. And it was so awesome and holy and joyful that it was hard to remember that we were on the precipice of a fast day, and that the next three weeks were the anniversary of the amazing city that we're singing and storying about getting ransacked and destroyed by the Roman army.

Occasionally, here at MyJewishLearning, we get in theological debates. (It is a Jewish website, after all.) When I wrote our article on The Three Weeks, I originally included a concluding paragraph that talks about the coming of the Messiah, and how the Jerusalem Talmud prophecies that the Messiah was born on the climactic day of the Three Weeks, on Tisha B'Av. It was cut out -- because, as one editor noted, some people don't believe in the Messiah.

Yeah, I'm Orthodox, and saying that you don't believe in the Messiah is like saying you don't believe in fairies -- you're either a heartless bastard or a 10-year-old boy with something to prove. The Messiah and the World to Come represent hope, and goodness, and that one day we'll have better things to worry about than bills and nuclear war.

To my surprise, though, they let me keep in a quote from the Munkacs Rebbe, who is totally awesome (and, by the way, is a cousin of our site's good friend Dan Sieradski) which closes out the article:

The Talmud says, "When the month of Av enters, one should decrease in joy." The Hasidic rebbe Rabbi Chaim Elazar Spira (1861-1937) said that, though the Talmud says to "decrease in joy," it should be read, "decrease...in joy." In other words, though it is proper to mourn, even in that mourning, we should do so joyously, knowing that better times are ahead.

That, I hope, is a sentiment that everyone can get with. Whether they're balding or not.

Thursday, July 2, 2009

10 Things I Hate about Commandments

I'm a big proponent of making the Torah relevant for modern society and everyday life. Maybe it's my whole Orthodox Jew trip of believing that Torah was given to us as a gift. Maybe it's because I'm a writer, and I want to believe that the stories we tell have life beyond when we tell them, and that they can pertain to different people in different circumstances -- and that the Torah, as the greatest story of all, can apply to anyone, anywhere.

But I don't think I have any excuse for loving this video as much as I do. Except, possibly, that I have dreamt all my life of someone turning my book into the next Ferris Bueller's Day Off.


OK, so the addition of Samuel L. Jackson "as Principal Firebush" at the end is a bit of a stretch, and doesn't at all fit with the tight-as-anything leitmotif that the rest of the video established. But who doesn't love themselves some Samuel L.? He didn't even totally suck playing a one-eyed black Nazi in The Spirit.

(One more note: yes, it is creepy that the narrator says "we'll see who can get the girl" just as Basya -- otherwise known as Moses's freakin' ADOPTIVE MOTHER -- comes onscreen.)

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